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New This Week
Carol Schmidt |
My take: As I noted in my interview for OnSTL last week, the cabaret scene in St. Louis is as hopping as it is largely unknown by the general public. The St. Louis Cabaret Conference has been producing top-notch talent for years now. The high school version is relatively new, but the degree of talent displayed by the kids in the program is really pretty amazing. It doesn't hurt that Tim Schall and Carol Schmidt are both very effective teachers and talented performers in their own right. The Bistro has a respectable menu, by the way, so you might want to show up early and grab a bite and a libation.
Blood Brothers Photo: John Lamb |
My take: I'm not an unabashed admirer of LaBute, but there's no question that an evening of new plays by local playwrights is always welcome. "The first part of the festival," writes Tina Farmer in her review for 88.1 KDHX, "set the tone with assertive, contemporary shows that bristled with tension and energy. The company's production of the second series of new short plays fully demonstrates that commitment to previously untested material and ideas as well as emerging playwrights."
Held Over
Photo: John Lamb |
My take: I've done a number of shows with Stray Dog over the years and have been consistently impressed with the quality of their work and how well they treat their performers and tech folks. You might not think that matters that much from the audience standpoint, but as someone who works both sides of the footlights, I can tell you can a cast that's loving their work will always communicate that to the audience, intentionally or otherwise. Besides, this show—with its spot-on parodies of 50s and 60s sounds and hilariously dark humor—is always worth seeing. "As usual," writes Tina Farmer in her review for 88.1 KDHX, "the company does not disappoint with this production, adding a touch of earnest to the inside jokes and dark humor inherent in the original script."
Photo: Stewart Goldstein |
My take: This 1970s soul version of The Wizard of Oz crackles with energy, and a good production is always fun. This particular production of The Wiz was originally scheduled to close on June 30. Ticket sales were so brisk, though, that the Black Rep elected to go an hiatus for two weeks, re-cast the roles whose actors had conflicts for July, and re-open this weekend. "I had a blast," wrote Sheila Schultz in her review of the original production for 88.1 KDHX. "I head home humming 'Ease on Down the Road'. Still humming."
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