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New This Week:
Lianne Marie Dobbs and William Michals |
My take: When I see shows like this in the lineup, I wish I could be in more than one place at the same time. If I weren't already committed to other events both nights, I would definitely be at the Gaslight for this show. It looks like sheer heaven for musical theatre fans like me. Go and enjoy, and consider coming early for dinner at the West End Grill next door.
A Doll's House, Part 2 Photo by Peter Wochniak |
My take: I'm a great admirer of the work of playwright Lucas Hnath. His plays Death Tax and The Christians (both of which had their world premiere's at the Humana Festival in Louisville) are very strong and very different, so I'm interested to see what his revisionist take on Ibsen's classic looks like. Reviews have been very favorable. "Re-imagining a character such as Nora... is illuminating," writes Andrea Braun at STL Limelight. "A Doll’s House, Part 2 provides a deeper examination of what’s going on with her, shows how her actions may have affected one of her children, and, at long last, lets us hear from Torvald. The play got a slew of awards and nominations; it deserves them." "Director Timothy Near," writes Ann Lemmons Pollack, "gives us a play that is both period and modern. It balances both sides beautifully." I'm looking forward to seeing this on Saturday.
Nina Gabinelli |
My take: I have never seen Ms. Gabinelli perform, but Robert Breig's Mariposa Artists has brought so many great cabaret acts to local stages that I'm inclined to just take his word for it that she's worth seeing. Besides, she's originally a local gal and her director, Lina Koutrakos, is one of the best int he business.
The Last Days of Judas Iscariot |
My take: How can you not like the concept of this show? Still consumed with guilt, Judas has had enough of Hell and wants a new trial. Witnesses include Freud, Mother Teresa, Pilate and, of course, Satan himself. In his review for STL Today, Calvin Wilson says that the script "is a droll, poignant and surreally intriguing meditation on nothing less than the meaning of life. And this production is outstanding." At STL Limelight, Lynn Venhaus says the production "is an extraordinary achievement for all involved. It’s tough, tender, edgy and above all, heartfelt." This is another one of those shows I'd see if only I had one of those time turners that J.K. Rowling describes in her Harry Potter books.
Held Over:
Clayton Community Theatre presents the drama The Laramie Project Thursdays through Saturdays at 8 pm and Sundays at 2 pm through October 21. "Based on the true story of the death of Matthew Shepard, the 21-year-old victim of an anti-gay hate crime in 1998 in Laramie, Wyoming, The Laramie Project unfolds through the words of people in Laramie who were interviewed by members of Tectonic Theater Company in the 18 months following Matthew Shepard's death, creating a portrait of the community and key individuals in the aftermath of the event and as the victim's killers were brought to trial and convicted." Performances take place at the Washington University South Campus Theatre. For more information, call 314-721-9228 or visit placeseveryone.org.
My take: While crime in general continues to decrease in the USA, hate crime is on the rise. The story of Matthew Shepard's murder may be two decades old, but the ugly thinking that prompted it is, if anything, more prevalent now than it was then.
Raging Skillet Photo by Eric Woolsey |
My take: With the opening of Raging Skillet, we now have two plays in town in which food is a central theme. Upstream's Chef (see below) closes this weekend but the New Jewish show is only in its second weekend. In his review for Ladue News, Mark Bretz writes that this "humorous, pleasant skirmish between an iron-willed mother and her equally defiant daughter, who have more in common than they might think...All three of the performers are top-notch in their portrayals, keeping their audience transfixed with the over-the-top comedy as well as some surprising moments of poignancy. "
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