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Photo: Phillip Hamer |
My take: As I write in my review for OnSTL.com, this is a big, flashy, polished production of a good, old-fashioned Broadway musical comedy. It's the sort of thing the Muny has always done well, and it's a tremendously entertaining finale for a generally very strong season. Go see it and smile. Doll's lookin' swell and the Muny's got her.
Held Over:
Photo: Peter Wochniak |
My take: Call this a qualified recommendation. If you're a lover of Patsy Cline or country music in general, I think you'll have a great time at this show, which is really more of a celebrity impersonation review than a book musical per se. Jacqueline Petroccia captures Cline's voice and manner so accurately it's eerie and Zoe Vonder Haar is a hoot and a half as Louise Seger, the real-life Houston fan who became a close friends and correspondent of Cline. With over two dozen Patsy Cline hits performed to perfection by Ms. Petroccia and a six-piece band, the show is a real feast for fans. See my KDHX review for more information.
Photo: Peter Wochniak |
My take: It's a sad commentary on the state of the nation that the cheerfully cynical satire of the mendacity, mediocrity, and Machiavellian backstabbing of corporate America that makes up the book of "How to Succeed in Business Without Really Trying" is as relevant now as it was when the show opened back in 1961. The Stages production is, as I write in my review for KDHX, a big, bright, hilarious technicolor cartoon that keeps the action firmly in the "Mad Men" era, so its sexism feels funny rather than creepy. The cast is wonderful, headed by Ben Nordstrom as perhaps the ideal J. Pierrepont Finch.
Photo: John Lamb |
My take: If this sounds like in intriguing idea, that's probably because it is. In her review for 88.1 KDHX, Tina Farmer says "Quills" is "a deliciously inventive play weighing our decidedly human fascination with social and sexual mores against the lengths society will go to in the attempt to stifle the works of artists who push the envelope or in other ways make us nervous...Brooke Edwards' direction is clear and small details, such as having the stage crew dress as patients in the asylum, show a thoughtful approach to storytelling. When accompanied by as talented and committed a cast as in this current production, the result in an engaging, thought-provoking play."
Joe Hanrahan |
presents Eric Bogosian's Sex, Drugs, Rock and Roll through August 17. "Bogosian's solo shows, which also include DRINKING IN AMERICA, WAKE UP AND SMELL THE COFFEE and POUNDING NAILS IN THE FLOOR WITH MY FOREHEAD, are scorching social commentaries on the urban and suburban scene - presenting portraits of contemporary men, from the homeless to possession-crazed millionaires to fading rock stars - “scabrously funny ” (Boston Phoenix) and “combustibly funny” (Newsday) monologues exposing their hidden fears, hypocrisy and rage." The performances take place at Herbie's Vintage 72, 405 N. Euclid in the Central West End. A special pre/post-theatre menu will be available before or after the show, cocktails will be available for the performance, and live music will follow Sunday performances. For more information: midnightcompany.com
My take: Joe Hanrahan has become the king of the one-man show locally and has quite an affinity for Bogosian's dark, funny, edgy work. The location has a lot going for it as well; Herbie's has been a Central West End institution for decades (I recall going there fairly often back in the 70s and 80s), with a high-end food and wine list and a French bistro atmosphere.
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