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New This Week:
Bengal Tiger at the Baghdad Zoo |
My take: "Rajiv Joseph," writes Mark Bretz at Ladue News, "was a finalist in 2010 for a Pulitzer Prize in drama for this searing, gripping and provocative story which is given a first-rate rendering by Black Mirror Theatre". At KDHX, Tina Farmer writes that the show "powerfully effective, at times heart wrenchingly painful and always thoughtful and provocative." Black Mirror has had something of an on-again, off-again existence here in St. Louis, but their current season has been a strong one and bodes well for the company's future here.
Nabucco Photo by John Lamb |
My take: As I write in my review for OnSTL.com, Verdi's 1842 Biblical melodrama "Nabucco" ("Nebuchadnezzar") isn't the composer's biggest hit, but it was his first, sealing his reputation as a major new force in Italian opera. Union Avenue's fast-paced and splendidly sung production makes an exceptionally good case for it.
The Realistic Jonses Photo by Eric Woolsey |
My take: As you can tell by the other new items this week, summer theatre in St. Louis isn't limited to big musicals and light comedies. This latest from Rebel and Misfits is a good bet for anyone looking for something more challenging and unconventional on stage. As Tina Farmer writes at KDHX, this is "a visually and intellectually layered show that takes audiences on a wild ride with a startling and abrupt finish. Darkly funny and expertly paced, the emotional pull of the show lies below the surface and audience members are invited to wade in as deeply as suits their preference. Once again, Rebel and Misfits Productions presents a work that challenges audiences while providing a satisfying and comically driven story."
Held Over:
Mamma Mia! Photo by Peter Wochniak |
My take: As I wrote in my review of the 2002 USA tour of this show on its first visit to the Fox, I am not now nor have I ever been a fan of the 1970s pop quartet ABBA. When they were cranking out hits like "Dancing Queen", I was sneering at them and listening to Elvis Costello and The Ramones. But when I first saw Mamma Mia! in London back in 2001 surrounded by wildly enthusiastic Brits (who apparently feel about ABBA the way the French feel about Jerry Lewis), I had to admit it was great fun. I found it a completely captivating evening of musical theatre, mostly because Judy Craymer, director Phyllida Lloyd and playwright Catherine Johnson (all from Britain, where this show began) have put together a fast-paced, funny, and occasionally even touching show that can send even a die-hard ABBA hater like yours truly out of the theatre with a smile on his face and a handful of those bouncy, hook-laden melodies rattling around in his brain. So enjoy it, already.
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