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Fences Photo: USI Media |
My take: This production certainly appears to have hit a home run with local critics. Tina Farmer at KDHX calls it "finely wrought" and "hard-hitting" white Steve Allen at Stage Door STL says "it's a play you won't want to miss." "If anyone needs to consider whether August Wilson may have been America's greatest playwright of the Twentieth Century," writes Ann Lemmons Pollack "please go to the Black Rep's production of Fences at Washington University's Edison Theatre." 'Nuff said.
The Marvelous Wonderettes Photo: Eric Woolsey |
My take: This looks like great fun and judging from the reviews that's just what it is. Tina Farmer at KDHX says it's "an entertaining escape with a soundtrack you can dance to." "Great, almost giddy fun during this cold winter of our discontent," writes Ann Lemmons Pollack. "If you're in the mood for a little 'Respect,'" writes Mark Bretz at Ladue News, "check out The Marvelous Wonderettes and step back in time when you were younger and high school was the place to be." It may be light as chiffon, but maybe that's not such a bad thing right now.
Held Over:
The Cabaret Project and The Improv Shop present The Blue Velvet Lounge Saturday, January 13, at 8 pm. There are also performances on January 27 and February 10 and 24. "The Cabaret Project teams up with The Improv Shop to co-present their dynamic, fully improvised theater piece featuring live jazz standards - direct from the mythical Blue Velvet Lounge. Each performance features eight smart, funny improvisers who create the stories and sagas of the patrons of the Blue Velvet Lounge - on the spot. Surrounded by live jazz vocal standards, this character driven story is a different show each night it's performed. The Blue Velvet Lounge is a perfect evening out for lovers of cabaret and comedy. Food and drink available at the Improv Shop." The performance takes place at The Improv Shop, 3960 Chouteau in The Grove. For more information: thecabaretproject.org.
My take: Cabaret shows are carefully planned, but so is a good improv show. Improvisation works best when there's some sort of structure to build on. So combining the two makes more sense than you might think, especially when the singer at the center of it all is local cabaret pro Tim Schall.
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