Showing posts with label free theatre. Show all posts
Showing posts with label free theatre. Show all posts

Friday, June 23, 2017

Chuck's Choices for the weekend of June 23, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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My hit list was on vacation while my wife and I were tooling around Italy.  Now that it's back, I realize that there is so much great theatre, opera, and cabaret in town this week that I hardly have space to list it all. Here is my very personal list, based entirely on what I've already seen or (in the case of the cabaret shows) on my experience with the performers. Your mileage may vary.

Amy Friedl Stoner
Mariposa Artists presents Amy Friedl Stoner in Dreamchaser on Saturday, June 24, at 8 p.m. "Dreamchaser" is a look at life -with the love of music leading the way- through the songs of Billy Joel, Cole Porter, Jason Robert Brown and more." The performance takes place at the Kranzberg Arts Center at Grand and Olive in Grand Center. For more information: metrotix.com.

My take: Amy is the Real Deal—a pro who can deliver the goods. The fact that cabaret legend Lina Koutrakos is her director doesn't hurt.


The Grapes of Wrath
Photo: Ken Howard
Opera Theatre of St. Louis presents the world premiere of The Grapes of Wrath by Ricky Ian Gordon and Michael Korie, based on the John Steinbeck novel, through June 25. "When the Dust Bowl sweeps across Oklahoma, the Joad family sets out for a new life in California. But the promised land isn't all it seems. In the face of countless obstacles, can the American dream survive? Both heartbreaking and uplifting, this acclaimed opera vividly captures all the beauty of John Steinbeck's best-selling novel." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644.

My take: As I write in my review, this is a searing indictment of the cruel and exploitative treatment of the so-called "Okies"-subsistence farmers driven into poverty by the Depression and the Dust Bowl and driven from their homes by rapacious banks. Sadly, that indictment is still relevant as politicians continue their war on the poor.


Madame Butterfly
Photo: Ken Howard
Opera Theatre of St. Louis presents Puccini's Madame Butterfly through June 24. "A Japanese geisha. An American soldier. Their attraction is immediate, but their love story can't last. When their union results in a child, Cio-Cio-San is forced to do whatever it takes to protect her son's future. Set to breathtaking music, this timeless opera pays powerful, wrenching tribute to a mother's love." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644.

My take: As I note in my review, this production is so good that it allowed me to forget, for nearly all of its two-and-one-half hour length, why I dislike this opera in the first place. Artistically and technically, this is such a superb piece of work that even an old Butterfly curmudgeon like yours truly got swept up in the tragedy.


Mariposa Artists presents Amy Basta in Marilyn, Uncovered on Friday, June 23, at 8 p.m. "Share an evening with Singer/Performer Amy Basta as she uncovers the iconic Marilyn Monroe in this original and captivating look at one of the greatest legends of the 20th Century. Through a theatrical mix of songs, join Amy and pianist/arranger extraordinaire Rick Jensen on a compassionate journey, beginning with the life of Norma Jeane to the final days of Marilyn. Judged and misunderstood by many but loved by all, both personas ultimately came up victorious, yet not without great personal cost." Rick Jensen is pianist and music director for the show, which is directed by Lina Koutrakos. The performance takes place at the Kranzberg Arts Center at Grand and Olive in Grand Center. For more information: metrotix.com.

My take: Because I still haven't mastered being in more than one place at the same time, I'm going to miss this. But what's not to like about a show celebrating the remarkable Ms. Monroe, I ask you?


Ken Haller and Marty Fox
The Stage at KDHX presents Ken Haller in The Medicine Show on Saturday, June 24, at 8 p.m. Ken Haller's shows have been described as "touching," "hilarious," "intimate," and "tremendously entertaining." In The Medicine Show, where "miracle cures" are peddled, Ken weaves songs as diverse as "The Physician" (Cole Porter), "Someone to Fall Back on," (Jason Robert Brown), "Pirelli's Miracle Elixir" (Stephen Sondheim) and more, into a narrative of how becoming a doctor is only the first step toward becoming a healer. The performances take place at The Stage at KDHX, 3524 Washington in Grand Center. For more information: ticketfly.com.

My take: The Medicine Show, the newest diadem in the crown of St. Louis cabaret star Ken Haller, was just what the doctor ordered. And Mr. Haller is a doctor, so he should know. Check out my review of the show earlier this spring at Cabaret Scenes to learn more.


Time Flies
Circus Flora presents its new show, Time Flies, through June 25 under the air-conditioned, red-and-white, big top tent in Grand Center next to Powell Hall. "Imagine that you could travel through time. Would you go back to relive historic events? What if you could alter the course of your own life? Now imagine you had the grace, power, and beauty of an acrobat or aerialist. Circus Flora's all new production uses the timeless art of circus to explore the fabric of time." For more information: circusflora.org.

My take: Circus Flora remains one of our town's great performing arts treasures. Escape the heat by joining the circus. You won't regret it.


Titus (La Clemenza di Tito)
Photo: Ken Howard
Opera Theatre of St. Louis presents Mozart's Titus (La Clemenza di Tito) through June 24. "Politics turn lethal as a new emperor takes the throne of Rome, and the Capitol is set ablaze by an explosive mix of ambition, conspiracy, and romantic intrigue. With an assassin lurking in the shadows, can the world's most powerful city still be ruled with compassion? Experience this transcendent Mozart masterpiece, handpicked by conductor Stephen Lord for his final appearance as OTSL Music Director." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644.

My take: I'll qualify my recommendation by saying this one is mostly for lovers of Mozart and great singing in general. Besides, you should never pass up a chance to hear the heavenly voice of tenor René Barbers. Check my review for details.

The Winter's Tale
Shakespeare Festival St. Louis presents the comedy/drama The Winter's Tale nightly except for Tuesdays, through June 25. "Written in approximately 1610, The Winter's Tale is considered to be one of a group of Shakespeare's plays defined by their tragic undertones and simultaneous use of straightforward comic situations. Other plays that are grouped in this category include Measure for Measure, The Merchant of Venice, Troilus and Cressida, All's Well that Ends Well, and Timon of Athens." Beginning at 6:30 the Green Show presents pre-play entertainment a variety of local performers on multiple stages. The play begins at 8 p.m. Performances take place in Shakespeare Glen next to the Art Museum in Forest Park. For more information, visit shakespearefestivalstlouis.org.

My take: This is, as I say in my review, seriously great theatre. It's one of the best Shakespeare productions I've ever seen. Heck, it's one of the best productions of any play I've ever seen. And it's free (or, at most, $10 if you want to buy a seat; such a deal!).

Wednesday, June 21, 2017

Review: The Shakespeare Festival's "A Winter's Tale" is seriously great, even when it's not serious

The Sicilian court
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I won't mince words. The Shakespeare Festival St. Louis production of Shakespeare's 1610 comedy/drama The Winter's Tale, which runs through June 25th, is seriously great theatre. It demands to be seen.

This isn't just one of the best Shakespeare productions I've ever seen, it's one of the best productions of any play I've ever seen. It's superbly acted, beautifully designed, and directed in a way that shows a deep understanding of and respect for the text-something far too many Shakespeare directors seem to lack.

A Winter's Tale is often regarded as a "problem play" because of the way it shifts abruptly from tragedy to bucolic comedy to redemptive romance. Some critics have seen that as a weakness, but director Bruce Longworth, in his program notes, begs to differ. "I think it's a strength," he writes. "Life can turn on a dime and frequently does: laughter in the morning, tears at night…Shakespeare understood this and embraced it in his story-telling." Mr. Longworth goes with Shakespeare's flow, setting a brisk pace and allowing the feel of the production to change along with Shakespeare's text.

The Bohemian countryside
And those changes are significant. For its first three acts, A Winter's Tale is a dark tale of jealously and paranoia run rampant, as Leontes, the King of Sicilia, effectively goes insane and accuses his pregnant wife Hermonie of having an affair with Leontes' long-time friend Polixenes, the King of Bohemia. By the time Shakespeare's third act (and this production's first) ends, there have been multiple deaths and Leontes realizes, too late, how much damage he has caused.

The last two acts, which take place sixteen years later, are mostly taken up with rustic comedy in Bohemia, as Polixenes' son Florien woos the girl he believes to be a shepherdess but who is actually the supposedly dead daughter of Leontes and Hermonie. Everyone eventually winds up back in Sicilia for a wildly improbable happy ending.

This could all be a mess, but under Mr. Longworth's skilled guidance this outstanding cast makes it all work. Their obvious comfort with Shakespeare's language allows them to communicate every nuance clearly with the audience who, the night I saw the show, were rapt from the first scene.

Charles Pasternak perfectly conveys Leontes' madness and remorse, Cherie Corinne Rice is a perfect picture of wounded innocence as Hermonie, and Rachel Christopher makes Hermonie's gentlewoman Paulina a tower of righteous strength as she defends Hermonie from Leontes' lunacy.

Charles Pasternak, Rachel Christopher,
Cherie Corinne Rice
Anderson Matthews is a wonderfully sympathetic Camillo, torn between what Leontes wants and what he knows is right. And Whit Richert's performance as the Shepherd who rescues Leontes' infant daughter from the elements is a comic gem. Ditto for Gary Glasgow as the rogue Autolycus, deftly picking pockets and bursting into song.

In fact, there is not a weak performer in this ensemble. Rather than list them all here, I'll just refer you to the Festival's web site. Scenic Designer Scott Neale and Costumer Designer Dorothy Marshall Englis set an appropriately fanciful tone, placing the action in a kind of vaguely 18th century Neverland. And the live music by Matt Pace, Brien Seyle, and Emma Tiemann adds an extra bit of polish to the show.

The Shakespeare Festival St. Louis production of The Winter's Tale is performed nightly at 8 in Shakespeare Glen across from the Art Museum in Forest Park, although the pre-show entertainment starts at around 6:30. You only have a few more days to catch this beautiful and completely entertaining event; don't miss it.