Opera Review: In the pink with Opera Theatre's "Barber of Seville"

The last time I saw Rossini’s comic masterpiece “The Barber of Seville” at Opera Theatre of St. Louis in 2015 under the capable direction of Michael Shell, I described it as “always funny and sometimes inspired”.

L-R: Justin Austin, Hongni Wu
Photo: Eric Woolsey

This year’s “Barber,” with Eric Sean Fogel at the helm, doesn’t quite rise to that level, mostly because Fogel can’t seem to resist the temptation to gild the comedy lily now and then. But it’s certainly fast, funny, and whimsically silly in a sort of cartoon way. So, as the Bard wrote, “’tis enough, ‘twill serve.”

From a purely musical point of view, this “Barber” had me on its side from the first notes of the famous overture. Conductor Jonathan Brandini found levels of nuance in it that I’d never heard before and which made it seem fresh and new—no small trick with music that is so familiar that Warner Brothers could use it for a Bugs Bunny soundtrack (“The Rabbit of Seville,”1950; it you haven’t seen it, you must) knowing that the audience would get the jokes. Brandini’s perfectly paced conducting of the finale was a delightful demonstration of why Rossini was sometimes called “Signor Crescendo.”

L-R: Nathan Stark, Patrick Carfizzi
Photo: Eric Woolsey

Better yet Fogel, unlike most directors at OTSL, resisted the temptation to fill the stage with distracting pantomime and elected instead just let us sit and enjoy the music.  For that alone I could have given him a laurel wreath.

His cast is splendid. Baritone Justin Austin, a powerfully dramatic Scott Joplin/Remus in last season’s “Treemonisha,” displays a radically different musical and theatrical side to his talent as the wily, cheerfully self-assured Figaro. His Rosina is mezzo Hongni Wu, expertly mixing comedy and coloratura in her OTSL debut.

Tenor Andrew Morstein is a perfect foil for them as the moonstruck Count Almaviva, desperate to woo Rosina before she can be forced into a marriage of inconvenience by her pompous guardian Dr. Bartolo.

L-R: Andrew Morstein, Hongni Wu
Photo: Eric Woolsey

Speaking of whom, bass-baritone Nathan Stark does a wonderful “slow burn” as Bartolo—you can almost see him turning purple and shooting steam out of his ears, like a Chuck Jones animation. He sang Mozart’s Bartolo in OTSL’s  “The Marriage of Figaro” in 2019 with equal authority. He rattles off the those sixteenth- and thirty-second notes in Bartolo's Act I (Rossini's Act II) scene with Rosina with aplomb.

Bass-baritone Patrick Carfizzi, last seen on the OTSL stage as the con artist Dr. Dulcimara in “The Elixir of Love” (2014), is equally at home as the shifty Don Basilio, happy to change sides for the right price. He, too, sounds impressively comfortable with the machine-gun patter, notably in the famous “gossip” song ("l vecchiotto cerca moglie") in which he unfurls a plot to use fake news to undermine Almaviva.

Rounding out this fine ensemble are baritone David Wolfe as Almaviva’s servant Fiorello, soprano Chase Sanders as Bartolo’s ancient governess Berta, and bass Jared Werlein as the Officer whose sunflower-wielding cops try to deal with the chaos at Chez Bartolo at the end of Act I.

L-R: Nathan Stark, Patrick Carfizzi, Hongni Wu
Justin Austin, Andrew Morstein, Chase Sanders
Photo: Eric Woolsey 

The continuing popularity of “The Barber of Seville” is remarkable when you consider that the composer dashed it off in three weeks. He didn’t even have time to write an original overture, choosing instead to recycle one he had used for two previous operas, "Aureliano in Palmira" and "Elisabetta, regina d'Inghilterra." Which is why none of the engaging tunes in that impeccably played overture appear in the actual opera.

But then, everyone needs a good laugh now and then. Especially now.

Performances of this unapologetically silly “Barber of Seville” are sung in English with English supertitles and run through June 29th at the Loretto-Hilton Center on the Webster University campus. Run time is around two hours and thirty minutes including intermission. More information is available at the Opera Theatre web site.

Opera Review: Opera Theatre's "Julius Caesar" boasts musical excellence

When George Frederic Handel’s “Julius Caesar” (“Giulio Cesare”) had its 1724 premiere at the King’s Theatre in London, it was a huge success. That’s because it gave audiences what they wanted: dramatic thrills, lavish sets, and first and foremost spectacular singing. They expected (and got) a classic opera seria—a drama intended to be “serious in tone and clear in structure”—with a heroic Caesar and a seductive (and ultimately commanding) Cleopatra.

[Watch my interview with Conductor Daniela Candillari.]

L-R: Sarah Mesko, Emoily Pogorelc
Photo: Eric Woolsey

I don’t know whether or not the current Opera Theatre of St. Louis (OTSL) production is giving the audience what it wants but judging from the opening night applause it’s certainly giving them a solid evening’s entertainment. Musically, this “Julius Caesar” is impeccable and, yes, the singing is spectacular. The staging, however, is at odds with the text, the music, and that spectacular singing.

I’ll circle back to that right after I talk about the best thing about this “Julius Caesar”: the exceptional performances by members of the St. Louis Symphony under the baton of OTSL Principal Conductor Daniela Candillari and by the amazing cast.

In Handel’s day, the leading male roles were usually sung by castrati—or, as they were euphemistically called at the time, “musici”.  These were male singers who had been castrated before puberty to keep their high voices. These days those roles are sung by women or, when you can find one, a male countertenor who understands Baroque singing style. That can sound odd to a modern audience, but Opera Theatre’s cast is so uniformly strong that this wasn’t an issue.

L-R: Key'mon Murrah, Meridian Prall
Photo: Eric Woolsey

Mezzo Sarah Mesko as Caesar and soprano Emily Pogorelc as Cleopatra looked and sounded equally at home in their dramatic solos. Mesko’s “Va tacito e nascosto,” in which Caesar compares his pursuit of Ptolemy to a hunter pursing his prey, was a highlight, as was Pogorelc’s seductive “V’adoro, pupille.” Mesko cuts a heroic figure as the self-proclaimed “master of the world,” and Pogorelc’s portrayal of Cleopatra’s progression from superficial tease to triumphant empress is masterfully done.

Countertenor Key’mon Murrah, who made such a strong impression on me in the St. Louis Symphony Orchestra’s “Messiah” in 2022, displayed a stunning vocal and dramatic range as the scheming Ptolemy. His high notes could have shattered glass, and like the rest of the cast, he has a good feel for Baroque vocal ornamentation.

Mezzo Meridian Prall plumbs tragic depths as Cornelia, the window of the murdered Pompey. At the same time, she’s obliged to repel the unwelcome attempts at sexual assault by the Egyptian general Achillas, sung with menacing authority by bass-baritone Cory McGee. Mezzo Megan Moore sounds utterly at ease in the soprano role of Pompey’s son Sextus and vividly evokes the character’s seething rage in the revenge aria “Svegliatevi nel core.”

Megan Moore
Photo: Eric Woolsey

Mezzo Madeline Lyon and bass John Godhard Mburu make strong impressions as, respectively, Cleopatra’s aide Nirena (originally Nireno, another castrato part) and Caesar’s tribune Curio, despite the drastic cuts in their roles.

Conducting from the harpsichord just as Handel did Back in the Day, OTSL Principal Conductor Daniela Candillari leads members of the St. Louis Symphony Orchestra in a wonderfully idiomatic reading of the score. Her knowledge of and affection for the music are obvious. There are also memorable solo moments by, among others, Principal Horn Roger Kaza accompanying Mesko “Va tacito” (virtually a duet for voice and natural horn), and the elaborate imitations of birdsong by Second Associate Concertmaster Celeste Golden Andrews as an entranced Caesar enters Cleopatra’s garden.

Musically, in short, OTSL’s “Julius Caesar” in a winner. The staging, however, is another matter.

In her program note, Stage Director Elkhannah Pulitzer talks about her intention to “to preserve the beauty and arc of the characters and remain faithful to their journeys of discovery…. The transformative force of love, the brutality of power wielded with malice, the courage to overthrow tyranny, as well as the deep valleys of loss and healing we all experience as humans, make it universal.” It’s not clear to me how those admirable goals are served by putting everyone in modern dress and moving the action from first century B.C. Egypt to a sterile grayscale business center, complete with a focus-stealing cleaning staff.

The cast of "Julius Caesar"
Photo: Eric Woolsey

Her declared intentions notwithstanding, Pulitzer seems to have directed the work with a wink and a nod, filling it with lots of fussy stage business, show biz choreography, and even visual gags that seem to be suggesting that we really shouldn’t take all this stuff about heroism, love, and tragedy all that seriously. Not surprisingly, the opening night house responded by laughing at scenes that were never intended to be seen as amusing.

The conventions of Baroque opera create a distance from modern audiences as it is. Mocking them only increases that distance. In attempting to make “Julius Caesar” contemporary, Pulitzer has merely made it silly.

That said, the sheer musical excellence of this production probably makes it worth seeing despite its theatrical sins. Performances of “Julius Caesar” are sung in English with English supertitles and take place through June 28th at the Loretto-Hilton Center on the Webster University campus. Run time is around two hours and fifty minutes including intermission. More information is available at the Opera Theatre web site.

This article originally appeared at 88.1 KDHX, where Chuck Lavazzi is the senior performing arts critic.

St. Louis theatre calendar for the week of June 10, 2024

What's on St. Louis theater and cabaret stages this coming week. Please leave a comment if anything was wrong or got left out

Woman in Mind
Photo: John Lamb

Albion Theatre Company presents Woman in Mind (December Bee) by Alan Ayckbourn through June 23. “Susan, a housewife who is married to a rather boring cleric, is knocked out by a garden rake.  She experiences hallucinations, imagining an ideal family, in contrast to her tedious, oppressive real life.  However, things begin to spiral out of control and become a nightmare.  Ayckbourn again shows his mastery of combining tremendous humor with poignancy as relationships collapse.” Performances take place in the Black Box Theatre at the Kranzberg Center, 501 N. Grand in Grand Center. For more information: albiontheatrestl.org.

Xavier May

The Blue Strawberry presents Xavier May in A Night of Black Musical Theater on Thursday June 13, at 7:30 pm. “What do you get when you take a black kid who grew up listening to and singing along with all their parents favorite RnB/Soul artists, and give them some musical theatre training? Xavier May, that’s what you get! From Stephen Sondheim to Stevie Wonder, Xaviers got it all! Though St. Louis is their home, they’ve spent the last two years in Nashville studying in Belmont University’s Musical Theatre program. Now, they’re back and ready for their first show at the Blue Strawberry, and it’s going to be an evening you won’t want to miss! Get ready for a night full of fun, music, and friendship.”  The Blue Strawberry is at 364 N. Boyle.  For more information: bluestrawberrystl.com.

Circus Flora presents Marooned through June  23. “Inspired by the allure and mystery of a deserted island, “Marooned!” transports audiences into a world of adventure, discovery, and enchantment. Witness the resilience and ingenuity of our world-class acrobats and other circus performers as they navigate the challenges of the unknown, bringing to life a tale of survival, camaraderie, and the enduring spirit of the human heart. Will our circus castaways survive? Join us to find out!” Performances take place at The Big Top on Washington next to Powell Hall in Grand Center. For more information: circusflora.org.

The Gateway Men’s Chorus presents Journeys and Destinations on Saturday an 7:30 pm and Sunday at 2 pm June 15 and 16. “The mystery and the magic of our lives is often in the roads we've traveled, the paths we've taken, and the sojourns that have led us to where we are today. Join GMC as we experience the journeys of our lives, the songs that shaped us as adults, and the long and winding path from past to present to the better world we hope to build. This feel-good concert will weave a spell upon your heart and touch upon the magic that lives within us all.” Performances take place at The Link Auditorium, 4504 Westminster Place in the Central West End. For more information: www.gmcstl.org.

We All Fall Down
Photo: Jon Gitchoff

New Jewish Theatre presents We All Fall Down by Lila Rose Kaplan Thursdays at 7:30 pm, Saturdays at 4 and 8 pm and Sundays at 2 pm through June 16. “Linda and Saul Stein still live in the Westchester home where they raised their two beautiful daughters. But when Saul unexpectedly retires, Linda summons the family to celebrate Passover for the first time in decades. Linda tends slightly toward the theatrical (okay, a lot), and their family has never been particularly religious (okay, not at all). So their comic attempts to bring the Seder to life go from riotous to heart-wrenching.  Can this family come together, or will an age-old tradition tear them apart?” Performances take place at the SFC Performing Arts Center, 2 Millstone Campus Drive. For more information: jccstl.com.

Dracula
Photo: Jill Ritter Lindberg

New Line Theatre presents the musical Dracula, based on the book by Bram Stoker with music and lyrics by Frank Wildhorn, through June 22. “Broadway songwriter Frank Wildhorn (Bonnie & Clyde, Wonderland, Jekyll & Hyde) delivers his most epic score for this riveting, fast-paced, Gothic rock opera, faithful to the iconic novel but with some unexpected twists and turns. As much a tragic love story as a thriller, this terrifying and passionate retelling of the famous story dives deep into the powerful, shattering emotions of these characters and these complicated relationships, as only musical theatre can. For Dracula, Wildhorn reunites with his Bonnie & Clyde lyricist Don Black, for one of the wildest and most emotional rides you’ve had in the theatre in a long time.” Performances take place at the Marcelle Theatre in Grand Center. For more information: https://www.newlinetheatre.com.

The Barber of Seville
Photo: Eric Woolsey

Opera Theatre of St. Louis presents Rossini’s The Barber of Seville through June 29. “Take a romp through a world of high notes, hijinks, and hair-raising escapades with Rossini’s comedic masterpiece. The razor-sharp barber Figaro may be a master mischief-maker, but his favorite role is that of matchmaker. When he meets Count Almaviva, a dashing but naïve young nobleman, he promises to help Almaviva win the heart of the beautiful Rosina. A comedy of mistaken identities, cunning disguises, and laugh-out-loud antics ensues as the love-struck Almaviva attempts to outwit Rosina’s guardian.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. Run time is approximately two hours and forty minutes including intermission. For more information: opera-stl.org.

La Bohème
Photo: Eric Woolsey

Opera Theatre of St. Louis presents Puccini’s La Bohème through June 30. “Ignite your senses and surrender to the intoxicating allure of young love. Set against the backdrop of Paris, a group of bohemian artists find solace and comradery in their shared dreams. In their frosty attic, a chance encounter ignites a romance between the seamstress Mimì and the poet Rodolfo. Their love flourishes in winter’s chill…yet as winter gives way to spring, the realities of the world begin to cast a shadow over their idyllic affair. In the face of adversity, Mimì and Rodolfo must confront the painful truth that like the seasons, some love affairs must come to an end.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. Run time is approximately two hours and thirty minutes including intermission. For more information: opera-stl.org.

Opera Theatre of St. Louis presents Philip Glass’s Galileo Galilei opening on Saturday, June 15, at 7:30 pm and running through June 29. “Discover the captivating story of one of the greatest — and most courageous — scientists in history. Galileo’s unwavering dedication to the pursuit of knowledge paved the way for groundbreaking scientific advancements, but also caused fierce conflicts with the Church he loved. This opera shines a light on Galileo’s steadfast spirit and reminds us of the enduring importance of intellectual curiosity. Today, Galileo’s story resonates more than ever, urging us to reevaluate our own beliefs, challenge the status quo, and stand firm in our convictions, no matter the consequences.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. Run time is approximately ninety minutes with no intermission. For more information: opera-stl.org.

Julius Caesar
Photo: Eric Woolsey

Opera Theatre of St. Louis presents Handel’s Julius Caesar running through June 28. “Who said that passion and politics make for poor bedfellows? Experience Handel’s captivating love story of Julius Caesar and Cleopatra, whose audacious affair rewrote the course of history. As sparks fly between these two rulers, love becomes a battlefield, and the most important conquest is that of the heart. But with pretenders to the throne lurking on all sides, desire can sometimes be a double-sided weapon.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

Steel Magnolias
Photo: Phillip Hamer

Stages St. Louis presents the comedy Steel Magnolias through June 30. “Take a trip south to the town of Chinquapin, Louisiana and join the ladies at Truvy’s Salon in Steel Magnolias. Here anyone who’s anyone not only comes to get their hair cut and styled, but also leaves with free advice…whether asked for or not. Along with her eager assistant Annelle, Truvy pampers a collection of clients with both style and gossip: M’Lynn and her soon-to-be-married daughter Shelby, the wisecracking and crotchety Ouiser, and the well-to-do Clairee. Together these touching, heartfelt, outspoken, and hilarious ladies forge friendships as strong as steel that help them through both the good times and the bad.” Performances take place at the Kirkwood Performing Arts Center in Kirkwood, MO. For more information: stagesstlouis.org.

As You Like It
Photo: Phillip Hamer

St. Louis Shakespeare Festival presents the comedy As You Like It Tuesdays through Sundays at 8 pm through June 23. “In this spontaneous romp, the brilliant and resourceful heroine, Rosalind, and her friends, exiled from the confines of city life to the Forest of Arden, are free to explore new identities, friendships, and (of course) love. Nancy Bell’s production is romantic, lusty, funny and full of heart and longing for a sweeter life. Featuring live music and new songs from St. Louis indie singer-songwriter Beth Bombara, with a lavish gilded age setting.” Performances take place nightly at 8 pm except for Mondays at Shakespeare Glenn next to the Art Museum in Forest Park. For more information: stlshakes.org.

The St. Louis Writers Group presents a reading of the play The Debate of God by Brad Slavik on  Monday, June 10, at 6:30 pm. “A Catholic priest, a Jew, a Muslim, and a Buddhist monk walk into the audience hall of the great Khan of the Mongol Empire. Sounds like the beginning of a joke but it was a real situation: in 1254 the Great Khan ordered a debate between Christians, Muslims, and Buddhists. Thus is brought into the crucible all the differences and all the similarities of the three great religions. It brought its share of conflict, comedy, and intrigue. It also brings in three unlikely friendships and an unexpected ending. Sit back and relax and let the story teller, Yakob of Uzgen explain it all.” The reading takes place at the Schlafly Tap Room in Midtown.  More information is available at the St. Louis Writers Group Facebook page.

Ripcord
Photo: John Lamb

Stray Dog Theatre presents David Lindsay-Abaire’s comedy Ripcord Thursdays through Saturdays at 8 through June 22, with an additional performance at 2 pm on Sunday June 16. “The Golden Girls meets The Odd Couple in this madcap comedy. When cantankerous Abby is forced to share her room in a retirement home with endlessly chipper Marilyn, a feud between the mismatched roommates results in a bet to determine who stays and who goes. Seemingly harmless at first, the two women quickly escalate into dangerous games of one-upmanship.” Performances take place at Tower Grove Abbey, 2336 Tennessee in Tower Grove East. For more information: www.straydogtheatre.org

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.

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Opera Review: OTSL and Puccini make beautiful music together in "La bohème"

When Puccini’s “La bohème” premiered at the Teatro Regio in Turin in 1896 (with Arturo Toscanini at the podium, no less) the public and critical reception was lukewarm. That changed quickly as productions became more widespread, and it’s now a favorite of companies around the world.  Opera Theatre’s current production is the seventh in their 49-year history. It might not be their best, but it certainly has its merits.

L-R: Moisés Salazar, Titus Muzi III, Robert Mellon
Thomas Glass, André Courville 
Photo: Eric Woolsey

For those of you who have missed being exposed to Henri Murger’s episodic 1851 novel “Scènes de la vie bohème” (“Scenes from Bohemian Life”) or Puccini’s opera or Jonathan Larson’s 1996 rock musical adaptation “RENT,” here’s a quick plot summary. On Christmas Eve, the poet Rodolfo, the painter Marcello, the philosopher Colline, and the musician Schaunard are young, creative, broke, and burning some of their work to heat their squalid Parisian apartment. Enter the equally poverty-stricken seamstress Mimi, whose candle has gone out, leaving her stuck in the stairwell. Before the first act is over, she and Rodolfo are smitten. The opera chronicles the highs and tragic lows of both their relationship and that of Marcello and the singer Musetta. Mimi dies (of consumption, as tragic heroines were wont to do in the 19th century), Musetta doesn't, and nobody lives happily ever after.

L-R: Moisés Salazar, Katerina Burton
Photo: Eric Woolsey

Opera Theatre can generally be relied upon to cast strong singers and have done so here. Former Gerdine Young Artist Moisés Salazar, whose robust tenor served him so well in 2021’s Center Stage Showcase, displays that same power here as Rodolfo. He’s a good match for fellow GYA alumna Katerina Burton, whose lyric soprano has just the right sense of sweetness to offer a pleasing contrast, without being overwhelmed by Salazar. Their justly famous Act I love scene—Rodolfo’s “Che gelida manina,” Mimi’s “Mi chiamano Mimi,” and the duet “O soave fanciulla”—had a kind of childlike innocence, if not a great deal of adult passion.

L-R: Thomas Glass, André Courville,
Brittany Renee, Katerina Burton, Moisés Salazar
Photo: Eric Woolsey

That offered a sharp contrast to the openly fraught affair of Marcello and Musetta, who like Lois in “Kiss Me, Kate” is “always true to you, darling, in my fashion.” As sung and acted by baritone Thomas Glass (an outstanding Harvey Milk in 2022) and soprano Brittany Renee, both characters felt like full-blooded (if excessively self-dramatizing) adults while Rodolfo and Mimi came across as children playing dress-up. I’m not sure that’s the best way to underline the difference between the two couples, but it does have the advantage of explaining Rodolfo’s jealous rages as mere acts of jejune petulance.

Glass and Renee both have full, robust voices that allow them to project clearly over the crowd in the Café Momus scene. Renee, in particular, radiates a sultry assurance that serves her character well, especially in her show-stopping “Quando m’en vo” (a.k.a. “Musetta’s waltz”).

Bass-baritone André Courville makes an impressive OTSL debut as Colline, providing one of the more moving moments in “Vecchia zimarra,” his tearful Act IV farewell to the faithful old coat he plans to pawn for medicine for the dying Mimi. Baritone Titus Muzi III, who was such a wonderfully fussy Sacristan in “Tocsa” last season, scores again as Schaunard, with his outrageous tale of being hired to sing the role of a rich man’s parrot.

L-R: Thomas Glass, Titus Muzi III, 
Moisés Salazar, André Courville
Photo: Eric Woolsey

Even the smallest parts in this production have been filled by performers who can boast of considerable vocal and dramatic strength. Witness baritone Robert Mellon—an outstanding Figaro in Union Avenue’s “Il barbiere di Siviglia" in 2021 and an equally remarkable title role in the same company’s “Falstaff” in 2022. Here, he creates a pair of memorable clowns in the roles of the easily befuddled landlord Benoit and Musetta’s hapless sugar daddy Alcindoro, who is stuck with the bill at the end of the Café Momus scene.

Director Michael Shell’s decision to move the action to 1950 and to change the color scheme from technicolor in the Puccini’s Acts I and II to a grim grayscale in acts III and IV doesn’t seem to add much, but neither does it subtract. Besides, I tend to remember the 1950s as being in black and white (in more ways than one), in any case. His direction generally does a good job of keeping focus where it should be and only comes up short in the final moments of the massive Café Momus scene, which has often been an issue for OTSL’s relatively small stage.

Puccini’s intention in that scene was to portray the rich panoply of Parisian street life at Christmas time. As Michele Girardi writes in Gove Online, he achieved that by stacking up “numerous events, entrusting them to small choral groups and soloists, and ensuring appropriate timing and cuts from one scene to another which are almost film-like in their lightning rapidity.” If the stage becomes too crowded, there’s not enough space for the audience to hear to small groups properly, and it all becomes visual and sonic clutter—as it did on opening night.

Katerina Burton, Moisés Salazar
Photo: Eric Woolsey

“Puccini,” writes conductor José Luis Gómez in his program notes, “offers the conductor and orchestra a chance to support the singers…but to also be a clear protagonist in the entire drama.” His wonderfully sympathetic reading of the score demonstrates that consistently, especially in places (like the wintry beginning of Puccini’s Act III) in which the composer’s tone painting vividly evokes a frigid February dawn at the city gates. It’s a fine performance, exquisitely played by members of the St. Louis Symphony Orchestra. It’s also the perfect complement to Takeshi Kata’s sets, Amanda Seymour’s costumes, and Marcus Doshi’s lighting.

If you’re a fan of “La bohème” you’ll probably find much to admire in Opera Theatre’s latest presentation of it, which runs through June 30.. If, like me, you can take it or leave it, I doubt this will change your mind.

Performances of “La bohème” are sung in English with English supertitles and take place on the main stage at the Loretto-Hilton Center on the Webster University campus in Webster Groves. Run time is around two and one-half hours, including an intermission between acts II and III. For more information on this and the other three operas in the 2024 season, visit the Opera Theatre web site.

This article originally appeared at 88.1 KDHX, where Chuck Lavazzi is the senior performing arts critic.

St. Louis theatre calendar for the week of June 3, 2024

What's on St. Louis theater and cabaret stages this coming week. Please leave a comment if anything was wrong or got left out

Albion Theatre Company presents Woman in Mind (December Bee) by Alan Ayckbourn June 7 through 23. “Susan, a housewife who is married to a rather boring cleric, is knocked out by a garden rake.  She experiences hallucinations, imagining an ideal family, in contrast to her tedious, oppressive real life.  However, things begin to spiral out of control and become a nightmare.  Ayckbourn again shows his mastery of combining tremendous humor with poignancy as relationships collapse.” Performances take place in the Black Box Theatre at the Kranzberg Center, 501 N. Grand in Grand Center. For more information: albiontheatrestl.org.

Timbuktu!
Photo by Keshon Campbell

The Black Rep presents the musical Timbuktu!, based on the Broadway classic Kismet, through June 9.  “Opulent beyond man’s dreams, travelers died crossing the Sahara in search of Timbuktu! Set against this exotic locale is the story of the Poet; his beautiful daughter, Marsinah; an evil Wazir of Police; his restless Wife of Wives, Lundanda; and The Mania of Mali, Bobo. While wandering incognito, Bobo meets Marsinah and instantly falls in love. Still, the twisted twine of fate must unravel in many thrilling and exciting ways before the two lovers can finally tie the knot.” Performances take place at the Edison Theatre on the Washington University campus. For more information: www.theblackrep.org.

The Blue Strawberry presents A Night With Zachary Leeker on Friday, June 7, at 7:30 pm. “Zach is a singer, musician, actor, and all-around entertainer. Born and raised in Saint Louis, he performs a wide array of music, from oldies rock and country on the guitar and piano, to musical theater songs alongside some of his best friends in the industry. This year, he will be a sophomore at Belmont University in their exclusive, nationally ranked Musical Theater program, and he’s looking forward to his return to the Blue Strawberry for a conversational night of fun and music. You won’t want to miss this entertaining night, with a guest singer who will undoubtedly blow you away.”  The Blue Strawberry is at 364 N. Boyle. For more information: bluestrawberrystl.com.

Lilndsey and Landon

The Blue Strawberry presents Lindsey & Landon: un/requited on Saturday, June 8, at 7:30 pm. “Lindsey and Landon return to the Blue Strawberry stage with a cabaret featuring stories of pining romantics and the clueless objects of their affection, simple songs about being seen, and ballads where sparks fly. Hear heartwarming and heartbreaking songs of passionate love from artists such as Joni Mitchell, Billy Joel, Carole King, and Karen Carpenter, and musicals Into The Woods, Hadestown, Sunday in the Park with George, Songs for a New World, and Pippin. With special guest, Drew Mizell.”   The Blue Strawberry is at 364 N. Boyle. For more information: bluestrawberrystl.com.

Circus Flora presents Marooned June 6 through 23. “Inspired by the allure and mystery of a deserted island, “Marooned!” transports audiences into a world of adventure, discovery, and enchantment. Witness the resilience and ingenuity of our world-class acrobats and other circus performers as they navigate the challenges of the unknown, bringing to life a tale of survival, camaraderie, and the enduring spirit of the human heart. Will our circus castaways survive? Join us to find out!” Performances take place at The Big Top on Washington next to Powell Hall in Grand Center. For more information: circusflora.org.

Encore Theatre Group presents Shakespeare’s The Tragedy of Othello, Moor of Venice through June 9. “Othello tells the story of a valiant Moorish general, Othello, who falls victim to the manipulations of a cunning villain. Themes of race, prejudice, and the devastating power of jealousy unfold in a way that feels shockingly contemporary. The play serves as a mirror to our society, reflecting the struggles for acceptance and equal footing that many people of color still face.” Performances take place at 2607 Patomac in the Marine Villa neighborhood. For more information: www.encorestl.org.

MJ: The Musical
Photo: Matthew Murphy

The Fabulous Fox presents MJ: The Musical through June 9. “Created by Tony Award®-winning Director/Choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.” The Fabulous Fox is on North Grand in Grand Center. For more information: fabulousfox.com.

We All Fall Down
Photo: Jon Gitchoff

New Jewish Theatre presents We All Fall Down by Lila Rose Kaplan Thursdays at 7:30 pm, Saturdays at 4 and 8 pm and Sundays at 2 pm through June 16. “Linda and Saul Stein still live in the Westchester home where they raised their two beautiful daughters. But when Saul unexpectedly retires, Linda summons the family to celebrate Passover for the first time in decades. Linda tends slightly toward the theatrical (okay, a lot), and their family has never been particularly religious (okay, not at all). So their comic attempts to bring the Seder to life go from riotous to heart-wrenching.  Can this family come together, or will an age-old tradition tear them apart?” Performances take place at the SFC Performing Arts Center, 2 Millstone Campus Drive. For more information: jccstl.com.

Dracula
Photo: Jill Ritter Lindberg

New Line Theatre presents the musical Dracula, based on the book by Bram Stoker with music and lyrics by Frank Wildhorn, through June 22. “Broadway songwriter Frank Wildhorn (Bonnie & Clyde, Wonderland, Jekyll & Hyde) delivers his most epic score for this riveting, fast-paced, Gothic rock opera, faithful to the iconic novel but with some unexpected twists and turns. As much a tragic love story as a thriller, this terrifying and passionate retelling of the famous story dives deep into the powerful, shattering emotions of these characters and these complicated relationships, as only musical theatre can. For Dracula, Wildhorn reunites with his Bonnie & Clyde lyricist Don Black, for one of the wildest and most emotional rides you’ve had in the theatre in a long time.” Performances take place at the Marcelle Theatre in Grand Center. For more information: https://www.newlinetheatre.com.

The Barber of Seville
Photo: Eric Woolsey

Opera Theatre of St. Louis presents Rossini’s The Barber of Seville through June 29. “Take a romp through a world of high notes, hijinks, and hair-raising escapades with Rossini’s comedic masterpiece. The razor-sharp barber Figaro may be a master mischief-maker, but his favorite role is that of matchmaker. When he meets Count Almaviva, a dashing but naïve young nobleman, he promises to help Almaviva win the heart of the beautiful Rosina. A comedy of mistaken identities, cunning disguises, and laugh-out-loud antics ensues as the love-struck Almaviva attempts to outwit Rosina’s guardian.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

La Bohème
Photo: Eric Woolsey

Opera Theatre of St. Louis presents Puccini’s La Bohème through June 30. “Ignite your senses and surrender to the intoxicating allure of young love. Set against the backdrop of Paris, a group of bohemian artists find solace and comradery in their shared dreams. In their frosty attic, a chance encounter ignites a romance between the seamstress Mimì and the poet Rodolfo. Their love flourishes in winter’s chill…yet as winter gives way to spring, the realities of the world begin to cast a shadow over their idyllic affair. In the face of adversity, Mimì and Rodolfo must confront the painful truth that like the seasons, some love affairs must come to an end.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

Opera Theatre of St. Louis presents Handel’s Julius Caesar opening on Sunday, June 9, at 7:30 pm and running through June 28. “Who said that passion and politics make for poor bedfellows? Experience Handel’s captivating love story of Julius Caesar and Cleopatra, whose audacious affair rewrote the course of history. As sparks fly between these two rulers, love becomes a battlefield, and the most important conquest is that of the heart. But with pretenders to the throne lurking on all sides, desire can sometimes be a double-sided weapon.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

Stages St. Louis presents the comedy Steel Magnolias through June 30. “Take a trip south to the town of Chinquapin, Louisiana and join the ladies at Truvy’s Salon in Steel Magnolias. Here anyone who’s anyone not only comes to get their hair cut and styled, but also leaves with free advice…whether asked for or not. Along with her eager assistant Annelle, Truvy pampers a collection of clients with both style and gossip: M’Lynn and her soon-to-be-married daughter Shelby, the wisecracking and crotchety Ouiser, and the well-to-do Clairee. Together these touching, heartfelt, outspoken, and hilarious ladies forge friendships as strong as steel that help them through both the good times and the bad.” Performances take place at the Kirkwood Performing Arts Center in Kirkwood, MO. For more information: stagesstlouis.org.

The STL Fringe Festival presents The Secret of the Gold Queen: A New Opera by Nika Leoni and Kathryn Thompson Favazza on Sunday, June 9, at 1 pm. “A new Chamber Opera for Children that teaches kindness, respect, and good sportsmanship.” The performance takes place at the High Low, 3301 Washington in Midtown. For more information: www.stlfringe.org.

St. Louis Shakespeare Festival presents the comedy As You Like It Tuesdays through Sundays at 8 pm through June 23. “In this spontaneous romp, the brilliant and resourceful heroine, Rosalind, and her friends, exiled from the confines of city life to the Forest of Arden, are free to explore new identities, friendships, and (of course) love. Nancy Bell’s production is romantic, lusty, funny and full of heart and longing for a sweeter life. Featuring live music and new songs from St. Louis indie singer-songwriter Beth Bombara, with a lavish gilded age setting.” Performances take place nightly at 8 pm except for Mondays at Shakespeare Glenn next to the Art Museum in Forest Park. For more information: stlshakes.org.

Stray Dog Theatre presents David Lindsay-Abaire’s comedy Ripcord Thursdays through Saturdays at 8, June 6 through 22, with an additional performance at 2 pm on Sunday June 16. “The Golden Girls meets The Odd Couple in this madcap comedy. When cantankerous Abby is forced to share her room in a retirement home with endlessly chipper Marilyn, a feud between the mismatched roommates results in a bet to determine who stays and who goes. Seemingly harmless at first, the two women quickly escalate into dangerous games of one-upmanship.” Performances take place at Tower Grove Abbey, 2336 Tennessee in Tower Grove East. For more information: www.straydogtheatre.org

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.

To get your event listed here, send an email to chuck at kdhx.org Your event information should be in text format (i.e. not part of a graphic), but feel free to include publicity stills.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

St. Louis theatre calendar for the week of May 27, 2024

What's on St. Louis theater and cabaret stages this coming week. Please leave a comment if anything was wrong or got left out

Timbuktu!
Photo by Keshon Campbell

The Black Rep presents the musical Timbuktu!, based on the Broadway classic Kismet, through June 9.  “Opulent beyond man’s dreams, travelers died crossing the Sahara in search of Timbuktu! Set against this exotic locale is the story of the Poet; his beautiful daughter, Marsinah; an evil Wazir of Police; his restless Wife of Wives, Lundanda; and The Mania of Mali, Bobo. While wandering incognito, Bobo meets Marsinah and instantly falls in love. Still, the twisted twine of fate must unravel in many thrilling and exciting ways before the two lovers can finally tie the knot.” Performances take place at the Edison Theatre on the Washington University campus. For more information: www.theblackrep.org.

Caitlin Cook

The Blue Strawberry presents Caitlin Cook in The Writing On The Stall: A One Woman Bathroom Graffiti Musical on Saturday and Sunday June 1 and 2, at 7:00 pm. “Confessional, immersive, and uproariously funny, this one-of-a-kind show—literally set in a dive bar bathroom—transforms graffiti scrawled all over the stalls into the lyrics of her original songs and trail markers along the journey she takes us upon. Through these irreverent, poignant, and often obscene messages, Cook reckons with our shared humanity and what we owe each other. May include: slingshotted panties, milk pistols, and a cowboy dick (complete, with spurs!).”  The Blue Strawberry is at 364 N. Boyle. For more information: bluestrawberrystl.com.

Encore Theatre Group presents Shakespeare’s The Tragedy of Othello, Moor of Venice through June 9. “Othello tells the story of a valiant Moorish general, Othello, who falls victim to the manipulations of a cunning villain. Themes of race, prejudice, and the devastating power of jealousy unfold in a way that feels shockingly contemporary. The play serves as a mirror to our society, reflecting the struggles for acceptance and equal footing that many people of color still face.” Performances take place at 2607 Patomac in the Marine Villa neighborhood. For more information: www.encorestl.org.

MJ: The Musical
Photo: Matthew Murphy

The Fabulous Fox presents MJ: The Musical May 28 through June 9. “Created by Tony Award®-winning Director/Choreographer Christopher Wheeldon and two-time Pulitzer Prize winner Lynn Nottage, MJ goes beyond the singular moves and signature sound of the star, offering a rare look at the creative mind and collaborative spirit that catapulted Michael Jackson into legendary status.” The Fabulous Fox is on North Grand in Grand Center. For more information: fabulousfox.com.

New Jewish Theatre presents We All Fall Down by Lila Rose Kaplan Thursdays at 7:30 pm, Saturdays at 4 and 8 pm and Sundays at 2 pm, May 30 through June 16. “Linda and Saul Stein still live in the Westchester home where they raised their two beautiful daughters. But when Saul unexpectedly retires, Linda summons the family to celebrate Passover for the first time in decades. Linda tends slightly toward the theatrical (okay, a lot), and their family has never been particularly religious (okay, not at all). So their comic attempts to bring the Seder to life go from riotous to heart-wrenching.  Can this family come together, or will an age-old tradition tear them apart?” Performances take place at the SFC Performing Arts Center, 2 Millstone Campus Drive. For more information: jccstl.com.

New Line Theatre presents the musical Dracula, based on the book by Bram Stoker with music and lyrics by Frank Wildhorn, May 30 through June 22. “Broadway songwriter Frank Wildhorn (Bonnie & Clyde, Wonderland, Jekyll & Hyde) delivers his most epic score for this riveting, fast-paced, Gothic rock opera, faithful to the iconic novel but with some unexpected twists and turns. As much a tragic love story as a thriller, this terrifying and passionate retelling of the famous story dives deep into the powerful, shattering emotions of these characters and these complicated relationships, as only musical theatre can. For Dracula, Wildhorn reunites with his Bonnie & Clyde lyricist Don Black, for one of the wildest and most emotional rides you’ve had in the theatre in a long time.” Performances take place at the Marcelle Theatre in Grand Center. For more information: https://www.newlinetheatre.com.

The Barber of Seville
Photo: Eric Woolsey

Opera Theatre of St. Louis presents Rossini’s The Barber of Seville through June 29. “Take a romp through a world of high notes, hijinks, and hair-raising escapades with Rossini’s comedic masterpiece. The razor-sharp barber Figaro may be a master mischief-maker, but his favorite role is that of matchmaker. When he meets Count Almaviva, a dashing but naïve young nobleman, he promises to help Almaviva win the heart of the beautiful Rosina. A comedy of mistaken identities, cunning disguises, and laugh-out-loud antics ensues as the love-struck Almaviva attempts to outwit Rosina’s guardian.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

Opera Theatre of St. Louis presents Puccini’s La Bohème opening on Saturday, June 1, at 7:30 pm and running through June 30. “Ignite your senses and surrender to the intoxicating allure of young love. Set against the backdrop of Paris, a group of bohemian artists find solace and comradery in their shared dreams. In their frosty attic, a chance encounter ignites a romance between the seamstress Mimì and the poet Rodolfo. Their love flourishes in winter’s chill…yet as winter gives way to spring, the realities of the world begin to cast a shadow over their idyllic affair. In the face of adversity, Mimì and Rodolfo must confront the painful truth that like the seasons, some love affairs must come to an end.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

Stages St. Louis presents the comedy Steel Magnolias May 31 – June 30. “Take a trip south to the town of Chinquapin, Louisiana and join the ladies at Truvy’s Salon in Steel Magnolias. Here anyone who’s anyone not only comes to get their hair cut and styled, but also leaves with free advice…whether asked for or not. Along with her eager assistant Annelle, Truvy pampers a collection of clients with both style and gossip: M’Lynn and her soon-to-be-married daughter Shelby, the wisecracking and crotchety Ouiser, and the well-to-do Clairee. Together these touching, heartfelt, outspoken, and hilarious ladies forge friendships as strong as steel that help them through both the good times and the bad.” Performances take place at the Kirkwood Performing Arts Center in Kirkwood, MO. For more information: stagesstlouis.org.

The STL Fringe Festival presents ShimmySTL: The Surprising History of Bellydance in St. Louis on Saturday, May 25, at 7:30 pm. “This spellbinding show blends documentary with dance performances to unveil the deep connections between our Midwestern city and a beautiful dance form from Middle East.” The performance takes place at the Kranzberg Arts Center at Grand and Olive in Grand Center. For more information: www.stlfringe.org.

St. Louis Shakespeare Festival presents the comedy As You Like It Tuesdays through Sundays at 8 pm May 29 through June 23. “In this spontaneous romp, the brilliant and resourceful heroine, Rosalind, and her friends, exiled from the confines of city life to the Forest of Arden, are free to explore new identities, friendships, and (of course) love. Nancy Bell’s production is romantic, lusty, funny and full of heart and longing for a sweeter life. Featuring live music and new songs from St. Louis indie singer-songwriter Beth Bombara, with a lavish gilded age setting.” Performances take place nightly at 8 pm except for Mondays at Shakespeare Glenn next to the Art Museum in Forest Park. For more information: stlshakes.org.

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.

To get your event listed here, send an email to chuck at kdhx.org Your event information should be in text format (i.e. not part of a graphic), but feel free to include publicity stills.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

St. Louis theatre calendar for the week of May 20, 2024

What's on St. Louis theater and cabaret stages this coming week. Please leave a comment if anything was wrong or got left out

The Alpha Players present Charlotte’s Web, adapted by Joseph Robinette from the book by E.B. White, through May 26. “A classic for the entire family! A perfect show for the young and the young-at-heart. All the enchanting characters are here: Wilbur, the irresistible young pig who wants to avoid the butcher; Fern, a young girl who understands animals; Templeton, the gluttonous rat; and most of all, Charlotte, the spider, who proves to be a true friend and a good writer. This beautiful, charming play about friendship will surely warm your heart.” Performances take place in the James J. Eagen Center in Florissant. For more information: www.alphaplayers.org.

The Black Rep presents the musical Timbuktu!, based on the Broadway classic Kismet, through June 9.  “Opulent beyond man’s dreams, travelers died crossing the Sahara in search of Timbuktu! Set against this exotic locale is the story of the Poet; his beautiful daughter, Marsinah; an evil Wazir of Police; his restless Wife of Wives, Lundanda; and The Mania of Mali, Bobo. While wandering incognito, Bobo meets Marsinah and instantly falls in love. Still, the twisted twine of fate must unravel in many thrilling and exciting ways before the two lovers can finally tie the knot.” Performances take place at the Edison Theatre on the Washington University campus. For more information: www.theblackrep.org.

Alice Ripley

The Blue Strawberry presents Alice Ripley with John McDaniel on Friday and Saturday May 24 and 25, at 7:30 pm. “Tony-Award winner Alice Ripley and Grammy and Emmy Award Winner John McDaniel take us through their own musical journey. Alice sings the songs she made famous on Broadway, and John joins her as they share their stories from a lifetime spent on Broadway, and always in music.”  The Blue Strawberry is at 364 N. Boyle.   The Blue Strawberry is at 364 N. Boyle. For more information: bluestrawberrystl.com.  And check out my video interview with Alice Ripley on Chuck's Culture Channel!

Encore Theatre Group presents Shakespeare’s The Tragedy of Othello, Moor of Venice through June 9. “Othello tells the story of a valiant Moorish general, Othello, who falls victim to the manipulations of a cunning villain. Themes of race, prejudice, and the devastating power of jealousy unfold in a way that feels shockingly contemporary. The play serves as a mirror to our society, reflecting the struggles for acceptance and equal footing that many people of color still face.” Performances take place at 2607 Patomac in the Marine Villa neighborhood. For more information: www.encorestl.org.

Opera Theatre of St. Louis presents Rossini’s The Barber of Seville opening on Saturday, May 25, at 7:30 pm and running through June 29. “Take a romp through a world of high notes, hijinks, and hair-raising escapades with Rossini’s comedic masterpiece. The razor-sharp barber Figaro may be a master mischief-maker, but his favorite role is that of matchmaker. When he meets Count Almaviva, a dashing but naïve young nobleman, he promises to help Almaviva win the heart of the beautiful Rosina. A comedy of mistaken identities, cunning disguises, and laugh-out-loud antics ensues as the love-struck Almaviva attempts to outwit Rosina’s guardian.” Performances are sung in English with projected English supertitles and take place at the Loretto-Hilton Center on the Webster University Campus. For more information: opera-stl.org.

The STL Fringe Festival presents ShimmySTL: The Surprising History of Bellydance in St. Louis on Saturday, May 25, at 7:30 pm. “This spellbinding show blends documentary with dance performances to unveil the deep connections between our Midwestern city and a beautiful dance form from Middle East.” The performance takes place at the Kranzberg Arts Center at Grand and Olive in Grand Center. For more information: www.stlfringe.org.

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.

To get your event listed here, send an email to chuck at kdhx.org Your event information should be in text format (i.e. not part of a graphic), but feel free to include publicity stills.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.