Or are we losing our minds?

www.victor-victrola.com

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Earlier today I was listening to one of my favorites podcasts—The Antique Phonograph Music Program from WFMU in New Jersey. Host Michael Cumella and guest Michael Devecka were talking about the cost of a state of the art sound system circa 1925—specifically the RCA Victor-Victrola Credenza series (pictured). It was the company’s top of the line back then and sold for $275.00. In contemporary money that’s $3660.56. Could you get a state of the art music system for that kind of dough today?

A little Googling suggests that the answer is "probably not." You can get a very good surround sound system for well under $4000, no question. But state of the art? Expect to shell out a good two grand just on a top of the line receiver (like the Marantz SR7008). Add in a good BluRay player (the cheapest item; even the high end ones will only set you back a few hundred) and a really spectacular surround speaker system like the Axiom Epic series ($3600 and up) and your total bill will easily be two or three times what it would have been in 1925.

Now I'll grant you that state of the art sounds a hell of a lot better now than it did in 1925. But there's still no getting around the fact that, even after adjusting for inflation, being an audiophile burns a lot more dead presidents now than it once did. And not everything about contemporary sound reproduction technology is necessarily better.

That may seem nuts, but hear me out. Nearly 100 years after it was manufactured, that Victor-Victrola machine is still working and the discs that go with it can still be played. Will today's best in class systems still be working in 2100? The laser in the BluRay player certainly isn't going to last 100 years, for one thing. And even if the systems are still working, will there be anything around that they can play? Digital media, after all, are pretty fragile. A scratch in a record just makes a bit of noise. A scratch in a DVD kills it completely. Analog media degrade with wear. Digital media just shoot craps.

The problem is exacerbated by the fact that most audio and video material is controlled by a small handful of corporations that have adopted what Vance Packard (in his sadly visionary 1960 classic The Waste Makers) dubbed "planned obsolescence" as their business model. Every few years, they come up with an innovation (or something they sell as an innovation) that makes your previous purchases obsolete. LPs replaced by tape. Tape replaced by CD. CD replaced by MP3 (a step back in sound quality, but that's another rant). On the video front film gave way to videotape, which gave way to DVD, which is giving way to BluRay, with will give way to 3-D BluRay, which will give way to who knows what (but you can bet Sony is working on it).

And with each iteration, some material doesn't make the cut for the next transition. A legion of great LP-era recordings that never made it to digital format; ditto the pre-LP era. With each new bright, shiny object, we lose a bit of our collective cultural memory.

Don't get me wrong. I appreciate the fact that even a mid-range sound system today beats the pants off what was available back when I was in college in the 1960s, and the range of music available is huge. But I also think that, to quote Joni Mitchell, "Don't it always seem to go / That you don't know what you've got / Till it's gone?"

"You need your human memory now," wrote singer/songwriter Buddy Bohn in the now-forgotten 1971 classic "Piccalilli Lady" (another digital conversion Left Behind), "But only 'til the show begins / Then when the curtain opens / And your memory forgets itself / There's nothing left to turn your head / To find out what had been there." Is it time to ask whether the cost of admission to that show might have been too much?