Share on Google+:
New this week:
Photo: John Lamb |
My take: I've done a number of shows with Stray Dog over the years and have been consistently impressed with the quality of their work and how well they treat their performers and tech folks. You might not think that matters that much from the audience standpoint, but as someone who works both sides of the footlights, I can tell you can a cast that's loving their work will always communicate that to the audience, intentionally or otherwise. Besides, this show—with it's spot-on parodies of 50s and 60s sounds and hilariously dark humor—is always worth seeing. Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.
The Possible |
My take: I'm not a huge LaBute fan myself, but in Tina Farmer, her review of Part one of the festival for 88.1 KDHX, described it as "five well-written, well-performed new works that pack a punch. Each piece features contemporary persons in contemporary settings exploring the fine art of living, and the selection committee is to be commended on their choices." Will part 2 follow suit? Check it out and discover for yourself. For more information, call 314-458-2978 or visit stlas.org.
Held over:
(c) 2013 Ron Lindsey |
My take: Union Avenue is a small local opera company that has successfully produced both classics like this one as well as newer works—most notably the Jake Heggie and Terrence McNally collaboration Dead Man Walking in 2011—that stretch the company's artistic and physical limits. This one didn't stretch them at all; it's a very solid, compelling production of an operatic classic. How good is it? Well, I really liked it and I'm all that fond of this particular opera. You can see my review at 88.1 KDHX for details, but the bottom line is Union Avenue's Madama Butterfly is so good that it made me forget why I don't much like Madama Butterfly. For more information, visit unionavenueopera.org or call 314-361-2881.
Photo: Stewart Goldstein |
My take: This 1970s soul version of The Wizard of Oz crackles with energy, and a good production is always fun. This particular production of The Wiz was originally scheduled to close on June 30. Ticket sales were so brisk, though, that the Black Rep elected to go an hiatus for two weeks, re-cast the roles whose actors had conflicts for July, and re-open this weekend. "I had a blast," wrote Sheila Schultz in her review of the original production for 88.1 KDHX. "I head home humming 'Ease on Down the Road'. Still humming." For more information, visit theblackrep.org or call 314-534-3810.
No comments:
Post a Comment