Showing posts with label tragedy. Show all posts
Showing posts with label tragedy. Show all posts

Thursday, August 29, 2019

Chuck's Choices for the weekend of August 30, 2019

New for Labor Day weekend: a festival of new plays at Stray Dog.

New This Week:

Stray Dog Theatre's New Works Lab presents a Short Play Festival Thursday through Saturday at 8 pm, August 29-31. The plays are 50 States That Are United And In America by Christopher Wiley, Florida by Steven Doloff, Open House by Jennifer Bennett, and Play by Laurence Klavan. Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Want to know what local playwrights are up to? Stray Dog's festival is one of the more reliable outlets for new plays by area authors. Admission is free, but there's a tip jar to which you are encouraged to donate. And they have a very well-stocked bar.


Held Over:

Antigone
Photo by Joey Rumpell
Slightly Askew Theatre Ensemble and ERA Theatre present Antigone, adapted from the Sophocles tragedy by Lucy Cashion, Wednesdays through Saturdays at 8 pm through August 31. " Antigone explores themes of fidelity, citizenship, civil disobedience, and the struggles and consequences the characters within the world of the play encounter as a result of their choices. Antigone's story of fighting civic law to obey divine law became famous in the Classical Greek tragedy Antigone, which premiered in Athens in 441 B.C. Since then, scholars, poets, and playwrights have written their own translations, adaptations, and critiques of the Antigone story, each from a different point of view. The continuation of this tradition resulted in a new version of Antigone, which was performed in October 2017 by SLU theatre majors in St. Louis and then with a performance by PPA participants at WERDCC in March 2018. The collaboration now continues with this ERA/SATE co-production in St. Louis." Performances take place at The Chapel Venue, 6238 Alexander Drive. For more information: slightlyoff.org.

My take: Lucy Cashion has a well-established reputation for doing surprising and often astonishingly creative things with well-known theatrical material. Some of you will remember Moscow! her remarkable one-hour distillation of Chekov's The Three Sisters that was a hit of the St. Lou Fringe in 2015 or her Oedipus Apparatus, which completely re-shaped the playing space at West End Players Guild back in 2017. As Michelle Kenyon writes at her blog, this re-thinking of the Greek tragedy is "both convention-challenging and thought-provoking, showcasing a superb cast of local performers." On a theatre scene dominated by musicals, this show truly stands out.

Sunday, August 11, 2019

St. Louis theatre calendar for the week of August 12, 2019

The St. Lou Fringe plays this week with a wide assortment of shows at various venues in Grand Center while ERA presents a re-imagined Greek tragedy and Union Avenue gives us a local premiere of a contemporary opera.

Slightly Askew Theatre Ensemble and ERA Theatre present Antigone, adapted from the Sophocles tragedy by Lucy Cashion, Wednesdays through Saturdays at 8 pm, August 14-31. " Antigone explores themes of fidelity, citizenship, civil disobedience, and the struggles and consequences the characters within the world of the play encounter as a result of their choices. Antigone's story of fighting civic law to obey divine law became famous in the Classical Greek tragedy Antigone, which premiered in Athens in 441 B.C. Since then, scholars, poets, and playwrights have written their own translations, adaptations, and critiques of the Antigone story, each from a different point of view. The continuation of this tradition resulted in a new version of Antigone, which was performed in October 2017 by SLU theatre majors in St. Louis and then with a performance by PPA participants at WERDCC in March 2018. The collaboration now continues with this ERA/SATE co-production in St. Louis." Performances take place at The Chapel Venue, 6238 Alexander Drive. For more information: slightlyoff.org.

CSZ St. Louis presents The ComedySportz Show on Saturday nights at 7:30 pm. The show is "action-packed, interactive and hilarious comedy played as a sport. Two teams battle it out for points and your laughs! You choose the winners the teams provide the funny!" Performances take place on the second floor of the Sugar Cubed, 917 S Main St. in St Charles, Mo. For more information: www.cszstlouis.com.

Glory Denied
Photo by Dan Donovan
Union Avenue Opera presents Glory Denied by Tom Cipullo Fridays and Saturdays at 8 PM, August 16-24. "America's longest-held prisoner of war dreams of coming home. But home is a place he will not recognize. Follow the gut-wrenching saga of Col. Jim Thompson as he transitions from the jungles of Southeast Asia to the tree-lined streets of suburban America. This true story explores the unimaginable bravery asked of soldiers and the nature of home itself. It is a story of a nation divided and a country that changed significantly in the decade of his imprisonment." Performances take place at the Union Avenue Christian Church, 733 Union at Enright in the Central West End. The opera is sung in English with projected English text. For more information, visit unionavenueopera.org or call 314-361-2881.

Grease
Photo by Peter Wochniak
Stages St. Louis presents the musical Grease through August 18. " Welcome to Rydell High where Danny Zuko and his gang of Burger Palace Boys and Pink Ladies rule the school! Bursting with explosive energy and 1950's nostalgia, GREASE blends an irresistible mix of adolescent angst and All-American teen spirit to create a high-octane, pop-culture phenomenon you won't want to miss!" Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information: stagesstlouis.org.

Guys and Dolls
Stray Dog Theatre presents the Frank Loesser musical Guys and Dolls Thursdays through Saturdays at 8 pm through August 24, with additional performances at 2 pm on Sunday, August 18, and at 8 pm on Wednesday, August 24. "Guys & Dolls takes us from the heart of Depression-era Times Square, to the cafés of Havana, and into the sewers of New York City to give us what some have called the perfect musical comedy. This timeless tale follows ruthless gamblers, sexy nightclub performers, and the hot-tempered law enforcers who keep them all in line." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

The Kirkwood Theatre Guild presents Recipes for Ice, their monthly improv show, on Friday, August 16, at 8 and 10:30 pm at The Steamboat Room, 314 S. Clay in Kirkwood, MO. "Join Adam and his crew for an interactive night of fun and laughter. Beer, wine and food available from Kirkwood Station Brewery." For more information: ktg-onstage.org.

R-S Theatrics presents the musical A Man of No Importance Fridays and Saturdays at 8 pm and Sundays at 7 pm through August 25. "The show has music by Stephen Flaherty, lyrics by Lynn Ahrens and a book by Terrence McNally, based on the 1994 Albert Finney film, of the same title. It tells the story of an amateur theatre group in Dublin and their leader, who is determined to stage a version of Salome at his church, despite the objections of church authorities. " Performances take place at black box theatre at The Marcelle, 3310 Samuel Shepard Dr. in Grand Center. For more information: r-stheatrics.com.

The Bissell Mansion Murder Mystery Dinner Theatre presents Sherlock Holmes in "The Case Without a Clue" running through October 27 The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com

The St. Lou Fringe Festival opens on Tuesday, August 13, at 7 pm with an Opening Night Party, featuring a performance of Intervals by Mill Hill Productions at the .ZACK in Grand Center. The Fringe Festival continues at various venues in Grand Center through Saturday, August 17. For more information: stlouisfringe.com.

The Lemp Mansion Comedy-Mystery Dinner Theater presents Zombie Love (No Biting) running through November 2. "Calling all Zombies! Tired of being judged for munching on the occasional brain? So you're not really "alive" anymore but you can still enjoy socializing with the living and enjoying a hilarious show together! Well, we've got the perfect show for you! Drama! Comedy! Looove! ...And, of course, Zombies! Don your best Living Dead Costume and choose to be a Zombie, or not (its up to you), but we do promise lots of fun for both the living and the undead! hey, Hey, HEY! No Biting!" The Lemp Mansion is at 3322 DeMenil Place. For more information: lempmansion.com.

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.
For information on events beyond this week, check out the searchable database at the Regional Arts Commission's Events Calendar.
Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

Thursday, February 14, 2019

Chuck's Choices for the weekend of February 15, 2019

There's plenty of new theatre this week, from cabaret to adult drama to children's theatre. Go see a play!

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New This Week:

Farragut North
Photo by Patrick Huber
St. Louis Actors' Studio presents the political thriller Farragut North Thursdays through Saturdays at 8 pm and Sundays at 3 pm through February 24. Performances take place at the Gaslight Theatre, 358 North Boyle. For more information call 314-458-2978 or visit stlas.org.

My take: Mark Bretz says this story of political intrigue on the campaign trail is "a fascinating political cautionary tale written by John Burroughs alumnus Beau Willimon, is a compelling and provocative story as told by director Wayne Salomon and his smart cast." "At a time when the absurdities of national politics are virtually unavoidable," writes Calvin Wilson at STLToday, "theatergoers might be wary of yet another reminder. But for anyone interested in how we got here, "Farragut North" offers a provocative and entertaining education." Mr. Salomon's cast includes some of our most reliable local actors.


The Hundred Dresses
Metro Theatre Company presents The Hundred Dresses through February 25 " Wanda Petronski, the new girl in Room 13, is a Polish immigrant who lives in a shabby house and doesn't have any friends. Every day she wears the same faded blue dress, but tells her new class-mates that she has a hundred dresses at home. Her classmates tease Wanda about her hundred dresses until one day she disappears from school. As guilt overtakes the children, they decide to find out what happened to Wanda and to make amends. But is it too late? Bullying, friendship and forgiveness are at the center of this play adapted from the beloved Newbery Honor Book by Eleanor Estes." The performance takes place at the Grandel Theatre, 3610 Grandel Square in Grand Center. For more information: metroplays.org.

My take: This 1998 stage adaptation of a 1945 Newberry Award-winning children's book deals with adult themes. "Yes, it is a children's play," writes Richard Green, [b]ut The Hundred Dresses contains all the elements, in story and characterization, of a more ambitious story." Mark Bretz at Ladue News agrees: "Metro Theater Company artistic director Julia Flood and her acting quintet do poetic justice to this sweet, affecting story by Eleanor Estes in a production tailored to children but with a message of tolerance and understanding important for all." At a time when hatred of the "other" is making a repellent comeback, this show seems very timely.

Paula Stoff Dean
The Hermann Showboat Community Theatre presents Paul Stoff Dean in an encore performance of her solo debut cabaret, Its About The Journey, on Friday and Saturday, February 15 and 16, at 8pm. "It's been several years in the making but Paula Stoff Dean is finally debuting in her first ever solo cabaret. Paula's voice has been described as one that can shake the rafters or break your heart. If you haven't heard her sing, make sure you mark this date on your calendars. She has been in various productions with several different theatre companies in the St Louis area such as Stray Dog Theatre, West End Players, Non Prophet Theatre Company, Dramatic License Productions, and most recently ComedySportz St. Louis." The show is directed by Kay Love with musical direction by Carol A Schmidt. Performances take place at the Showboat Community Theatre, 112 E. 4th St. in Herrmann, MO. For more information: showboattheatre.org.

My take: I first encountered the very talented Ms. Dean back in 2009 when we shared the stage in Stray Dog Theatre's first production of The Rocky Horror Show. I have since had opportunities to admire her work in other shows, including her remarkable Sally Bowes in Stray Dog's dark Cabaret a few years later. Reviewing the first performance of this show for KDHX in September, Steve Callahan praised Ms. Dean's "very special sexy, vivacious, comic gift." I agree.


Oslo
Photo by Peter Wochniak
The Repertory Theatre of St. Louis presents the drama Oslo running through March 3. "Winner of the 2017 Tony Award for Best Play. In 1993, two bitter enemies shocked the world by shaking hands and agreeing to work toward peace. This breathtaking drama tells the story of the secretive and precarious negotiations that made that moment possible. By focusing on the Norwegian couple who brokered talks between the Israelis and Palestinians, Oslo finds the unlikely story behind this historic event." Performances take place at the Loretto-Hilton Center on the Webster University campus. For more information: repstl.org

My take: The Oslo peace accords might not seem as the most likely subject for a successful play, but then, neither would nuclear physics, and that didn't stop Michael Frayn from writing a hit with Copenhagen. In fact, as Ann Lemmons Pollack writes, "how the accord came to be is a fascinating and very human story about how individuals can make a difference in the world...It’s a fascinating play, well written and surprisingly funny." At Ladue News, Mark Bretz writes that "Steven Woof, The Rep’s Augustin artistic director, makes his final directorial effort at the helm of The Rep a smashing success with this riveting, superbly acted and beautifully modulated production."

That Uppity Theatre Company and NARAL Pro-Choice Missouri present The Vagina Monologues Saturday at 7:30 pm and Sunday at 2 pm, February 16 and 17. "The event will feature one of the largest and most diverse casts of women seen on stage in St. Louis and will include cisgender, transgender, non-binary, African American, Asian American, Latina, white, immigrant, and refugee women, spanning several decades in age. The play explores consensual and nonconsensual sexual experiences, body image, genital mutilation, direct and indirect encounters with reproduction, sex work, love, rape, menstruation, birth, orgasm, and many other topics. Performances take place at the .ZACK, 3224 Locust in Grand Center. For more information: https://www.metrotix.com/events/detail/naral-the-vagina-monologues.

My take: That Uppity Theatre Company remains our preeminent local theatre company with a conscience. And Eve Ensler's play feels more timely now than ever.

Held Over:

Avenue Q
Photo by John Flack

The Playhouse at Westport Plaza presents the musical Avenue Q running through March 3. "Part flesh, part felt and packed with heart, AVENUE Q is a laugh-out-loud musical telling the timeless story of a bright-eyed college grad named Princeton. When he arrives in the city with big dreams and a tiny bank account, he has to move into a shabby apartment all the way out on AVENUE Q. Still, the neighbors seem nice. There, he meets Kate (the girl next door), Lucy (the slut), Rod (the Republican), Trekkie (the internet entrepreneur), superintendent Gary Coleman (yes, that Gary Coleman) and other new friends! Together, they struggle to find jobs, dates, and their ever-elusive purpose in life." The Playhouse at Westport Plaza is at 635 West Port Plaza. For more information: www.playhouseatwestport.com.

My take: A smart, hip, and very funny parody of Sesame Street, Avenue Q is also an entertaining (if R-rated) story of college-educated twentysomethings--both flesh and foam rubber--coming to grips with the economic, political and sexual facts of life. The show is good, not-so-clean fun and always worth seeing. This production is "outrageously funny" (Calvin Wilson, STLToday). "A blend of national and local talent brings zest, exquisite precision and rampant enthusiasm to this delightful version of the Tony Award-winning musical melange of puppeteered optimism at its finest," writes Mark Bretz at Ladue News.


Classic Mystery Game
Photo by Joey Rumpell
Slightly Askew Theatre Ensemble presents Classic Mystery Game Wednesdays through Saturdays at 8 pm through February 16. "Classic Mystery Game: a parody (or a spoof, maybe a send-up, possibly a take-off). The use of parody in human culture is ritualistic, so here is SATE, once more, to perform yet another ritual. Classic Mystery Game investigates Western society in 2019 through the lens of the hilarious 1985 movie, CLUE...which in turn was investigating Western society in 1985 through the lens of McCarthyism. Perhaps by distilling our world through so many layers of comedy, as the ritual calls for, we'll discover a bit of Truth - even if it's merely a smile at the end of a funny play." Performances take place at The Chapel Venue, 6238 Alexander Drive. For more information: slightlyoff.org.

My take: Whatever else Classic Mystery Game's PR may claim, it would appear that it is ultimately a big, entertaining, and very funny show. At KDHX, Tina Farmer says its "a comic circus of sorts, paying tribute to the fun of the board game and the campy excess of the 1985 movie. If you are looking for a genuine comedy that the whole family can enjoy or just a fun night out with friends or a date, "Classic Mystery Game"...is an excellent choice." "This is a hilarious show," writes Michelle Kenyon on her blog, "with a spirit reminiscent of old-time sketch comedy shows..There's wordplay and innuendo, along with physical comedy, sight gags and more as the story continues on its rapid pace until its suitably hilarious conclusion. I won't give any more details, because that will spoil the fun. And fun, it certainly is."


The Crucible
Photo by Dan Danovan
Stray Dog Theatre presents Arthur Miller's The Crucible Thursdays through Saturdays, February 7 - 23. There will also be a show at 2 pm on Sunday, February 17. "Lies. Betrayal. Lust. In 1690s Salem, a young girl leads a Puritanical purge of witchcraft against a local farmer and his wife. As fear and excitement grow in the town, the accusations grow more ferocious and terrifying, until no one is safe, and the truth is obscured completely. Winner of the 1953 Tony Award for Best Play." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: In a 1989 New York Times article reflecting The Crucible, Arthur Miller wrote, "Political movements are always trying to position themselves against the unknown-vote for me and you're safe." The relevance to contemporary politics could hardly be more obvious. Inspired in part by the 20th century witch hunts of the late Senator McCarthy, the play is a searing indictment of the power of mob mentality and the moral corruption of politicians who feed on it. Today the mob is on the Internet and social media, but the intellectually disreputable process is the same. I don't think it's coincidental that the last couple of years have seen a reawakening of interest in this work. In a review for STLtoday Calvin Wilson calls this a "stunning and hauntingly memorable production." "The play's four acts clock in at a total of 3.5 hours including three intermissions," writes Jacob Juntunen at KDHX, "but the quick pacing of Gary F. Bell's direction and the solid acting and design elements make the time fly by like binge watching four episodes of an online streaming drama." And, yes, I have a small part in it.


Exit, Pursued by a Bear
Photo by John Lamb
The West End Players Guild opens its 108th season with the St. Louis premiere of the comedy Exit, Pursued by a Bear Fridays and Saturdays at 8 PM and Sundays at 2 PM, February 8 - 17. "Our twisted take on Valentine's Day is Exit, Pursued by a Bear by Lauren Gunderson, author of last season's smash hit Silent Sky. Exit is a nasty feminist revenge comedy featuring a good old boy named Kyle, his beleaguered spouse Nan and her two buddies, a sweetheart of a cross dresser named Simon and a stripper named Sweetheart. Nan has decided to teach Kyle a long-deserved lesson, and then cover him with meat and honey and feed him to a bear. Yes, it's that funny." There will also be a show on Thursday, February 14, at 8 pm. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

My take: I haven't seen any of the rehearsals for this production yet, but I'm on West End's play reading committee and so I have read the script. It's a hilarious wild ride that's very different in tone from Gunderson's more well-known Silent Sky. This is definitely an adult comedy, though, so leave the little ones at home. At KDHX, Tina Farmer says it's a "laugh out loud funny and oddly relatable as it delivers a few heartfelt lessons on friendship, loyalty and finding yourself."

Sunday, December 09, 2018

Opera Review: Lyric's "Trovatore" embraces darkness

L-R: Russell Thomas, Tamara Wilson, Artur Rucinski
Photo by Todd Rosenberg
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The story line may not make much sense and the principal male characters are studies in testosterone poisoning and bad judgment, but nevertheless Verdi's 1853 tragedy "Il Trovatore" ("The Troubadour") has proved to be one of the most enduring hits produced during his "Middle Period" in the 1850s. I have some complaints about the staging of Lyric Opera of Chicago's production, which I saw in its final week, but overall I found it very compelling.

"Il Trovatore" is classic romantic Italian opera, with doomed lovers, a witch's curse, babies switched at birth, jealousy, violence, and death--everything you might want at this festive time of year. You can find a complete plot synopsis on Wikipedia, but let's just say that if "Il Trovatore" has a message, it might be "don't mess with the Gypsies."

Jamie Barton
Photo by Lyric Opera of Chicago
According to opera and theatre critic Charles Osborne the great Enrico Caruso is said to have once observed that all it takes to perform "Il Trovatore" is the four greatest singers in the world. Happily, all of the singers in Lyric's cast are vocal powerhouses as well as respectable actors--a good thing, given the emotional hell to which librettist Salvadore Cammarano subjects them.

Tenor Russell Thomas, who sang so beautifully in Lyric's "Norma" in 2016, scores again as Manrico, the titular troubadour who has won the heart of Leonora and, as a result, the enmity of the brutal Count di Luna. Soprano Tamara Wilson makes an excellent Lyric debut as Leonora, easily launching notes into the stratosphere and tugging at the heartstrings, most notably in the agonizing Act IV.

L-R: Artur Rucinski, Russell Thomas
Photo by Lyric Opera of Chicago
In his Lyric debut, baritone Artur Rucinski is the arrogant and lustful Count di Luna. His powerful voice and committed acting combine to produce a gripping portrayal of a man whose hormones have entirely destroyed any principles he might have once had.

The role of Azucena, Manrico's retribution-obsessed mother, is one that invites some scenery chewing, and mezzo Jamie Barton gives it her all without ever tipping over into parody. I have seen her do admirable work previously, not only at Lyric at also at Opera Theatre of St. Louis and Glimmerglass, and her superbly sung performance here does not disappoint. Bass Roberto Tagliavini is a strong Fernando, making the expository "Di due figli vivea padre beato" at the top of Act I a riveting story.

The "Anvil chorus"
Photo by Lyric Opera of Chicago
The chorus is very important for Verdi, and chorus master Michael Black's singers are consistently powerful, precise, and varied in their performances, filling the stage with interesting individual characters. Conductor Marco Armiliato and the orchestra deliver a virtuoso reading of the dramatic score. And, yes, they deliver an impressive "Anvil chorus," complete with the requisite hardware.

Originally presented at Lyric in the 2006-2007 season, when it was directed by Sir David McVicar (Roy Rallo is the revival director), this "Trovatore" is, according to Lyric's press release, "set in the smoldering atmosphere of darkly mysterious 15th-century Spain, inspired by the evocative paintings of the Spanish artist [Francisco] Goya." Both Charles Edwards's relentlessly bleak set, with its massive, ruined walls, and Chris Maravich's generally dim lighting certainly add to that atmosphere. They create a pervasive sense of doom, but they also can make it hard to see the faces of the performers. The sheer size of the set also means that the turntable used for scene changes moves rather slowly, which can be awkward at times.

Roberto Tagliavini
Photo by Lyric Opera of Chicago
The violence implied in the libretto is also demonstrated a bit too graphically at times on stage, as in Act III when de Luna's men physically abuse the captured Azucena before dragging her off.

Still, this is a worthwhile staging of Verdi's drama, and if you're a fan of the opera you certainly will not be disappointed. Sung in Italian with English supertitles, it runs through December 9th at Lyric Opera of Chicago; visit their web site for information on their season, which runs through May 2019.

Thursday, June 21, 2018

Chuck's Choices for the weekend of June 21, 2018

It's your last chance for great productions at Opera Theatre, along with new shows at The Muny and Uppity Theatre Company.

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New This Week:

That Uppity Theatre Company and the University of Central Oklahoma present 26 Pebbles by Eric Ulloa on Tuesday through Friday at 7 pm and Saturday at 2 pm, June 19 - 23. Presented in partnership with the Missouri Chapter of Moms Demand Action for Gun Sense in America and "Painting for Peace in Ferguson", the play combines live music, singing, and interviews from Newtown residents as they recount the ripples in their community in the wake of the Sandy Hook Elementary School shooting. The performances taks place at Christ Church Maplewood UCC, 2200 Bellevue on 6/21; at Lafayette Park United Methodist Church, 2300 Lafayette on 6/22; and at Daniel Boone Branch of the St. Louis County Library, 300 Clarkson Rd., on 6/23. The production is suitable for ages 12 and above. All performances are free and open to the public. For more information: uppityco.com.

My take: I haven't seen this, but the issues is raises and the high profile of The Uppity Theatre Company are enought to move me to recommend it. Producing theatre about important contemporary issues is never easy, and Uppity does an exemplary job of it.

The Wiz
The Muny presents The Wiz running through Monday, June 25. Based on L. Frank Baum's nostalgic classic, The Wonderful Wizard of Oz, The Wiz is considered a feel-good favorite sparkling with heart-pounding soul, unforgettable gospel and infectious rock rhythms. Grammy Award-winner for Best Cast Show Album, and ranked as one of the highest watched live television musicals, this reimagined familiar favorite will have you ready to "Ease on Down the Road" to meet The Wiz for yourself!" Performances take place on the Muny's outdoor stage in Forest Park. For more information: muny.org.

My take: This 1975 Broadway hit is getting a contemporary update, courtesy of Emmy-nominated writer Amber Ruffin (Late Night With Seth Meyers) and choreographer Camille A. Brown (Once on This Island). If you're a fan of the original, though, don't worry. As Kevin C. Johnson writes at STLToday, the heart of the original "remains intact, from the positive message of what you’re looking for most in life being inside you the whole time, to the importance of home and family, old and new."


Held Over:

An American Soldier
Photo by Ken Howard
Opera Theatre of St. Louis presents the world premiere of An American Soldier, by Huang Ro and David Henry Hwang, running through June 22. "Danny Chen is the son of Chinese immigrants, and a proud American. He enlists in the US Army in 2011, eager to serve his country. In boot camp, Danny is welcomed by his band of brothers. But in Afghanistan, his own base becomes enemy territory as military hazing turns deadly. Based on a true story, this opera asks powerful questions about what it means to be an American." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: While I'm not particularly taken with Huang Ro's score, David Henry Hwang's libretto is so strong and the performances of the cast are so compelling that I'm recommending this important new opera without hesitation. As I write in my review for KDHX, it's a work that forcefully reminds of us the gap that far too often exists between our nation's ideals and its realities, and it deserves to be seen. Note that as this is being written, the last performance of the show is sold out, but you can still put yourself on a wait list.


Blithe Spirit
Photo by John Lamb
Act Inc presents Noël Coward's comedy Blithe Spirit Fridays at 8 pm and Saturdays and Sundays at 2 pm through June 24. "Blithe Spirit is a comic play by Noël Coward. The play concerns the socialite and novelist Charles Condomine, who invites the eccentric medium and clairvoyant, Madame Arcati, to his house to conduct a séance, hoping to gather material for his next book. The scheme backfires when he is haunted by the ghost of his annoying and temperamental first wife, Elvira, after the séance. Elvira makes continual attempts to disrupt Charles's marriage to his second wife, Ruth, who cannot see or hear the ghost." Performances take place in the Emerson Black Box Theatre at the J. Scheidegger Center for the Arts on the Lindenwood campus in St. Charles, MO. For more information, visit actincstl.com.

My take: Coward's arch take on ghostly goings-on has been so popular for so long for very good reasons. Tina Farmer calls it an "entertaining diversion" in her review for KDHX, and I'd say that summarizes the play's appeal perfectly. Act Inc has also gotten the technical demands right, it seems, which is where productions of the play can sometimes fall down.


Hedda Gabler
Photo by John Lamb
Stray Dog Theatre presents Ibsen's tragedy Hedda Gabler Thursdays through Saturdays through June 23. "A masterpiece of modern theatre, Hedda Gabler exposes a powerful and reckless heroine who finds herself stranded in the seemingly ordinary but dangerously imbalanced Victorian Era. Employing methods that define the modern psychological drama, the plot stealthily reveals the bitter conflicts and thwarted longings that lie just below the "civilized" interactions of daily life and unflinchingly leads us to a shocking but inevitable conclusion." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Well, you don't need me to tell you that Hedda Gabler is one of the classics of 20th-century theatre. It is, however, easy to get it wrong and make it tedious. Needless to say, Stray Dog has done nothing of the kind, which means (to quote Tina Farmer at KDHX), "Ibsen’s dark drama is as juicy and pointedly acerbic as it is sharply perceptive and every moment is purposeful." At Ladue News, Mark Bretz concurs, noting that director Gary Bell "elicits compelling performances from his talented cast and keeps this version of Hedda Gabler intriguing and involving throughout its three acts and three hours, which never drags despite its length."


Corinne Melançon and Steve Isom
in I Do! I Do!Photo by Peter Wochniak
Stages St. Louis presents the musical I Do! I Do!, by the creators of The Fantasticks, through July 1. "I DO! I DO! tells the poignant story of 50 years in the married lives of Michael and Agnes. This two character musical version of the comedy/drama 'The Fourposter' takes place entirely in a bedroom and takes its audience on a whirlwind journey that begins in 1895 and ends half a century later. I DO! I DO! offers its audiences a frank look at the miracle of marriage as Michael and Agnes experience childbirth, parenthood, and the eventual settling down to face the future and their advancing years together. Originally written for the Broadway stars, Mary Martin and Robert Preston, STAGES employs the innovative theatrical hat-trick of two separate rotating casts: neither of which you will want to miss! An unabashed gift to the many couples who have walked through our doors, I DO! I DO! will be sure to steal your heart while celebrating the many triumphs and heartaches of marriage: past, present, and future!" Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information: stagesstlouis.org.

My take: Originally staged on Broadway back in 1966 and revised for a revival 30 years later, this charming if slight show will strike some familiar chords for anyone who has been married for any length of time. Despite a coupe of emotional crises that are resolved with implausible ease, the emotional stakes in this script are not high, but the appealing score (including the "My Cup Runneth Over," a lovely number that was inescapable back in the late 1960s) and polished production still make this well worth your time. Because, really, not everything has to be fraught with dramatic weight. I saw the "purple" cast, consisting of Stages regular Steve Isom and Corinne Melançon (who is also the production's dance captain). Their work is impeccable, but I don't think you can go wrong with the "red" cast of David Schmittou and Kari Ely either.



Orfeo and Euridice
Photo by Ken Howard
Opera Theatre of St. Louis presents Gluck's Orfeo and Euridice through June 21. "What would you do if you lost your soulmate? For Orfeo, the answer is simple: get her back - even if it means traveling to the underworld. He braves every challenge, armed with nothing more than his music and his devotion. Little does he realize that his greatest obstacle will ultimately be his own passion. As a myth, it's a celebration of love and of music's transcendent power. As an opera, it's a ravishing masterpiece." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: Director Ron Daniels' modern, minimalist production takes a bit of getting used to, but when all is said and done it works pretty darned well as a contemporary theatre piece while still honoring the intentions of the opera's creators. That's not an easy task. Check out my review at KDHX for more details.



Regina
Photo by Ken Howard

Opera Theatre of St. Louis presents Mark Blitzstein's Regina running through June 24. "Theft. Blackmail. Murder. Is there nothing that Regina Giddens won't do to satisfy her ambition? Based on Lillian Hellman's play The Little Foxes, and set against a Southern backdrop of spirituals, jazz, and ragtime, this deliciously twisted opera pits siblings and spouses against each other in a battle for the family business. Prepare to be scandalized - and entertained - as the renowned Susan Graham returns to Opera Theatre to portray one of the American stage's most fascinating characters." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: As I write in my review for KDHX, Regina is an American classic, and the Opera Theater production is a triumph in every respect. Don't miss it. Its condemnation of the ethical vacuum at the heart of crony capitalism and the ugly brutality of those who practice it could hardly be more relevant today. You should not miss it.


La Traviata
Photo by Ken Howard
Opera Theatre of St. Louis presents Verdi's La Traviata through June 23. "Violetta has one important rule: never fall in love. As a Parisian courtesan, her life is full of parties, admirers, and - most importantly - freedom. Then she meets Alfredo. His naive sincerity sweeps her off her feet. Just when Violetta thinks she has escaped her past, she is asked to make an unthinkable sacrifice. Will pride, love, or honor prevail? Embrace the romance of this Verdi masterpiece, featuring the directing debut of star soprano Patricia Racette" Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: There was a time (before November 2016) when I would have suggested that the mix toxic chauvinism and smug self-righteousness of the males characters in Verdi's opera was starting to look dated. Now I'm not so sure. In any case, this new production is getting rave notices for the quality of the singing and acting on display. Having finally seen it myself, I have to agree that, while it may not be my favorite Traviata (that position is still held by Union Avenue's wonderful 2014 production), it's an awfully good one. Besides, it stars the immensely talented Sydney Mancasola, who was so impressive in OTSL's La Rondine in 2015.

Yeast Nation
Photo by Jill Ritter Lindberg
New Line Theatre presents the St. Louis premiere of the rock musical Yeast Nation Thursdays through Saturdays at 8 PM, through June 23. "The world's first bio-historical musical comedy, from the mad geniuses who brought you Urinetown! It is the year 3,000,458,000 BC. The Earth's surface is a molten mass of volcanic islands and undulating waves. The atmosphere is a choking fog lit by a dim red sun. And the mighty waters of the world are inhabited only by rocks, sand, salt, more rocks, a little silt, and the great society of salt-eating yeasts - yes, yeasts! - the world's very first life form! These single-cell salt-eaters are the only living creatures on earth, and they're struggling against a food shortage, a strange new emotion called Love, and the oppression of a tyrannical yeast king. But when the king's son ventures out of the known yeastiverse, the yeasts' epic story - and ours - is changed forever." Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: One of the takeaways from the success of Urientown is that you can make a musical out of pretty much anything. So it should be no surprise that Mark Hollmann and Gret Kotis decided to follow up on the success of that first show with a musical about that most song-inducing of subjects, salt-eating yeasts. The show, as Tina Farmer writes at KDHX, features "vibrant color and effective performances that are delightfully engaging and thoroughly satisfying. You might learn a little science if you listen closely, but you're sure to leave the theater with a smile, a melody in your head and a new appreciation for our distant neighbors those salt-eating yeasts." Sounds...um...tasty.

Friday, June 15, 2018

Chuck's Choices for the weekend of June 15, 2018

An already crowded hit list becomes even bigger, with shows by Act Inc, Stray Dog, the Muny, and Opera Theatre.

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New This Week:

Blithe Spirit
Photo by John Lamb
Act Inc presents Noël Coward's comedy Blithe Spirit Fridays at 8 pm and Saturdays and Sundays at 2 pm through June 24. "Blithe Spirit is a comic play by Noël Coward. The play concerns the socialite and novelist Charles Condomine, who invites the eccentric medium and clairvoyant, Madame Arcati, to his house to conduct a séance, hoping to gather material for his next book. The scheme backfires when he is haunted by the ghost of his annoying and temperamental first wife, Elvira, after the séance. Elvira makes continual attempts to disrupt Charles's marriage to his second wife, Ruth, who cannot see or hear the ghost." Performances take place in the Emerson Black Box Theatre at the J. Scheidegger Center for the Arts on the Lindenwood campus in St. Charles, MO. For more information, visit actincstl.com.

My take: Coward's arch take on ghostly goings-on has been so popular for so long for very good reasons. Tina Farmer calls it an "entertaining diversion" in her review for KDHX, and I'd say that summarizes the play's appeal perfectly. Act Inc has also gotten the technical demands right, it seems, which is where productions of the play can sometimes fall down.


Hedda Gabler
Photo by John Lamb
Stray Dog Theatre presents Ibsen's tragedy Hedda Gabler Thursdays through Saturdays through June 23. There will also a 2 pm on Sunday, June 17. "A masterpiece of modern theatre, Hedda Gabler exposes a powerful and reckless heroine who finds herself stranded in the seemingly ordinary but dangerously imbalanced Victorian Era. Employing methods that define the modern psychological drama, the plot stealthily reveals the bitter conflicts and thwarted longings that lie just below the "civilized" interactions of daily life and unflinchingly leads us to a shocking but inevitable conclusion." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Well, you don't need me to tell you that Hedda Gabler is one of the classics of 20th-century theatre. It is, however, easy to get it wrong and make it tedious. Needless to say, Stray Dog has done nothing of the kind, which means (to quote Tina Farmer at KDHX), "Ibsen’s dark drama is as juicy and pointedly acerbic as it is sharply perceptive and every moment is purposeful." At Ladue News, Mark Bretz concurs, noting that director Gary Bell "elicits compelling performances from his talented cast and keeps this version of Hedda Gabler intriguing and involving throughout its three acts and three hours, which never drags despite its length."


Jerome Robbins' Broadway
The Muny presents Jerome Robbins' Broadway, running through Sunday, June 17. "In its first staging ever in the world since its original Broadway production and tour, Jerome Robbins' Broadway is an epic musical anthology that honors the career highlights of Tony Award-winning director and choreographer, Jerome Robbins. Filled with mesmerizing production numbers from some of Robbins' biggest hits, including West Side Story, On the Town, Peter Pan, The King and I and Fiddler on the Roof, this is one monumental Muny premiere befitting a celebratory start to our centennial season!" Performances take place on the Muny's outdoor stage in Forest Park. For more information: muny.org.

My take: If you're up for the heat and humidity, this rarely-seen compilation of legendary choreographer Jerome Robbins' greatest hits is pure gold. You can read more in my review for KDHX, but the bottom line is that this is a must-see for any lover of musical theatre. It's also the first performance of this revue since its 1989 Broadway run, so this could literally be a once-in-a-lifetime opportunity.


Orfeo and Euridice
Photo by Ken Howard
Opera Theatre of St. Louis presents Gluck's Orfeo and Euridice through June 21. "What would you do if you lost your soulmate? For Orfeo, the answer is simple: get her back - even if it means traveling to the underworld. He braves every challenge, armed with nothing more than his music and his devotion. Little does he realize that his greatest obstacle will ultimately be his own passion. As a myth, it's a celebration of love and of music's transcendent power. As an opera, it's a ravishing masterpiece." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: Director Ron Daniels' modern, minimalist production takes a bit of getting used to, but when all is said and done it works pretty darned well as a contemporary theatre piece while still honoring the intentions of the opera's creators. That's not an easy task. Check out my review at KDHX for more details.


Held Over:

An American Soldier
Photo by Ken Howard
Opera Theatre of St. Louis presents the world premiere of An American Soldier, by Huang Ro and David Henry Hwang, running through June 22. "Danny Chen is the son of Chinese immigrants, and a proud American. He enlists in the US Army in 2011, eager to serve his country. In boot camp, Danny is welcomed by his band of brothers. But in Afghanistan, his own base becomes enemy territory as military hazing turns deadly. Based on a true story, this opera asks powerful questions about what it means to be an American." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: While I'm not particularly taken with Huang Ro's score, David Henry Hwang's libretto is so strong and the performances of the cast are so compelling that I'm recommending this important new opera without hesitation. As I write in my review for KDHX, it's a work that forcefully reminds of us the gap that far too often exists between our nation's ideals and its realities, and it deserves to be seen.


Corinne Melançon and Steve Isom
in I Do! I Do!Photo by Peter Wochniak
Stages St. Louis presents the musical I Do! I Do!, by the creators of The Fantasticks, through July 1. "I DO! I DO! tells the poignant story of 50 years in the married lives of Michael and Agnes. This two character musical version of the comedy/drama 'The Fourposter' takes place entirely in a bedroom and takes its audience on a whirlwind journey that begins in 1895 and ends half a century later. I DO! I DO! offers its audiences a frank look at the miracle of marriage as Michael and Agnes experience childbirth, parenthood, and the eventual settling down to face the future and their advancing years together. Originally written for the Broadway stars, Mary Martin and Robert Preston, STAGES employs the innovative theatrical hat-trick of two separate rotating casts: neither of which you will want to miss! An unabashed gift to the many couples who have walked through our doors, I DO! I DO! will be sure to steal your heart while celebrating the many triumphs and heartaches of marriage: past, present, and future!" Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information: stagesstlouis.org.

My take: Originally staged on Broadway back in 1966 and revised for a revival 30 years later, this charming if slight show will strike some familiar chords for anyone who has been married for any length of time. Despite a coupe of emotional crises that are resolved with implausible ease, the emotional stakes in this script are not high, but the appealing score (including the "My Cup Runneth Over," a lovely number that was inescapable back in the late 1960s) and polished production still make this well worth your time. Because, really, not everything has to be fraught with dramatic weight. I saw the "purple" cast, consisting of Stages regular Steve Isom and Corinne Melançon (who is also the production's dance captain). Their work is impeccable, but I don't think you can go wrong with the "red" cast of David Schmittou and Kari Ely either.



Regina
Photo by Ken Howard

Opera Theatre of St. Louis presents Mark Blitzstein's Regina running through June 24. "Theft. Blackmail. Murder. Is there nothing that Regina Giddens won't do to satisfy her ambition? Based on Lillian Hellman's play The Little Foxes, and set against a Southern backdrop of spirituals, jazz, and ragtime, this deliciously twisted opera pits siblings and spouses against each other in a battle for the family business. Prepare to be scandalized - and entertained - as the renowned Susan Graham returns to Opera Theatre to portray one of the American stage's most fascinating characters." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: As I write in my review for KDHX, Regina is an American classic, and the Opera Theater production is a triumph in every respect. Don't miss it. Its condemnation of the ethical vacuum at the heart of crony capitalism and the ugly brutality of those who practice it could hardly be more relevant today. You should not miss it.


La Traviata
Photo by Ken Howard
Opera Theatre of St. Louis presents Verdi's La Traviata through June 23. "Violetta has one important rule: never fall in love. As a Parisian courtesan, her life is full of parties, admirers, and - most importantly - freedom. Then she meets Alfredo. His naive sincerity sweeps her off her feet. Just when Violetta thinks she has escaped her past, she is asked to make an unthinkable sacrifice. Will pride, love, or honor prevail? Embrace the romance of this Verdi masterpiece, featuring the directing debut of star soprano Patricia Racette" Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: There was a time (before November 2016) when I would have suggested that the mix toxic chauvinism and smug self-righteousness of the males characters in Verdi's opera was starting to look dated. Now I'm not so sure. In any case, this new production is getting rave notices for the quality of the singing and acting on display. Having finally seen it myself, I have to agree that, while it may not be my favorite Traviata (that position is still held by Union Avenue's wonderful 2014 production), it's an awfully good one. Besides, it stars the immensely talented Sydney Mancasola, who was so impressive in OTSL's La Rondine in 2015.

Yeast Nation
Photo by Jill Ritter Lindberg
New Line Theatre presents the St. Louis premiere of the rock musical Yeast Nation Thursdays through Saturdays at 8 PM, through June 23. "The world's first bio-historical musical comedy, from the mad geniuses who brought you Urinetown! It is the year 3,000,458,000 BC. The Earth's surface is a molten mass of volcanic islands and undulating waves. The atmosphere is a choking fog lit by a dim red sun. And the mighty waters of the world are inhabited only by rocks, sand, salt, more rocks, a little silt, and the great society of salt-eating yeasts - yes, yeasts! - the world's very first life form! These single-cell salt-eaters are the only living creatures on earth, and they're struggling against a food shortage, a strange new emotion called Love, and the oppression of a tyrannical yeast king. But when the king's son ventures out of the known yeastiverse, the yeasts' epic story - and ours - is changed forever." Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: One of the takeaways from the success of Urientown is that you can make a musical out of pretty much anything. So it should be no surprise that Mark Hollmann and Gret Kotis decided to follow up on the success of that first show with a musical about that most song-inducing of subjects, salt-eating yeasts. The show, as Tina Farmer writes at KDHX, features "vibrant color and effective performances that are delightfully engaging and thoroughly satisfying. You might learn a little science if you listen closely, but you're sure to leave the theater with a smile, a melody in your head and a new appreciation for our distant neighbors those salt-eating yeasts." Sounds...um...tasty.

Saturday, June 02, 2018

Review: Star-crossed and moonstruck

The set of Romeo and Juliet
Photo by J. David Levy
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What do La Traviata and Romeo and Juliet have in common? Good question.

In her review of the Opera Theatre of St. Louis production of La Traviata, Post-Dispatch music critic Sarah Bryan Miller points out that companies producing well-known operas face the challenge of "both keeping it interesting enough for the regulars and not too far off the beaten path for the newbies."

She's right, in my experience, and not just about opera. Directing Shakespeare poses the same difficulty. How can you do something new and different that still respects the world of the play? Being innovative is easy; doing it while still respecting the source material is much harder.

Sigrid Wise and Reynaldo Piniella
Photo by J. David Levy
All of which brings me to the Shakespeare Festival production of Romeo and Juliet, which (like La Traviata) runs through June 24th. In moving the action to something that looks like the present day (but with swords) and emphasizing the youthful impetuosity of the principal characters, director Elena Araoz creates plenty of visual interest, aided by Dottie Marshall Englis's costumes and Margery and Peter Spack's colorful sets. And the incidental music by a live rock band lends something of a cinematic quality to the production. Her stage pictures are compelling as well and pacing feels right, but on the whole I'm not sure the production serves Shakespeare as well as it might.

There's no doubt that Romeo and Juliet are young (the text tells us Juliet is not yet 14) and impetuous. They're fired up with what Ms. Araoz, in her program notes, calls "big love" and convinced that "winning in matters of love is a life or death situation." But as played by Reynaldo Piniella and Sigrid Wise, they seem more callow and flighty than tragic--not so much star-crossed and moonstruck. For me, at least, it made their death scenes far less affecting than they should have been. I saw Mr. Piniella do much better work at the Rep in 2015 in I and You, so I have to assume my argument is with the direction rather than the performance.

Sigrid Wise and Jane Paradise
Photo by J. David Levy
Ms. Araoz also seems a bit too fond of keeping her actors in nearly constant motion, which sometimes distracts from the text. That was an issue with Terrell Wheeler's otherwise fine delivery of Mercutio's famous "Queen Mab" speech, for example, as well with much of Cherie Corinne Rice's Lady Capulet--another solid performance that didn't need to be quite so busy. Sometimes it's best to just let us absorb the words.

Still, the cast turns in strong performances overall, and not just in the principal roles. Michael James Reed is a fearsome Lord Capulet, Jane Paradise is a broadly comic Nurse, and Gary Glasgow finds subtlety and shading in Friar Laurence that one doesn't always see. Patrick Blindauer does nice work as the Chorus, the Apothecary, and the comical Peter.

I would also be remiss if I didn't point out that, when I saw Romeo and Juliet on opening night, the audience seemed to enjoy the show and stood up to applaud at the end, the humidity and the three-hour running time not withstanding.

Performances of Romeo and Juliet continue Wednesdays through Mondays at 8 pm through June 24th at Shakespeare Glen, across from the Art Museum in Forest Park. Green Show festivities, including performances by local artists, start at 6:30, as do backstage tours. Admission is free if you bring your own blanket or lawn chair. If you want to sit on a chair in the reserved section, that will cost you either $10 or $20, depending on where you sit; details are available at the festival web site.