New This Week:
The All Hands on Deck Show |
My take: This nostalgic tribute to the patriotic shows of World War II originated in Branson, where it continues to play on a regular basis. Reviews of the tour elsewhere have been pretty positive, and it's worth recalling a time when (unlike today) America was largely united in the war against fascism. The 1940s had a lot of problems which, as far as I can see, this upbeat revue ignores, but as I wouldn't expect a production like this to take on a subject that complex, I can hardly say that's a criticism. Bottom line: it looks like great fun.
La Bohème Photo by Dan Donovan |
My take: By the time Puccini and his librettists got around to translating Henri Murger’s episodic 1849 novel Scènes De La Vie Bohème into the 1896 opera La Bohème, it had already enjoyed a considerable European vogue, so it’s not surprising that La Bohème has gone on to become a favorite of opera companies around the world. The classic tearjerker has been produced many times here in St. Louis (most recently by Opera Theatre in 2016), but a good production is always worth seeing, and given Union Avenue's track record, I expect this one to be solid.
Jaws: The Parody Photo by Kayla Lindsay |
My take: Magic Smoking Monkey Theatre, the illegitimate love-child of St. Louis Shakespeare, got its start by concocting its own scripts from pop culture detritus like the films of Ed Wood and superhero cartoons. In recent years they have branched out to making fun of of material that, unlike Ed Wood's collected works, didn't suck in its original form. "The bigger the original's special effects budget," writes Paul Friswold at the Riverfront Times, "the funnier the Magic Smoking Monkey version becomes, thanks to cardboard sets, dollar-store props and the actors' wild-eyed willingness to try anything for a laugh." Sounds about right.
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