Showing posts with label rock opera. Show all posts
Showing posts with label rock opera. Show all posts

Thursday, October 17, 2019

Chuck's Choices or the weekend of October 17, 2019

The weekend starts a day early with rock opera, cabaret, and a Neil Simon Classic.

New This Week:

Brighton Beach Memoirs
Photo: Greg Lazerwtz
New Jewish Theater presents Neil Simon's Brighton Beach Memoirs Thursdays at 7:30 pm, Saturdays at 4 and 8 pm, and Sundays at 2 pm through October 27. "Brighton Beach, September 1937. Eugene Jerome is dreaming of baseball and girls. Over the course of a few short days amid family harmony and disharmony, young Eugene will come to understand life a little deeper. This award-winning play is a bittersweet memoir that captures the life of a struggling Jewish household where, as his father states 'if you didn't have a problem, you wouldn't be living here.'" Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

My take: Well, who does't like Neil Simon? And unlike some of this more facile scripts this is one with non-comic undertones, so the characters have a bit more depth. "This story, in other hands, could have been a serious drama," writes Ann Lemmons Pollack. "But not with Simon, and we can all relax and have a good time...the large household of the extended Jerome family gives us lots of story and plenty of laughs in its current production at the New Jewish Theatre." At Ladue News, Mark Bretz calls this "a finely crafted and touching interpretation". Sounds like a cozy choice for a chilly fall night.


Rachel Bay Jones
Jazz St. Louis and The Cabaret Project present Rachel Bay Jones in Something Beautiful on Wednesday and Thursday, October 16 and 17, at 7:30 p.m. "In her new solo show, Rachel Bay Jones, 2017 Tony Award winner for Best Featured Actress in the Broadway smash hit musical Dear Evan Hansen, explores the music and stories that have shaped her life and career. Sharing adventures that have taken her from multiple Broadway successes to motherhood, Jones' intimate yet soaring voice creates an incredibly compelling evening featuring music from Richard Rodgers, Andrew Lloyd Webber, Joni Mitchell and more. A great singer, storyteller and actress, Rachel was recently featured opposite Julia Roberts in the film Ben is Back and will be seen opposite John Leguizamo in the upcoming film Critical Thinking. Rachel shares the Grammy Award with her Dear Evan Hansen co-stars for the shows Original Cast Recording." Performances take place at the Ferring Jazz Bistro on Washington just east of the Fox in Grand Center. For more information: www.thecabaretproject.org.

My take: I saw Ms. Jones's show last night and was deeply impressed by combination of her somewhat impish and elfin stage personality and the wide expressive range and tonal variety of her voice. Her interaction with her long-time music driector Randy Redd is a pleasure to watch, especially since Mr. Redd has a fine voice and stage presence of his own. Her set list leans heavily towards ballads and contemporary Broadway, which is either a positive or a negative depending on your taste, but last night's audience loved her to pieces in any case. And the Jazz Bistro these days is a very pleasant room with a top notch sound system and kitchen.

Kevn Corpuz as Tommy
Stray Dog Theatre presents the rock musical The Who's Tommy through October 26. "Back by popular demand! Based on the iconic 1969 rock concept album, The Who's TOMMY is an exhilarating tale of hope, healing, and the human spirit. The story of the pinball-playing, deaf, dumb, and blind boy who triumphs over his adversities has inspired and amazed audiences for 50 years." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: It has been almost exactly eight years (October 2011) since Stray Dog first tackled the stage version of The Who's "rock opera" (which is really more of a concept album, but why quibble?). They did an awfully fine job last time. To judge by the reviews, they're doing it justice once again. At Ladue News, Mark Bretz calls Stray Dog's new version "one of the most stunning productions in its history...This rendition is fresh, imaginative and fully captures the infectious energy of Pete Townshend’s rock music classic".

Held Over:

Cry-Baby
Photo by Jill Ritter Lindberg
New Line Theatre presents the musical Cry-Baby Thursdays through Saturdays at 8 pm through October 19. "It's 1954. Everyone likes Ike, nobody likes communism, and Wade 'Cry-Baby' Walker is the coolest boy in Baltimore. He's a bad boy with a good cause -- truth, justice, and the pursuit of rock and roll." Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: Critical opinion seems to be pretty much unanimously positive on this one. Judy Newmark calls it "keen-witted...a youthful cast that sparkles with energy as they sing and dance their way through one hilarious song after another." At Ladue News, Mark Bretz says it's a "bright, energized rock musical, which dabbles creatively in several genres, including rockabilly, barbershop quartets and old-fashioned rock ‘n' roll." And over at KDHX, Tina Farmer writes that Cry-Baby "bristles with energy and hormonal frenzy that's played for laughs, but delivers plenty of commentary on everything from classism to our definition of beauty." I could go on, but you get the idea. New Line originally did this show back in 2012. Mark Bretz points out that this revival, by New Line's artistic director Scott Miller "was approved by the show's creators with a reduced cast and fresh orchestrations by original orchestrator Chris Jahnke." Sounds like a bit of a coup for New LIne.

Thursday, April 12, 2018

Chuck's Choices for the weekend of April 13, 2018

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

The Monroe Actors Stage presents the drama An Inspector Calls Fridays and Saturdays at 7:30 and Sundays at 2:30 p.m., April 13 - 22, in the Historic Capitol Theatre in downtown Waterloo, Illinois. For more information, visit www.masctheatre.org or call 618-939-7469.

My take: I won't be able to see this production, so this recommendation is based entirely on the fact that the play itself is a powerful indictment on the smugness and moral rot that can accompany material comfort. As such, it's as relevant now as when it was first performed in 1945, if not more so. An Inspector Calls neatly subverts the conventions of drawing-room drama to deliver a radical message which, sadly, still needs to be delivered today.


Jesus Christ Superstar
Photo by Justin Been
Stray Dog Theatre presents Andrew Lloyd Webber's Jesus Christ Superstar Thursdays through Saturdays, April 12 - 28. There will also be performances at 2 pm on Sunday, April 22, and 8 pm on Wednesday, April 18 and 25. "Jesus Christ Superstar has captivated audiences for more than 40 years. Loosely based on the Gospels of Matthew, Mark, Luke, and John, this timeless rock opera follows the last week of Jesus' life, exploring his personal relationships and struggles with Judas Iscariot, Mary Magdalene, his disciples, and the Roman Empire" Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Here's another one I'm recommending in advance purely on the strength of the material and on the track record of the producing company. Stray Dog has had quite a string of critical and commercial success lately with its seasons in general and in particular with its musicals. Last year's Ragtime (in which, to be fair, I performed) walked away with multiple St. Louis Theater Circle awards and sold-out houses. This production of Jesus Christ Superstar, which features some of the same stars as Ragtime, is already selling out as well. Hence the early inclusion.


New Jerusalem
Photo by Eric Woolsey
New Jewish Theater presents David Ives' New Jerusalem, the Interrogation of Baruch de Spinoza at Torah Talmud Congregation: Amsterdam, July 27, 1656 through April 22. The play is the true story of Jewish philosopher Baruch de Spinoza who was excommunicated from the Jewish community of Amsterdam in the mid-1600's in order to keep the peace for that city's Jews." Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

My take: I'm a sucker for this kind of intellectual drama, and New Jewish appears to be doing an impressive job with it. In her review for KDHX, Tina Farmer says that director Tim Ocel and his cast "work in unison to create a moving and effective show that allows history to reverberate with issues of contemporary concern...The impact of Spinoza's genius is still felt in our national conversation, and the captivating and sharply performed show contains enough story and dramatic tension to engage a broad audience."

Rosenkrantz and Guildernstern Are DeadPhoto by Ron James
St. Louis Shakespeare presents Tom Stoppard's Rosenkrantz and Guildenstern Are Dead Thursdays at 7:30 p.m., Fridays and Saturdays at 8 p.m., and Sundays at 2 p.m., through April 15. "This comedy, penned during the height of the absurdist movement, follows the two hapless friends of Hamlet, Rosencrantz and Guildenstern, as they go on a journey from which they never return. On a day like any other, Rosencrantz and Guildenstern's peaceful morning is suddenly disrupted when a messenger from Elsinore castle raps on their window informing them that they have been summoned. Thus, begins the journey for our befuddled travelers as they explore fate, their purpose and very nature of existence." Performances take place at the Ivory Theatre, 7620 Michigan in the Carondelet neighborhood. For more information, call 314-361-5664 or visit stlshakespeare.org.

My take: Speaking of lively intellectual theatre, Stoppard's play is still a classic example of how to pour old wine into new bottles. It's "Shakespeare through the wrong end of the telescope" concept is brilliantly executed and always worth seeing. "The dizzying imagination of Tom Stoppard's razor-sharp mind," writes Mark Bretz at Ladue News, "is in evidence throughout this brisk, brilliant comedy currently being given a delightful rendering by St. Louis Shakespeare."

Held Over:

Cardboard Piano
Photo by John Lamb
The West End Players Guild concludes its 107th season with the St. Louis premiere of Hansol Jung's drama Cardboard Piano Fridays and Saturdays at 8 PM and Sundays at 2 PM, April 6 - 15. "In civil war-torn northern Uganda a missionary's daughter and a local teenaged girl exchange secret wedding vows and plan their escape, but they cannot evade the reach of the encroaching civil war. The play explores the deep but tragic relationship between the two young women and a troubled child soldier they try to save. The cardboard piano is their symbol of the hope and courage needed to carry on in a hopeless world. But can anyone have the courage to forgive the unforgiveable?" There will also be a show on Thursday, April 12, at 8 pm. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

My take: I'm on the play reading committee as well as the board of WEPG, and was a strong supporter of this play from the beginning. I first saw it at the Humana Festival of New American Plays at Actors Theatre of Louisville in 2016, where I was very impressed with the writing. In my review, I wrote that Cardboard Piano manages to balance the immediacy of it's "ripped from the headlines" story with a contemplation of deeper issues. As our own domestic political process plays out the conflict between a version of Christianity based on mercy and compassion vs. one based on anger and judgment, the issues in Cardboard Piano feel both immediate and timeless.


Hamilton
The Fox Theatre presents the musical Hamilton running through April 22. "HAMILTON is the story of America's Founding Father Alexander Hamilton, an immigrant from the West Indies who became George Washington's right-hand man during the Revolutionary War and was the new nation's first Treasury Secretary. Featuring a score that blends hip-hop, jazz, blues, rap, R and B, and Broadway, HAMILTON is the story of America then, as told by America now." The Fox is at 527 North Grand in Grand Center. For more information: fabulousfox.com.

My take: Yeah, like you need my encouragement to see this massive hit. Reviewing the Chicago production in 2016, I wrote that Hamilton is a flat-out brilliant piece of musical theatre that manages to be both educational and entertaining at the same time. In nations, as in nature, diversity is a source of strength. Hamilton is a reminder of that strength. We are, as JFK wrote in his book of the same name, "a nation of immigrants," so it's encouraging to note that, when we saw Hamilton, spontaneous applause burst out when Jefferson and Hamilton sang "immigrants: we get the job done."