New This Week:
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| Ignite! 2019 |
My take: The Ignite! festival offers theatre fans a rare opportunity to participate in the genesis of new works for the stage. Ignite! presents staged reading of plays commissioned by the Rep. The intent is to nurture the new plays until they get to the point where they’re ready for full productions. Talkback sessions after each reading offer audience members the chance to say what they did or didn’t like and possibly influence the shape of the final piece. Shows from previous festivals like Ayad Akhtar's The Invisible Hand and Scott C. Sickles's Nonsense and Beauty have gone on to become successful fully-staged works. Here's your chance to catch some rising theatrical stars.
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| The cast of Waitress Photo by Philicia Endelman |
My take: As I wrote in my reivew, this is a damn near perfect piece of small-cast musical theatre. Jessie Nelson's heartwarming book (based on Adrienne Shelly's 2007 film of the same name), Sara Bareilles's eclectic score, and the outstanding performances by the ensemble cast combine to produce an evening of theatre that's as perfect as one of the protagonist's pies. "The beauty of 'Waitress,' writes Tina Farmer at KDHX, "is in its portrayal of real life, filled with real people doing their best from day to day and trying to find a little happiness in their struggles. The performances are compelling, the songs are varied and emotionally resonant and there's an authenticity and warmth to the story that lingers long after the last pie comes out of the oven."
Held Over:
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| The Play the Goes Wrong Photo: John Gitchoff |
My take: As an old theatere guy myself, I'm something of a sucker for shows (like Michael Frayn's Noises Off) that get comedy out of backstage disaster, if only because anyone who has acted for any length of time will have his or her own tales of theatrical mishap. The Play That Goes Wrong appears to take this gentre to dizzying heights. "Farce," writes Steve Callahan at KDHX, "is technically the most difficult form of theater, and low farce--slapstick farce, like this one--is the most difficult kind of farce. The cast at the Rep are intensely energetic, intensely disciplined and occasionally quite athletic in portraying (and surviving) all their various injuries and embarrassments."
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