As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.
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New this week:
Mariposa Artists presents an encore performance of
Liz Murphy's cabaret debut
The Best is Yet to Come, Sunday, March 30, at 7 PM. The show is directed by Lina Koutrakos with music direction by Rick Jensen. “Liz shares the incredible opportunities of her life, the people that have influenced her, and her eagerness for self-discovery. This show celebrates the joy of new found possibilities: the spirit, energy, sparkle, and exuberance of a colorful life. With her musical partner, Rick Jensen, the evening of song will take us from Cy Coleman to Christopher Cross, Stephen Schwartz to Stephen Sondheim, Martina McBride to Julie Gold....just to mention a few.” The performance takes place at the Belleville Philharmonic, 116 North Jackson in Belleville, IL. For more information:
www.brownpapertickets.com/event/567490
My take: Music director Rick Jensen and director
Lina Koutrakos are major names in the cabaret world. I saw this show the first time around (last November) and was very impressed. For more information on the show, check out
my interview with Ms. Murphy from last year.
The Presenters Dolan present an encore performance of
Connie Fairchild: Down by the River on Friday, March 28, at 8 PM as part of the Gaslight Cabaret Festival. "As the lead singer of Fairchild, one of the most popular bands ever to call St. Louis home, Connie Fairchild was recognized by the RFT as Best Female Vocalist several times. A few years on, and Connie makes her cabaret debut in a show entitled Down By The River. Connie was mesmerized by the rhythms of the rivers that surrounded her home towns. Growing up in Kentucky on the Ohio and Tennessee Rivers, in Louisiana on the Mississippi, and then following the river up to St. Louis, her voice was chiseled from other voices she listened to from these lush environments, such as Irma Thomas and Rosemary Clooney." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information:
gaslightcabaretfestival.com.
My take: I'll qualify this recommendation by noting that, as I wrote
my review of the show last month, this is more of a themed concert than a cabaret show. That said, if you're a fan of Ms. Fairchild's work and/or go in not expecting traditional cabaret, I think you'll find this show great fun,
The Presenters Dolan present an encore performance of
Joe Dreyer and Rosemary Watts: Swing Into Spring on Saturday, March 29, at 8 PM as part of the Gaslight Cabaret Festival. " Rosemary Watts and Joe Dreyer premier their new show "Swing Into Spring" at the Gaslight Cabaret Festival. Music from the masters of musical theatre makes up the heart of the show, with a few Dreyer originals too. The first couple of St. Louis cabaret brings a brand new show to the Gaslight stage." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information:
gaslightcabaretfestival.com.
My take: I missed this show the first time around and will unfortunately do so this time as well. Which is a pity, because I'm a great admirer of Mr. Dreyer and his wife. The Dreyer/Watts team has been a fixture of the St. Louis cabaret
scene for a while now, and Joe has solid credentials as an arranger and
music director for a number of local artists. "With this first song,"
wrote KDHX's Laura Kyro in
her review
of the duo's February 2011 show at the Kranzberg, "they set the tone
for the night, which was an obvious affection for each other and a joy
in singing songs that were special to them."
Mariposa Artists Robert Breig in
Making Every Moment Count: The Music of Peter Allen, Friday and Saturday, March 28 and 29, at 8 PM. The show is directed by Lina Koutrakos with music direction by Rick Jensen. “Robert Breig opens his new cabaret show "Making Every Moment Count - The Music of Peter Allen", March 28-29th, 8PM at the Kranzberg Arts Center. Rick Jensen serves as music director and arranger of songs that give us more than just a glimpse of Peter Allen's life in story and song....to Oz and beyond!” The performance takes place at the Kranzberg Center, 501 North Grand in Grand Center. For more information:
www.brownpapertickets.com/event/559044
My take: Here's another show by a local cabaret pro that I'm going to miss due to schedule conflicts. That's my loss; Mr. Breig is an accomplished performer and cabaret producer. I can recommend this highly.
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| Photo: Jerry Naunheim, Jr. |
The Repertory Theatre of St. Louis presents Michael Frayn's comedy
Noises Off through April 13. “Disasters abound as a frantic, sleep-deprived touring company of actors rehearses and performs their fictional farce,
Nothing On. Too many doors, too many sardines and not near enough time combine to create a riotously funny situation on and off stage for both cast and crew. Michael Frayn's intricately crafted mayhem is hailed as one of the greatest comedies ever written.” Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit
repstl.org.
My take: Reviews for this show have been overwhelmingly positive, and with good reason. Michael Frayn's script is an ingenious, brilliantly assembled laugh machine performed with all the necessary precision by a fine ensemble cast.
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The Price
Photo: John Lamb |
New Jewish Theater presents Arthur Miller's
The Price through April 16. “Everything has a price. In one of the most emotional pieces that Arthur Miller ever wrote, two estranged brothers reunite for one day to sort and sell their deceased father's "furniture," before the building is torn down. The brothers are forced to deal with the price of decisions made in their shared past.” Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information:
www.newjewishtheatre.org or call 314-442-3283.
My take: The play is a classic and reviews have been glowing. In
her review for KDHX, Tina Farmer says that this is "an artfully staged, well-acted production that fully embraces the essential themes of playwright Arthur Miller. There's layered intention in every line and the cast, with strong, purposeful direction from Bruce Longworth, does an admirable job of navigating the playwright's subtleties and inferences while avoiding excess."
Held Over:
HotCity Theatre presents
Red Light Winter by Adam Rapp through March 29. “A tempestuous love triangle smolders between two college buddies and the red light woman they share for a night. Sex, lies and decadence will change their lives forever!” Performances take place at the Kranzberg Arts Center, 501 North Grand in Grand Center. For more information, visit
www.hotcitytheatre.org or call 314-289-4063.
My take: Critics have been impressed by this oddball play. "This is a doomed love story with comedy," writes Andrea Braun
at Playbackstl.com, "or maybe a comedy with doomed love, or maybe a tragedy with some jokes...I'd call Red Light Winter another win for the always intriguing HotCity Theatre." Over at
Ladue News,
Mark Bretz says "
Red Light Winter is sometimes graphic, frequently surprising and consistently engaging." HotCity has a good track record of bringing St. Louis new and unconventional shows.
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| Photo: Jill Ritter Lindberg |
New Line Theatre presents the rock musical
Rent Thursdays through Saturdays at 8 PM, through March 29. "New Line continues its 23rd season with Jonathan Larson's Pulitzer Prize winning, long-running rock opera Rent. This cheerfully transgressive, 1990s rock/pop riff on the classic story, set in New York City's East Village, is best described in its creator's own words: 'In these dangerous times, where it seems the world is ripping apart at the seams, we can all learn how to survive from those who stare death squarely in the face every day and we should reach out to each other and bond as a community, rather than hide from the terrors of life at the end of the millennium.'"Performances take place at the Washington University South Campus Theatre, 6501 Clayton Road. For more information:
newlinetheatre.com.
My take: I've always been a fan of this musical. Jonathan Larson's score is inventive and stylistically eclectic and his lyrics are artful and intelligent. What strikes me about
Rent is how much this modern and supposedly revolutionary show reminds me of another one to which those same adjectives were applied back in 1968:
Hair, the show that defined the genre of rock musical. Like
Hair,
Rent takes jabs at the older generation - mine - and thumbs it's nose at the American
status quo from the bottom of the economic pyramid. Unlike
Hair, though, it's less overtly political, covers a wider emotional spectrum, and may actually be a better piece of theatre. In
her review for KDHX, Tina Farmer describes this as "a memorable production filled with stolen chances, borrowed happiness and powerful emotions pulled from a constant state of movement, noise and distraction."
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| ©Photo by Jerry Naunheim, Jr. |
The Repertory Theatre of St. Louis presents
Soups, Stews, and Casseroles: 1976 through March 30. “When the main employer in Monroe, Wisconsin is acquired by a major manufacturer, a once peaceful small town turns into a battleground as families struggle to retain their independence, identity and livelihoods. While new opportunities develop for some, difficult choices must be made, putting loyalties and relationships to the test. This world premiere play has been commissioned by The Rep and was developed through the Ignite! New Play Festival.” Performances take place in the studio theatre at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit
repstl.org.
My take: As I write in
my review for KDHX, this play addresses the slow poisoning of our culture by the empty values of the corporation and the marketplace using well-developed and credible characters in a way that's thoughtful, often funny, and consistently engrossing. Attention, as Linda Loman says in
Death of a Salesman, must be paid.
