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New This Week:
Kevin Cherry |
My take: Kevin is a new face on the cabaret scene, but he's had training from the best and his director, Ken Haller, is a performer who knows cabaret inside out. His music director, Patty Becker, will be familiar to denizens of the Keypers Piano Bar. There's a lot of talent behind this show and it should be fun.
God of Carnage Photo: John Lamb |
My take: I'm not a great fan of this script myself, but I appear to be in the minority. In her review for KDHX, Tina Farmer calls it "a wickedly funny, sharply pointed play that questions just how civilized we really are, as a society...Gary F. Bell knows his way around smart, funny material and this thoroughly compelling show keeps to his high standards." I know and/or have acted with most of the cast at one time or another and can attest to their talent.
Jason Graae and Liz Callaway |
My take: It has been a decade since I first saw Liz and Jason on stage together in their Backstage Broadway Buddies show at the Edison Theatre. At the time I was just blown away by their talent, calling the show "as entertaining an evening as any musical theatre fan could wish for." Since then I have gotten to know both of them offstage (mostly as a student in the St. Louis Cabaret Conference, where they both have taught) and my admiration has only grown. These are two incredibly creative, smart, and funny people. Go. You will not be disappointed. I just hope Jason does his version of "My Funny Valentine." It's not to be missed.
The Gateway Men's Chorus presents Homegrown Cabaret Friday, February 13, at 8 PM. "Seventeen members of the Gateway Men's Chorus each take the spotlight in solo turns at a special fundraising concert, turning their personal stories into song. Ticket price includes drinks, hor d'oeuvres, a silent auction, and a tax-deductible contribution to the GMC's GALA Fund, which helps send the chorus to the 2016 GALA Festival.Ticket price includes drinks, hor d'oeuvres, a silent auction, and a tax-deductible contribution to the GMC's GALA Fund, which helps send the chorus to the 2016 GALA Festival." The concert takes place in the Rialto Ballroom at the Centene Center for the Arts, 3547 Olive Street in Grand Center. For more information: gmcstl.org.
My take: The Gateway Men's Chorus is a local cultural treasure and deserves our support. And in this case, you'll get an entertaining evening of cabaret along with the good feeling of knowing that you've helped them keep going.
Mr. Marmalade Photo: John Lamb |
My take: OK, I'll admit that I'm on the play reading committee at West End as well as the sound designer for this show, so I'm not a disinterested party. And I have worked with director Steve Callahan many time in the past. That said, one of the reasons I voted for this play was that it's a very funny and very twisted comedy. Mr. Marmalade is definitely not your average imaginary friend. In fact, with imaginary friends like him, you probably don't need enemies. Consider this an antidote to Valentine's Day saccharine.
White to Gray Photo: John Lamb |
My take: The shabby treatment of Japanese Americans during World War II is one of the bits of American history that the far right would like to erase from history books, which makes it that much more important to remember it. "In many ways," says Tina Farmer at KDHX, ""White to Gray" provides a micro view of diverse American reactions to the attack on Pearl Harbor and subsequent internment of more than one hundred thousand Japanese citizens. In other ways, it is a love story, one that seems filled with promise until history turned it tragic. The story is compelling and provides a fictional but nonetheless thoughtful and heartfelt retelling of an important historical event." At Broadwayworld.com, Chris Gibson says the show is "an entertaining show that features a number of good performances...and Mustard Seed's production of it is definitely worthy of your time and attention." At the Stage Door STL blog, Steve Allen says "Director Deanna Jent has brought a quiet sensitivity to the situation including the somewhat schmaltzy yet highly effective ending to a story that is fraught with tension and even a bit of rage."
Held Over:
Bashir Lazhar Photo: Peter Wochniak |
My take: A one-actor show (which this almost is; the title character dominates the play) can be a risky proposition. J. Samuel Davis is a darned strong actor, though, so that's not likely to be a problem. Mr. Davis, writes Tina Farmer in her review for KDHX, "commands our attention and tells his story, adroitly shifting from teacher, to employee, to family man, to a man experiencing more grief and tragedy than one person should be expected to bear...The story is moving and impactful, director Philip Boehm and Davis work together well to keep the action focused and intentional. As importantly, Davis feels his character deeply and transparently." Upstream continues to provide local audiences with unusual and often risky theatre that stands out from the run of the mill.
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