Showing posts with label chuck's choices. Show all posts
Showing posts with label chuck's choices. Show all posts

Thursday, May 24, 2018

Chuck's Choice for the weekend of May 25, 2018

Yes, it's only one this week.  Things are slow because of the Memorial Day Holiday. As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

La Traviata
Opera Theatre of St. Louis presents Verdi's La Traviata through June 23. "Violetta has one important rule: never fall in love. As a Parisian courtesan, her life is full of parties, admirers, and - most importantly - freedom. Then she meets Alfredo. His naive sincerity sweeps her off her feet. Just when Violetta thinks she has escaped her past, she is asked to make an unthinkable sacrifice. Will pride, love, or honor prevail? Embrace the romance of this Verdi masterpiece, featuring the directing debut of star soprano Patricia Racette" Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org call 314-961-0644.

My take: There was a time (before November 2016) when I would have suggested that the mix toxic chauvinism and smug self-righteousness of the males characters in Verdi's opera was starting to look dated. Now I'm not so sure. In any case, this new production is getting rave notices for the quality of the singing and acting on display. I'll be seeing it myself next week (a bout of the flu forced me to reschedule from opening night) but for now I'm happy to recommend it on the strength of its reviews and for the fact that it stars the immensely talented Sydney Mancasola, who was so impressive in OTSL's La Rondine in 2015.

Thursday, March 01, 2018

Chuck's Choices for the weekend of March 2, 2018

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

August: Osage County
Photo by Jerry Naunheim, Jr.
The Performing Arts Department at Washington University presents Tracy Letts's drama August: Osage County Fridays and Saturdays at 8 pm and Sundays at 2 pm through March 4. "A vanished father, a pill-popping mother and three sisters harboring shady little secrets. When the large Weston family unexpectedly reunites after Dad disappears, their Oklahoman family homestead explodes in a maelstrom of repressed truths and unsettling secrets. Mix in Violet, the drugged-up, scathingly acidic matriarch, and you've got a major new play that unflinchingly - and uproariously - exposes the dark side of the Midwestern family." The performances take place in the Edison Theatre on the Washington University campus. For more information, call 314-935-6543 or visit pad.artsci.wustl.edu.

My take: This might just be the ultimate dysfunctional family comedy/drama, both because of its operatic length (three hours, with intermission) and because Letts tosses in just about every trope imaginable. I'm not a big fan of the script, but Steve Callahan, writing for KDHX, has a lot of praise for the production. "The Wash U student cast," he writes, "is led by Peggy Billo, a brilliant Equity 'ringer' who gives a truly bravura performance as Violet. Helen Fox is most impressive as Barbara, her mother's chief antagonist and others in the cast do excellent work. Director Andrea Urice has done masterful work with this enormously demanding script."


Chicago
The Fabulous Fox presents Kander and Ebb's Chicago Friday at 7:30 pm, Saturday at 2 and 7:30 pm, and Sunday at 1 and 6 pm, March 2 - 4. "CHICAGO has everything that makes Broadway great: a universal tale of fame, fortune and all that jazz; one show-stopping song after another; and the most astonishing dancing you've ever seen. It's no surprise that CHICAGO has wowed audiences from Mexico City to Moscow, from Sao Paulo to South Africa" The Fox is at 527 North Grand in Grand Center. For more information: fabulousfox.com.

My take: "Welcome, ladies and gentlemen; you are about to see a story of murder, greed, corruption, violence, exploitation, and treachery - all those things we all hold near and dear to our hearts. Thank you." Those are the first lines spoken in Chicago, and they're a microcosm of both the story line and the attitude of the show. If you didn't know it was over forty years old, you might be justified in thinking Chicago had been written yesterday. The story of murderess Roxie Hart—whose bogus change of heart makes her on overnight sensation with the celebrity-obsessed press and public—is as current as the latest bogus Facebook meme. And it provides an opportunity for satirical pot-shots at judges, lawyers, celebrity hounds and, of course, the celebrities themselves. When I first saw this show, I thought it was deeply cynical. Now it just feels realistic.


That Uppity Theatre Company presents Playhouse Emissions: Climate Change Theatre on Sunday, March 4, at 11 am. 'There is overwhelming scientific consensus that climate change is real, human-caused and will have catastrophic effects. Yet, it is still a struggle to educate and motivate the public to take action. This free special Arts Festival Platform will reprise several of the vignettes and performances seen at the Ethical Society last fall, produced by That Uppity Theatre Company Producing Artistic Director Joan Lipkin (Ethical Society Ethical Humanist of the Year Awardee) and Pamela Reckamp. As shared by some of the leading actors in St. Louis including John Flack, Don McClendon, Elizabeth McCormick, Pamela Reckamp and Donna Weinsting, the plays were selected from over 25 cultures, including perspectives from low-lying nations threatened by sea-level change and countries facing severe heatwaves, floods or droughts. The Platform will also include performances from Ashley Tate and the Ashleyliane Dance Company." The event takes place at the Ethical Society, 9001 Clayton Road.

My take: Speaking of realism, here's theatre dedicated to raising awareness about a very real threat to human civilization (not that we don't already have plenty). That Uppity Theatre Company remains our preeminent local theatre company with a conscience.


Held Over:

Menopause the Musical
The Playhouse at Westport Plaza presents Menopause the Musical, "a celebration of women and The Change," through March 31. Four women meet while shopping for a black lace bra at a lingerie sale. After noticing unmistakable similarities among one another, the cast jokes about their woeful hot flashes, mood swings, wrinkles, weight gain and much more. The Playhouse at Westport Plaza is at 635 West Port Plaza. For more information: playhouseatwestport.com.

My take: This popular ensemble show has been around for a while now, having premiered in 2001 in Orlando, Florida, in a 76-seat theatre that once housed a perfume shop. It's last visit at the Westport Playhouse was ten years ago, and it seems to have lost none of it's comic shine. "Who will enjoy this," asks Ann Lemmons Pollack in a review of the show last year, "beyond women of what they call un age certain? People of both genders around them unless they have no sense of humor. That includes family, friends and co-workers. One of life's cruel jokes is that the menopause hits many households about the same time adolescence does. Here's something to tide us over." Since this is effectively a remounting of that same production, I think I'm on safe ground putting it on the hit list, as I did last January.

Thursday, February 15, 2018

Chuck's Choices for the weekend of February 16, 2018

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Steve Brammeier
Mariposa Artists presents Steve Brammeier in Dancing at Keukenhof on Friday, February 16, at 8 pm. "After successfully debuting his show at Don't Tell Mama in New York City this past October, Steve is bringing this popular show to St. Louis! From 1950 to 2018…From St. Louis to Amsterdam. Join Steve as he shares an autobiographical evening of songs and stories through his unique cabaret journey. Rick Jensen in pianist and music director for the show, which is directed by Lina Koutrakos.The show takes place at the Kranzberg Arts Center, 501 N. Grand in Grand Center. For more information: metrotix.com.

My take: I saw a preview of this show when Steve was getting it ready for its local premiere last fall. It's a warm, charming, and captivating trip, with expert guidance from cabaret legends Lina Koutrakos and Rick Jensen.


Beverly Brennan
Mariposa Artists presents Beverly Brennan in Love and Marriage on Saturday, February 17, at 8 pm. The show takes place at the Kranzberg Arts Center, 501 N. Grand in Grand Center. "With her new show Love and Marriage, Bev offers an inside take on long term relationships - the good, the bad and the outrageously funny. With stories, jokes and songs her show will take you on the roller coaster ride of falling in love and the consequences. Songs include hits by Patsy Cline, Billy Joel, John Lennon and James Brown as well as selections from musical theater and the great American Song Book. It's time to get real and tell it like it is about being married to the same (wonderful) guy for 46 years! Rick Jensen serves as musical director and accompanist for this show on Beverly's birthday!! Co-directed by Lina Koutrakos and Ken Haller." For more information: metrotix.com.

My take: This is the third (at least) solo outing for Ms. Brennan, a St. Louis native (and daughter of sportscasting legend Jack Buck) who grew up on The Hill. Her first, St. Louie Woman, played to sold-out houses both here and in Chicago in 2010. As she did in her Doris Day tribute show back in 2013, she has teamed up with the always-impressive Rick Jensen along with cabaret legend Lina Koutrakos and one of our city's most notable cabaret exports, Ken Haller. Fun will be had.


Red Scare on Sunset
Photo: John Lamb
Stray Dog Theatre presents the comedy Red Scare on Sunset Thursdays through Saturdays through February 24. "In 1950s Hollywood, film star Mary Dale finds the Red Menace invading her Beverly Hills backyard. When she discovers her husband has been lured into the local Communist Party by way of a Method acting class and there is a left wing plot to abolish the star system, Mary wages a private war to save her husband, country, and billing over the title. The McCarthy era is turned on its head in this outlandish take on a serious subject." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Actor, female impersonator, and playwright Charles Busch's plays include outrageous classics like Vampire Lesbians of Sodom, Psycho Beach Party, and Die, Mommie, Die! as well as the more mainstream (but no less hilarious) Tale of the Allergist's Wife. "Red Scare on Sunset," writes Mark Bretz at Ladue News, "provides a bevy of laughs about a subject that was anything but funny during its infamous heyday...It’s given a vivid and vivacious treatment by artistic director Gary Bell and his hard-charging cast, including an amazing star turn by Will Bonfiglio as fair Mary."


Held Over:


Bud, Not Buddy
Metro Theatre Company presents Bud, Not Buddy Fridays and Saturdays at 7 and Sundays at 2 pm through February 25. "Based on the Newbery Medal and Coretta Scott King Award-winning novel, this play combines actors with a 13-piece jazz band performing an original score composed by five-time, Grammy-winning jazz artist Terence Blanchard to tell the story of a boy who finds a home and a passion for music." Performances take place at the Grandel Theatre, 3610 Grandel Square in Grand Center. For more information: metroplays.org.

My take: This original one-act play is a co-production with Jazz St. Louis and, according to Mark Bretz at Ladue News, it's "a sure-fire treat for theater patrons young and old as well as devotees of America's original musical art form." This is the first production on the USA since the play's premiere at the Kennedy Center in Washington, D.C many years ago, which makes it quite a feather in the cap of Metro. The story it tells of life under American apartheid is one of which far too many people in this country seemed determine to write out of history.


The How and the Why
Photo: Eric Woolsey
New Jewish Theater presents The How and the Why through February 11. "In Sarah Treem's smart and provocative play about science, family and survival of the fittest, evolution and emotion collide as two women of different generations struggle to come together both on a professional and on a personal level. The play explores many areas of struggle for women, especially in the field of scientific research: the fierce competition among scientists for recognition of their discoveries; the struggles in the academic world for prestigious positions and grant funding: and female attitudes about sex, relationships, men, motherhood and families." Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

My take: I'm a great admirer of plays that can deal with complex subjects like nuclear physics (Michael Frayn's Copenhagen) or international economics (Ayad Akhtar's The Invisible Hand) in a way that's dramatically compelling and which illuminates areas of knowledge which are dark for many of us. The reviews indicate that The How and the Why does that with evolutionary biology. Tina Farmer at KDHX says the show "is riveting and filled with interesting ideas that come across as both real science and contemporarily relevant."


Menopause the Musical
The Playhouse at Westport Plaza presents Menopause the Musical, "a celebration of women and The Change," through March 31. Four women meet while shopping for a black lace bra at a lingerie sale. After noticing unmistakable similarities among one another, the cast jokes about their woeful hot flashes, mood swings, wrinkles, weight gain and much more. The Playhouse at Westport Plaza is at 635 West Port Plaza. For more information: playhouseatwestport.com.

My take: This popular ensemble show has been around for a while now, having premiered in 2001 in Orlando, Florida, in a 76-seat theatre that once housed a perfume shop. It's last visit at the Westport Playhouse was ten years ago, and it seems to have lost none of it's comic shine. "Who will enjoy this," asks Ann Lemmons Pollack in a review of the show last year, "beyond women of what they call un age certain? People of both genders around them unless they have no sense of humor. That includes family, friends and co-workers. One of life's cruel jokes is that the menopause hits many households about the same time adolescence does. Here's something to tide us over." Since this is effectively a remounting of that same production, I think I'm on safe ground putting it on the hit list, as I did last January.


Silent Sky
Photo: John Lamb
The West End Players Guild continues its 107th season with the drama Silent Sky Fridays and Saturdays at 8 PM and Sundays at 2 PM, February 9 - 18. "It is the inspiring true story of Henrietta Leavitt who, in the earliest days of the 20th century, triumphed over sexist prejudice and devastating personal hardship to reshape for all time our scientific understanding of our universe and our own place in it." There will also be a show on Thursday, February 15, at 8 pm. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

My take: The significant contributions women have made to the sciences over the years (and the difficulty they have had in getting proper credit for them) have provided fodder for a fair number of books and plays recently. Silent Sky is fiction, of course, but it's based on solid history, and tells a tale that needs to be heard. This also happens to be an excellent production, with impressive technical values and brilliant performances from a top-notch cast.

Thursday, February 08, 2018

Chuck's Choices for the weekend of February 9, 2018

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Bud, Not Buddy
Metro Theatre Company presents Bud, Not Buddy Fridays and Saturdays at 7 and Sundays at 2 pm through February 25. "Based on the Newbery Medal and Coretta Scott King Award-winning novel, this play combines actors with a 13-piece jazz band performing an original score composed by five-time, Grammy-winning jazz artist Terence Blanchard to tell the story of a boy who finds a home and a passion for music." Performances take place at the Grandel Theatre, 3610 Grandel Square in Grand Center. For more information: metroplays.org.

My take: This original one-act play is a co-production with Jazz St. Louis and, according to Mark Bretz at Ladue News, it's "a sure-fire treat for theater patrons young and old as well as devotees of America's original musical art form." This is the first production on the USA since the play's premiere at the Kennedy Center in Washington, D.C many years ago, which makes it quite a feather in the cap of Metro. The story it tells of life under American apartheid is one of which far too many people in this country seemed determine to write out of history.


Rick Jensen and Katie McGrath at the Gaslight
Photo by Chet Whye, Jr.
The Presenters Dolan presents Katie McGrath: Significant Others on Saturday, February 10, at 8 p.m. "Significant Others: the people, places and events that make us - well, us. Features a lively mix of Great American Songbook, pop, country and soul. McGrath's proceeds will benefit St. Louis's own Guardian Angel Settlement Association, whose social services programs and developmental childcare program work to improve the lives of those in our community struggling with poverty." The performances take place at the Kranzberg Center 501 N. Grand in Grand Center. For more information: metrotix.com.

My take: When I reviewed this show last November at the Gaslight, I said that anyone wanting to write a textbook on how to do cabaret could start with Significant Others. With a great song list ranging from Bon Jovi to Cole Porter, perfectly tailored arrangements by Rick Jensen, ideally paced direction by Lina Koutrakos, and Ms. McGrath's powerfully genuine stage presence, this is a cabaret evening that hits all the right notes, literal and figurative. Go see it—if you can get tickets.


Silent Sky
Photo: John Lamb
The West End Players Guild continues its 107th season with the drama Silent Sky Fridays and Saturdays at 8 PM and Sundays at 2 PM, February 9 - 18. "It is the inspiring true story of Henrietta Leavitt who, in the earliest days of the 20th century, triumphed over sexist prejudice and devastating personal hardship to reshape for all time our scientific understanding of our universe and our own place in it." There will also be a show on Thursday, February 15, at 8 pm. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

My take: The significant contributions women have made to the sciences over the years (and the difficulty they have had in getting proper credit for them) have provided fodder for a fair number of books and plays recently. Silent Sky is fiction, of course, but it's based on solid history, and tells a tale that needs to be heard.

Held Over:

The Cabaret Project and The Improv Shop present The Blue Velvet Lounge Saturday, January 27, at 8 pm. There are also performances on February 10 and 24. "The Cabaret Project teams up with The Improv Shop to co-present their dynamic, fully improvised theater piece featuring live jazz standards - direct from the mythical Blue Velvet Lounge. Each performance features eight smart, funny improvisers who create the stories and sagas of the patrons of the Blue Velvet Lounge - on the spot. Surrounded by live jazz vocal standards, this character driven story is a different show each night it's performed. The Blue Velvet Lounge is a perfect evening out for lovers of cabaret and comedy. Food and drink available at the Improv Shop." The performance takes place at The Improv Shop, 3960 Chouteau in The Grove. For more information: thecabaretproject.org.

My take: Cabaret shows are carefully planned, but so is a good improv show. Improvisation works best when there's some sort of structure to build on. So combining the two makes more sense than you might think, especially when the singer at the center of it all is local cabaret pro Tim Schall.


The How and the Why
Photo: Eric Woolsey
New Jewish Theater presents The How and the Why through February 11. "In Sarah Treem's smart and provocative play about science, family and survival of the fittest, evolution and emotion collide as two women of different generations struggle to come together both on a professional and on a personal level. The play explores many areas of struggle for women, especially in the field of scientific research: the fierce competition among scientists for recognition of their discoveries; the struggles in the academic world for prestigious positions and grant funding: and female attitudes about sex, relationships, men, motherhood and families." Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

My take: I'm a great admirer of plays that can deal with complex subjects like nuclear physics (Michael Frayn's Copenhagen) or international economics (Ayad Akhtar's The Invisible Hand) in a way that's dramatically compelling and which illuminates areas of knowledge which are dark for many of us. The reviews indicate that The How and the Why does that with evolutionary biology. Tina Farmer at KDHX says the show "is riveting and filled with interesting ideas that come across as both real science and contemporarily relevant."


Menopause the Musical
The Playhouse at Westport Plaza presents Menopause the Musical, "a celebration of women and The Change," through March 31. Four women meet while shopping for a black lace bra at a lingerie sale. After noticing unmistakable similarities among one another, the cast jokes about their woeful hot flashes, mood swings, wrinkles, weight gain and much more. The Playhouse at Westport Plaza is at 635 West Port Plaza. For more information: playhouseatwestport.com.

My take: This popular ensemble show has been around for a while now, having premiered in 2001 in Orlando, Florida, in a 76-seat theatre that once housed a perfume shop. It's last visit at the Westport Playhouse was ten years ago, and it seems to have lost none of it's comic shine. "Who will enjoy this," asks Ann Lemmons Pollack in a review of the show last year, "beyond women of what they call un age certain? People of both genders around them unless they have no sense of humor. That includes family, friends and co-workers. One of life's cruel jokes is that the menopause hits many households about the same time adolescence does. Here's something to tide us over." Since this is effectively a remounting of that same production, I think I'm on safe ground putting it on the hit list, as I did last January.

Thursday, December 14, 2017

Chuck's Choices for the weekend of December 14, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:


A Christmas Carol
The Fox Theatre presents The Nebraska Theatre Caravan's musical adaptation of A Christmas Carol Thursday and Friday at 7:30 PM, Saturday at 2 and 7:30 PM, and Sunday at 1 and 6 PM, December 14 - 17. "A Christmas Carol features a spirited ensemble of 23 performers who bring Dickens' fable of redemption to life on a magical set created by noted designer James Othuse. A full array of timeless carols such as "God Rest Ye Merry Gentlemen," "Away In a Manger" and "Here We Come A-Wassailing" are interwoven within the classic story of a tight-fisted, middle-class merchant Ebenezer Scrooge and all the beloved characters from Dickens' 1843 novel." The Fox is at 527 North Grand in Grand Center. For more information: fabulousfox.com.

My take: "I have always thought of Christmas time," wrote Charles Dickens in A Christmas Carol, "as a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the grave, and not another race of creatures bound on other journeys." These days such a notion is considered politically radical, which makes partaking of the Dickens classic that much more important. Go though and enjoy.


Webster University's Conservatory of Theatre Arts presents Aristophanes's comedy Lysistrata Wednesdays through Saturdays at 7:30 p.m. and Sundays at 2 p.m. through December 17. "How do you end a war that seems never ending? Aristophanes' famous play, Lysistrata, takes on this question as it centers on the lives of the soldiers' wives toward the end of the Peloponnesian War. One woman, Lysistrata, under the impression that a man's libido is ultimately his driving force in life, comes up with an interesting peace solution: to deny their husbands and lovers sexual relations until they can settle on a peace agreement that will end the war. However, Lysistrata's strategy effectively creates even more conflict than before as the sexes begin to feud with each other. Aristophanes' play is both comic, poignant, and revealing as it examines gender relations that somehow still feel relevant thousands of years later." Performances take place at the Stage III Auditorium on the Webster University campus. For more information, www.webster.edu or call 314-968-7128.

My take: While I can be a bit leery of updates of theatrical classics, this one appears to get it right. "What a romping, merry hoot!" writes Steve Callahan at KDHX. "The adaptation by Ellen McLaughlin is some eleven years old but it's wonderfully fresh and is widely produced. Director Jamie McKittrick has put together a marvelous energetic trash-punk world full of music, dance and a whole lot of hilarious talk that I could never repeat on the air." And its anti-war message is sadly still relevant.

 

Miss Bennet: Christmas at Pemberly
Photo: Jerry Naunheim, Jr.
The Repertory Theatre of St. Louis presents Miss Bennet: Christmas at Pemberly through December 24. "In this winning and witty sequel to Jane Austen's Pride and Prejudice, the bookish middle child of the Bennet family finally has her day. Constantly overshadowed by her four sisters, Mary Bennet finds hope for a new life beyond her family from an unexpected holiday romance. Austen fans and first-timers alike will find much to love in this alluring comedic tale." Performances take place at the Loretto-Hilton Center on the Webster University campus. For more information: repstl.org.

My take: Looking for a family friendly Christmas theatre treat that isn't based on Charles Dickens or Jean Shepherd? Allow me to recommend most heartily. This ingenious play by Lauren Gunderson (Silent Sky) and Margot Melcon does for Pride and Prejudice what Rosencrantz and Guildenstern Are Dead did for Hamlet by taking a minor character and thrusting her into the spotlight so that her story can be told. It's a beautifully done tribute to the values that have been at the heart of this season's celebrations for thousands of years: family, friends, light, and love. Oh, yeah: it's also funny as hell. Don't miss it.


Bob Becherer and Merry Keller
Second Presbyterian Church presents The Secret of Christmas: A Christmas Cabaret with singers Merry Keller and Bob Becherer and pianist Ron Bryant on Sunday, December 17, at 3 pm. "Join Bob, Merry, Ron and friends for a warm, tender and fun Christmas Cabaret. You are certain to hear many of your favorite Christmas songs and will leave with a happy heart, a lighter stride in your step and joy to celebrate the holiday season." Second Presbyterian Church is at 4501 Westminster Place in the Central West Enc. For more information: www.brownpapertickets.com/event/3174143.

My take: What could be better at this time of year than seasonal favorites performed by a pair of outstanding local singers? I have known Bob and Merry for some years now from the St. Louis Cabaret Conference and other local venues. You'll be in good hands here, trust me.

Held Over:

Steel Magnolias
Photo: Justin Been
Stray Dog Theatre presents the comedy/drama Steel Magnolias Thursdays through Saturdays through December 16. "All the ladies who are 'anybody' flock to Truvy's beauty salon where she dispenses shampoos and free advice. Filled with hilarious repartee and good ol' Southern charm, the play explores the lives of six remarkable women and the special qualities that make them truly touching, funny, and marvelously amiable company in good times and bad." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: A hit on Broadway in 1987 and in cinemas in 1989, Steel Magnolias is a heartfelt tribute to the resiliency of its small town characters and to the importance of friendship in hard times. In his review for Ladue News, Mark Bretz notes that Stray Dog Artistic Director Gary Bell "directs with a sure and steady touch, maintaining the focus on Harling's fun-loving but also tender script."

Thursday, November 09, 2017

Chuck's Choices for the weekend of November 10th, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Emily Skinner
The Gaslight Cabaret Festival presents Emily Skinner in Broadway Her Way on Saturday, November 11, at 8 p.m. "In her captivatingly all-in cabaret show, Tony-nominated Broadway star Emily Skinner (Side Show, Billy Elliot, The Full Monty) takes us on a tour of her neighborhood. A favorite at The Rep in Follies and at the MUNY in The Little Mermaid. Among his many accomplishments, Emily's MD John Fischer is the Music Director of the renowned center of dance, Jacob's Pillow, located in The Berkshires of western Massachussetts." The performances take place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: If you liked Alice Ripley's show last month, there's a good chance you'll find this one appealing as well, since she and Ms. Ripley (who famously co-starred in Sideshow on Broadway) teamed up for a duet show, Unattached, at 54 Below last year. If you were lucky enough to see her in Follies at the Rep last year, you know she's a real musical theatre pro.


Elsie Parker
The Jacoby Arts Center presents Elsie Parker and the Poor People of Paris in Days of Wine and Piaf, an evening of the songs of Edith Piaf, on Friday, November 10, at 8 p.m. The Jacoby Arts Center is at 627 E. Broadway in Alton, IL. For more information: jacobyartscenter.org.

My take: i will confess to being a huge admirer of Edith Piaf (I have visited her grave in Paris twice) and French popular songs in general. Elsie Parker and her group have the same affection for this material and it shows on their polished and committed performances.


Katie McGrath
The Gaslight Cabaret Festival presents Katie McGrath in Significant Others on Friday, November 10, at 8 p.m. "Significant Others: the people, places and events that make us - well, us. Features a lively mix of Great American Songbook, pop, country and soul. McGrath's proceeds will benefit St. Louis's own Guardian Angel Settlement Association, whose social services programs and developmental childcare program work to improve the lives of those in our community struggling with poverty." The performances take place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: Katie McGrath was a notable cabaret artist here in St. Louis for years before her recent move to the Big Apple. In addition to her solo work, she was a member of the rockin' Women Under the Influence as well as a political activist, organizing two Concert Across America events to raise awareness about gun violence. Since then she has been making a name for herself in NYC. It's good to have her back in town for a few days.


The Spitfire Grill
Photo: Ken Clark
The Hawthorne Players present musical The Spitfire Grill through November 12. "Recent parolee, Percy Talbott, is trying to find a place for a fresh start and ends up in the small town of Gilead, Wisconsin. The local sheriff finds her a job at the only eatery in this struggling town, The Spitfire Grill-for sale for the last 10 years. Percy suggests the gruff owner, Hannah, try raffling it off. The entry fee is one hundred dollars and an essay on why you want the grill. This musical triumph is an inspiring celebration of new beginnings and the power of what one person can do." The performances take place at the Florissant Civic Center Theatre at Parker and Waterford in Florissant, MO. For more information, call 921-5678 or visit hawthorneplayers.info.

My take: Is this production worth a trip out Florissant? Richard Green over at Talkin' Broadway certainly thinks so. "100% charming, and perfectly cast, the 2001 musical Spitfire Grill finds its magic in unexpected places," he writes. "There's the frightening modern chasm of economic dislocation (set in a rural Wisconsin community) and a slow-dawning miracle of escape for all concerned, as you may remember from the 1996 movie with Ellen Burstyn. And, at the Florissant Civic Center Theatre, Hawthorne Players gives it the perfect setting, heartwarming, with a good dash of snark. Yes, this is an unadulterated rave." My experience with Hawthorne is that they often do very good work, and have a well-equipped and comfortable theatre to work with.  Add this to your musical theatre list for the weekend.


Stones in His Pockets
Photo: John Lamb
The West End Players Guild continues its 107th season with the comedy Stones in His Pockets Fridays and Saturdays at 8 PM and Sundays at 2 PM, November 10 - 19. "The play offers a sharply satiric look at what happens when an American movie company sets up shop in a down-on-its-luck village in County Kerry, Ireland, to film a major motion picture. Enticed by the prospect of making more money as film extras every day than most can make in a week, everyone in the village wants in on the action. Most do get involved but some are left behind, and the village soon learns that there can be a steep price to pay for a few weeks of easy money and Hollywood excitement." There will also be a show on Thursday, November 17, at 8 PM. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

My take: Full disclosure: I'm on the board and play reading committee at West End, but I have also been a great admirer of the remarkable comedy/drama since my wife and I first saw it in London many years ago. It's a virtuoso exercise for the two-man cast, who have to shift characters rapidly and often to portray around 30 roles in the course of the evening. I have shared the stage with both of the guys in this cast and I can tell you from personal experience that they've got the goods.


The Student Prince
Photo: Wylde Brothers Productions
Winter Opera St. Louis presents Sigmund Romberg's operetta The Student Prince Friday at 8 PM and Sunday at 3 PM, November 10 and 12. Performances take place at The Skip Viragh Center for the Arts at Chaminade College Preparatory School, 425 S. Lindbergh. For more information, visit winteroperastl.org.

My take: We don't get to see much operetta these days. Sure, there's the occasional Gilbert and Sullivan, but I can't recall the last time I saw a professional production of Rombert's tuneful The Student Prince. Winter Opera gave us one of the best productions of Merry Widow I've ever seen last year, and while what I saw at final dress rehearsal last night wasn't quite in that league, it was still quite good. Soprano Caitlin Cisler and tenor Andrew Marks Maughan sound terrific in the leads and in the role of Detlef tenor Zachary Devin leads the men's chorus in a fine version of the famous "Serenade." The orchestra under Scott Schoonover has never sounded better.


Held Over:

Windsor Theatre Group presents the musical revue Broadway: The Early 1900's - Victor Herbert and His Contemporaries at 7 p.m. on Saturday and Sunday, November 11 and and 12. "Talented professional singers and dancers will take the audience to an era that was very interesting for music lovers. Fantastic shows were staged on Broadway, and jazz, blues and tango began receiving mainstream recognition. Broadway tunes include the great male chorus numbers from Rose-Marie, The Student Prince, The Merry Widow, and The New Moon. There will be solo and duet performances of more Broadway selections and the other genres gaining fame. In addition, highlights of plots or other interesting facts about a song will enhance the enjoyment of the attendees." Performances take place at the historic Ozark Theatre, 103 E. Lockwood in Webster Groves. For more information call 314-832-2114 or visit the group's Facebook page.

My take: I'm putting this on the list for the simple reason that I'm very fond of music from the early years of the 20th century. Heck, I even created an entire show around it. Herbert and his contemporaries aren't heard that much these days, which is a pity. Thanks to Windsor for bringing us a full evening of this classic stuff.


Ken Haller and Marty Fox
The Gaslight Cabaret Festival presents singer Ken Haller and pianist Marty Fox in Happy Haller Days on Thursday, November 9, at 8 p.m. "In his take on the holidays, Ken promises to be surprising,funny, personal, moving, great company and just a little exasperating. Just like all our holidays! The very well done video below by Paul Schankman takes you into the world of Ken's shows. " The performances take place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: In my review of Ken's last production, The Medicine Show, I noted that he "delivered the goods with that combination of theatrical smarts and vocal authority that has made him one of our town's principal cabaret exports." He and Marty Fox have done another first rate job this time around; check out my review of this show for details.


Titus Androgynous
YoungLiars presents Titus Androgynous through November 11. "Did you know that Shakespeares most brutal tragedy is actually a comedy? YoungLiars aim to prove the point with a vengeance in this riotous reimagining of Titus Andronicus - where the Italian Commedia smashes into All-American Splatter, and Shakespeare comes along for the ride. Titus Androgynous is YoungLiars deliciously deranged deep-dive into the perverse passions and vaudeville violence of the Bard's bloodiest play." Performances take place in in the hundred-year-old basement of the Centene Center for the Arts, 3547 Olive Street in Grand Center. For more information: brownpapertickets.com.

My take: I'm not a fan of grand guignol theatre in general, but if (say) Evil Dead: The Musical is your particular cup of stage blood, you might want to take a look at this unapologetically outrageous revision of Shakespeare's most violent play (which, to be fair, is often cited as an early example of grand guignol). Over at Ladue News, Mark Bretz praises the production's "inspired silliness" and says this Hallowe'en-themed show is "as much treat as trick."

Thursday, November 02, 2017

Chuck's Choices for the weekend of November 3, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Will Bonfiglio in Balloonacy
COCA presents the Will Bonfiglio in Balloonacy Saturday and Sunday at 1 and 5 p.m., November 4 and 5. "A grownup discovers the fun, imagination and companionship of childhood with the help of a red balloon. This sensory-friendly production packed with physical comedy, intended for young audiences, is a great introduction to live theatre. Written by Barry Kornhauser." COCA is at 524 Trinity in University City. For more information: cocastl.org.

My take: Looking for something fun for the kids this weekend? Look no farther then this production from the folks at COCA, starring local theatre star Wil Bonfiglio. Think of it as the omega to YoungLiars' alpha (see below). Or vice-versa.


Farah Alvin and William Michals
The Gaslight Cabaret Festival presents Farah Alvin and William Michals in Broadway's Greatest Hits of All Time on Friday and Saturday, November 3 and 4, at 8 p.m. "The show that every musical-theater lover has been waiting for. The songs that made Broadway great, that made your heart soar, that you sing leaving the theatre and in the shower! You will hear many of the greatest Broadway songs of all time performed by two of Broadway's most acclaimed voices. The Gaslight is the first stop outside of New York for Scott Siegel's critically acclaimed and wildly popular concert series, which has been playing for 18 months at at Feinstein's/54 Below." The performances take place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: How can any musical theatre fan resist a show with this title? Grab a drink at the bar and shamelessly immerse yourself in the best the Great White Way has to offer.


The Gaslight Cabaret Festival presents singer Ken Haller and pianist Marty Fox in Happy Hallerdays on Thursdays, November 2 and 9, at 8 p.m. . "In his take on the holidays, Ken promises to be surprising,funny, personal, moving, great company and just a little exasperating. Just like all our holidays! The very well done video below by Paul Schankman takes you into the world of Ken's shows. " The performances take place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: In my review of Ken's last production, The Medicine Show, I noted that he "delivered the goods with that combination of theatrical smarts and vocal authority that has made him one of our town's principal cabaret exports." Here's your chance to confirm that I know what I'm talking about.


Conductor Gemma New
Photo: Roy Cox
St. Louis Symphony Orchestra Resident Conductor Gemma New leads the orchestra in John William's score for Jurassic Park, accompanying a showing of the film. Performances are Friday and Saturday at 7 p.m. and Sunday at 2 p.m., November 3-5, at Powell Hall in Grand Center. For more information: stlsymphony.org.

My take: No, it's not theatre, but it's entertaining as hell and I will definitely be there on Friday night to see it. The SLSO movie events are always a good time and always very well attended. The screen on which the movies are shown is huge and no matter how good the sound system is at your local megaplex, there's nothing quite like the sound of a live orchestra. The usual rules are relaxed a bit, allowing the audience to bring drinks and food (including, of course, popcorn) into the auditorium. So if you attend, be careful not to spill anything, OK?


Titus Androgynous
YoungLiars presents Titus Androgynous opening on Friday, October 27, and running through November 11. "Did you know that Shakespeares most brutal tragedy is actually a comedy? YoungLiars aim to prove the point with a vengeance in this riotous reimagining of Titus Andronicus - where the Italian Commedia smashes into All-American Splatter, and Shakespeare comes along for the ride. Titus Androgynous is YoungLiars deliciously deranged deep-dive into the perverse passions and vaudeville violence of the Bard's bloodiest play." Performances take place in in the hundred-year-old basement of the Centene Center for the Arts, 3547 Olive Street in Grand Center. For more information: brownpapertickets.com.

My take: I'm not a fan of grand guignol theatre in general, but if (say) Evil Dead: The Musical is your particular cup of stage blood, you might want to take a look at this unapologetically outrageous revision of Shakespeare's most violent play (which, to be fair, is often cited as an early example of grand guignol). Over at Ladue News, Mark Bretz praises the production's "inspired silliness" and says this Hallowe'en-themed show is "as much treat as trick."

Held Over:

Windsor Theatre Group presents the musical revue Broadway: The Early 1900's - Victor Herbert and His Contemporaries at 2 and 7 p.m. on Sunday, November 5; 7 p.m. on Friday, November 10; and 2 and 7 p.m. on Saturday and Sunday, November 11 and and 12. "Talented professional singers and dancers will take the audience to an era that was very interesting for music lovers. Fantastic shows were staged on Broadway, and jazz, blues and tango began receiving mainstream recognition. Broadway tunes include the great male chorus numbers from Rose-Marie, The Student Prince, The Merry Widow, and The New Moon. There will be solo and duet performances of more Broadway selections and the other genres gaining fame. In addition, highlights of plots or other interesting facts about a song will enhance the enjoyment of the attendees." Performances take place at the historic Ozark Theatre, 103 E. Lockwood in Webster Groves. For more information call 314-832-2114 or visit the group's Facebook page.

My take: I'm putting this on the list for the simple reason that I'm very fond of music from the early years of the 20th century. Heck, I even created an entire show around it. Herbert and his contemporaries aren't heard that much these days, which is a pity. Thanks to Windsor for bringing us a full evening of this classic stuff.

Friday, October 27, 2017

Chuck's Choices for the weekend of October 27, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Baskerville
Photo: John Lamb
Insight Theatre Company presents Ken Ludwig's Baskerville, A Sherlock Holmes Mystery through October 29. The play is "a tour de force with actors playing many different characters in madcap comedy." Performances take place at The .ZACK, 3224 Locust in Midtown. For more information, call 314-556-1293 or visit insighttheatrecompany.com.

My take: If you have seen The 39 Steps (a production of which is also on the boards right now at Alton Little Theater), you've got the basic concept for Baskerville: a comedic stage adaptation of a literary classic with a small cast playing multiple roles around a couple of actors who plays the same characters throughout. In this case, John J. O'Hagan and Kent Coffel play Holmes and Watson, respectively, which three other actors dash about the stage playing everyone else. Reviews have been good and, as a Holmes fan from way back, I have to say I find the idea intriguing.


Windsor Theatre Group presents the musical revue Broadway: The Early 1900's - Victor Herbert and His Contemporaries at 7 p.m. on Sunday, October 29, and at 2 and 7 p.m. on Sunday, November 5 and 12. "Talented professional singers and dancers will take the audience to an era that was very interesting for music lovers. Fantastic shows were staged on Broadway, and jazz, blues and tango began receiving mainstream recognition. Broadway tunes include the great male chorus numbers from Rose-Marie, The Student Prince, The Merry Widow, and The New Moon. There will be solo and duet performances of more Broadway selections and the other genres gaining fame. In addition, highlights of plots or other interesting facts about a song will enhance the enjoyment of the attendees." Performances take place at the historic Ozark Theatre, 103 E. Lockwood in Webster Groves. For more information call 314-832-2114 or visit the group's Facebook page.

My take: I'm putting this on the list for the simple reason that I'm very fond of music from the early years of the 20th century. Heck, I even created an entire show around it. Herbert and his contemporaries aren't heard that much these days, which is a pity. Thanks to Windsor for brining us a full evening of this classic stuff.


Fasano and Comstock
The Presenters Dolan presents Eric Comstock and Barbara Fasano in Downton Abbey Road: The Best of Britain on Friday, October 27, at 8 p.m. as part of the Gaslight Cabaret Festival. "COOL BRITANNIA! Join the New York nightclub world's most celebrated couple as they celebrate the great songs of Great Britain in this new and wildly entertaining show. Songs by such writers as Noel Coward, Anthony Newley, Ivor Novello, Sting, and the Beatles." The performances take place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: It has been over a decade since I reviewed the Comstock-Fasano duo, but I still clearly remember what a strong impression they made. I dubbed it a richly rewarding night for lovers of American song. I'd expect this show to do the same for fans of British song.


The Performing Arts Department at Washington University presents the musical Urinetown Fridays and Saturdays at at 8 p.m., Sundays at 2 p.m. through October 29. "Winner of three Tony awards in 2002, Urinetown has been described as the "anti-musical." Brechtian in spirit and dystopian in setting, the show is wildly funny and engaging. Bruce Weber of The New York Times wrote ten days after the 9/11 attacks that "Urinetown...is simply the most gripping and galvanizing theater experience...equal parts visceral entertainment jolt and lingering provocation. The context of the historical moment makes us ask ourselves going in: Can we laugh and thrill to a musical at a time like this?" In 2017 others may be asking a similar question. We are confident that revisiting Urinetown will be just the ticket." The performances take place in the Edison Theatre on the Washington University campus. For more information, call 314-935-6543 or visit pad.artsci.wustl.edu.

My take: Urinetown is a extraordinarily well crafted rock musical that takes on a serious subject—water and the way we take it for granted—in an entertaining way. As climate change dries up glaciers and creates water shortages in glacier-fed rivers and lakes, this show's message is, if anything, even more relevant now than when I first saw it many years ago. And the cast includes my fellow KDHX theatre critic Laura Kyro. Had to get that in.

Friday, August 04, 2017

Chuck's Choices for the weekend of August 4th, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

9 to 5, the Musical
Stages St. Louis presents the 9 to 5, the Musical through August 20. "Based on the seminal 1980 hit movie, this hilarious musical romp that explores friendship and revenge in the Rolodex era is outrageous, romantic, and even a little bit thought provoking in its heroines' desire to break the glass ceiling. Chock-full of upbeat and optimistic songs by country superstar Dolly Parton and featuring the toe-tapping title tune, "9 to 5", three female coworkers concoct a plan to live out their wildest fantasies by giving their sexist, egotistical, lying, hypocritical bigot of a boss the boot! In the process, the women give their workplace a dream makeover and take control of the company that had always kept them down. A bright and brand new musical bon-bon for STAGES audiences and a celebration for anyone who has ever struggled with any kind of authority figure, you will laugh, cry, and ultimately cheer the exploits of Violet, Judy, and Doralee as they discover the joys of working 9 to 5!" Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information: stagesstlouis.org.

My take: Hit movies don't necessarily make hit musicals, but 9 to 5, the Musical works surprisingly well as a stage vehicle. Sadly, the idea of taking revenge on a bad boss is just as timely now as it was when the movie made such a splash almost four decades ago. "Artistic director Michael Hamilton leads an energized cast in a spirited, high-octane performance of this gleeful musical with serious undertones," says Mark Bretz at Ladue News. "The underlying messages about respect and finding your place in the world are nice, though clunky," notes Tina Farmer at KDHX, "and the show wins with its can do attitude and humor."


Carousel
Photo: John Lamb
Union Avenue Opera presents the Rodgers and Hammerstein's Carousel Fridays and Saturdays at 8 PM, through August 5. Performances take place at the Union Avenue Christian Church, 733 Union at Enright in the Central West End. " The time is 1873. The place, a small fishing village on the rocky New England coastline. Billy Bigelow, the handsome and swaggering barker for Mrs. Mullin's carousel in the local amusement park, meets Julie Jordan, a lovely young working girl at the nearby mill, when Julie and her friend Carrie Pipperidge come to the carousel. Billy and Julie fall in love and are soon married. But as the community unties against them, it soon becomes apparent that marriage doesn't guarantee "happily ever after." The production is directed by Ken Page. The opera is sung in English with projected English text. For more information, visit unionavenueopera.org or call 314-361-2881.

My take: I'm a great admirer of Union Avenue Opera and it looks like they have a winner with this production. Writing for STLToday.com, my fellow Music Critics Assocation of North America member Sarah Bryan Miller notes that UAO has "assembled a cast of fine singing actors, skilled dancers and a director with major theatrical chops, for a successful whole in the company’s first Broadway outing." Mark Bretz at Ladue News agrees. "Union Avenue Opera’s entry into the rich musical world of composer Richard Rodgers and lyricist Oscar Hammerstein II is a resounding success," he writes, "thanks to the colorful and creative direction of Ken Page and a spirited reading of Rodgers’ score by Scott Schoonover and the UAO orchestra."


A Chorus Line
The Muny presents the musical A Chorus Line through August 4th. "This singular sensation of a musical tells the story of 19 dancers at a final audition, vying for a spot in a Broadway show. A landmark American musical, A Chorus Line has been called "the greatest musical - ever." With music by Oscar and Tony winning Marvin Hamlisch, A Chorus Line celebrates the dreams, guts and sweat that we all need to take our place "on the line." Performances take place on the Muny's outdoor stage in Forest Park. For more information: muny.org.

My take: It hardly seems possible now that when this show first appeared on the Muny stage back in the 1970s, some of the patrons were vastly offended by some of the "adult" material in it. Now the Muny web site describes it as "a landmark American musical" the the current production even includes roles for the Muny Youth Ensemble (a.k.a. the "Muny Kids") this time around. Reviews have been very good. "The Muny's current production reinvigorates the soul of the long-running musical in spectacular fashion" says Tina Farmer at KDHX, "ensuring it feels intimate and personal, while delivering precisely choreographed numbers and standout songs."


Once Upon a Mattress
The Hawthorne Players present the musical Once Upon a Mattress through August 6. "Due to an unhappy curse, King Sextimus is unable to speak. Mean- while, his terror-of-a-wife, Queen Aggravain, has taken over control of the kingdom. In an attempt to keep Prince Dauntless single, has decreed that only the princess that can pass her test may marry her son. Luckily, Sir Harry is able to find an amazing princess who instantly catches the attention of Prince Dauntless. In the end, Winnifred is able to pass the Queen's impossible sensitivity test." The performances take place at the Florissant Civic Center Theatre at Parker and Waterford in Florissant, MO. For more information, call 921-5678 or visit hawthorneplayers.info.

My take: I've always loved that odd little show, with its remarkable score by Mary Rodgers (daughter of Richard) and Marshall Barer and it's slyly funny book. "This is a great old-fashioned, well-crafted, unpretentious American musical comedy," writes Steve Callahan at KDHX, "and director Lori Renna manages it all with great love and respect for the script." If you're looking for some good, old-fashioned musical theatre fun this weekend, this is a good bet.


Out on Broadway
Photo: Jill Ritter Lindberg
New Line Theatre presents the musical revue Out on Broadway: The Third Coming Thursdays through Saturdays at 8 PM, August 3 - 19. "Twenty-one years after the first edition premiered, OUT ON BROADWAY: THE THIRD COMING is an original revue of musical theatre songs performed from the perspective of five gay men, an intimate evening of funny and emotional performances, with just five guys, a piano, and no microphones. Some songs will be brought back from the earlier editions, with new songs as well, including numbers from Heathers, Kinky Boots, Hamilton, The Book of Mormon, Dreamgirls, Songs for a New World, Follies, Cabaret, Ordinary Days, Cry-Baby, Bye Bye Birdie, Into the Woods, and other musicals." Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: This is essential cabaret: intimate, acoustic, and heavily informed by American musical theatre. The performers will be familiar to fans of the local theatre and cabaret scene and at least one of them—Ken Haller—has been acting as a kind of roving cabaret ambassador for St. Louis in Chicago and New York.


Ragtime
Photo: John Lamb
Stray Dog Theatre presents the musical Ragtime, based on the novel by E.L. Doctorow, Thursdays through Saturdays, August 3 - 19. "Set in the volatile melting pot of New York at the turn of the century, three distinctly American tales are woven together. A stifled upper-class wife, a determined Jewish immigrant, and a daring young Harlem musician are united by courage, compassion, and belief in the promise of the future. As they confront the ongoing contradictions of society, their stories intertwine with notable historic figures in a sweeping musical portrait of an indelible era." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Yes, I'm actually in this one, but the fact is that I have been a great admirer of this show since I first saw it on Broadway almost two decades ago. Part historical pageant, part social and political critique and just a bit fantastical, Ragtime captures the wonder, horror, and inevitable decline of the mad optimism that began this century. It should be required viewing for the rabid free marketeers, so-called "white nationalists" (sounds nicer than "Nazis"...) and self-proclaimed populists who would have us believe that turn of the century America was the best of all possible worlds. This is a big, ambitious production, and the opening night buzz has been very positive. Tickets are going fast (this weekend is already sold out)so get yours now.