Chuck's Choices for the weekend of June 13, 2014

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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The Gateway Men's Chorus presents The 80's Show Friday and Saturday, June 13 and 14, at 8 PM at The Edison Theatre on the Washington University Campus. "In a decade where the fashions and culture changed with each passing minute, the music was electric, eclectic, and every bit as eccentric and unpredictable. GMC revisits several of our favorite tune from the decade of our founding, including favorites from such artists as Cyndi Lauper, John Cougar Mellencamp, Wham!, and Michael Jackson." For more information: gmcstl.org.

My take: Strictly speaking, this isn't theatre, but the GMC has always had a distinctly theatrical take on anything they perform. They are, in any case, a treasured local institution.

Ricky Ian Gordon

Opera Theatre of St. Louis presents the world premiere of Ricky Ian Gordon and Royce Vavrek's Twenty-Seven in rotating repertory with three other operas June 14-29. "Paris roared in the 1920s, inspiring the art and literature of a Lost Generation of expatriates. At the epicenter of this creative explosion was Gertrude Stein, whose salon at 27 Rue de Fleurus became a second home for such luminaries as Fitzgerald, Hemingway, and Picasso. International sensation Stephanie Blythe makes her OTSL debut as Stein, with Elizabeth Futral joining her as Alice B. Toklas, in this next chapter in Opera Theatre's New Works, Bold Voices series." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information, visit experienceopera.org or call 314-961-0644.

My take: Even though I haven't seen this yet (I'll be there on opening night), I'm recommending it on the basis of the fact that it's a world premiere of a new work and that it's by a composer with a wonderfully eclectic background in the worlds of opera, musical theatre, and cabaret. Opera Theatre has an impressive track record of producing new works, many of which have been solid hits by any standard you care to employ.

Held Over:

Photo: Peter Wochniak

Stages St. Louis presents the musical Always..Patsy Cline through August 31. "Jacqueline Petroccia and Zoe Vonder Haar star in the return engagement of the show critics called 'exceptional, must see entertainment.' The touching and true story of Country music legend Patsy Cline and her friendship with Texas housewife Louise Seger returns to STAGES this spring. Combining down home country humor, heartache and 27 of Patsy Cline's unforgettable hits such as 'Crazy,' 'Walkin' After Midnight,' and 'Sweet Dreams,' Always... Patsy Cline endures as a piece of genuine Americana." Performances take place at The Playhouse at Westport Plaza. For more information, visit stagesstlouis.org or call 314-821-2407.

My take: Call this a qualified recommendation. If you're a lover of Patsy Cline or country music in general, I think you'll have a great time at this show, which is really more of a celebrity impersonation review than a book musical per se. Jacqueline Petroccia captures Cline's voice and manner so accurately it's eerie and Zoe Vonder Haar is a hoot and a half as Louise Seger, the real-life Houston fan who became a close friends and correspondent of Cline. With over two dozen Patsy Cline hits performed to perfection by Ms. Petroccia and a six-piece band, the show is a real feast for fans. See my KDHX review for more information.

Photo: Ken Howard

Opera Theatre of St. Louis presents Donizetti's comedy The Elixir of Love in rotating repertory with three other operas through June 25. Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. The Elixir of Love is the story of Nemorino, a humble peasant smitten with the wealthy and beautiful landowner Adina. She, though, is more taken with the macho Sergeant Belcore. In desperation, Nemorino buys a love potion (actually just some cheap wine) from the traveling quack Dr. Dulcamara. Complications, as they say, ensue.  All performances are sung in English with projected English text. For more information, you may visit experienceopera.org or call 314-961-0644.

My take: I can sum this production up in one word: bravi. Or maybe that should be "bravissimi," since every aspect of this funny, endearing, and beautifully sung show deserves heaps of praise. Tenor René Barbera and soprano Susannah Biller are about as good as it gets in the title roles, and the're backed up a flawless supporting cast and chorus. If you're new to opera, this is a good one to see. It's funny, charming, and approachable. See my review for KDHX for details.

Photo: Jill Ritter Lindberg

New Line Theatre presents the St. Louis premiere of the musical Hands on a Hardbody Thursdays through Saturdays at 8 PM through June 21. "This unique new musical is based on the acclaimed 1997 documentary of the same name, about an annual contest at a Texas truck dealership, where ten hard-luck Texans compete for a new hardbody truck. A new lease on life is so close each of them can touch it, and now for once, their fate is in their hands. Under a scorching sun, over the next 144 hours they will laugh, cry and push their bodies and minds to the limits, as they fight to keep at least one hand on a brand new truck. The contestant with the most nerve and endurance will drive away with the American Dream." Performances take place at the Washington University South Campus Theatre, 6501 Clayton Road. For more information: newlinetheatre.com or call 314-534-1111.

My take: In her review for KDHX, Tina Farmer says this show "delivers a sobering, but ultimately hopeful, look at contemporary America. Focused on a car dealership contest held in Texas until 2005, the musical features rock songs and pop-influenced ballads interspersed with dramatic scenes. Though the theme of the show has some dark overtones, the feel is warm, a slice of life with a small town familiarity." Look for some familiar theatrical faces in roles that are very different from the kinds of parts they sometimes play.

Shakespeare Festival St. Louis presents Henry IV nightly except for Tuesdays, May 15 through June 14. Henry IV, Parts 1 and 2, written as two separate plays, have been edited to fit into one evening. Beginning May 25, the production alternates with performances of Henry V. "Audience members can expect a once-in-a-lifetime theatrical experience this season," said Rick Dildine, Artistic and Executive Director of Shakespeare Festival St.Louis. "Many theaters around the world have performed these plays in consecutive seasons; however, we are performing them at the same time with the same cast on the same set." Performances take place in Shakespeare Glen next to the Art Museum in Forest Park. Curtain time is 8 PM. For more information, visit shakespearefestivalstlouis.org.

My take: This is a rare opportunity to see two (well, three, if you count the two parts of Henry IV) of Shakespeare's history plays back to back and with a single unifying concept. Costuming is period, but the themes are timeless. As Tim Ocel says in his director's notes for Henry IV, this is "the story of human beings shaping a civilization...Shakespeare saw that the future inclines to those who believe in a forward moving energy, not to those who hold back mankind's potential due to a selfish lack of vision." If that sounds familiar it's probably because, as Walt Kelly once wrote, "those things which make us human are, curiously enough, always close at hand. Resolve, then, that on this very ground, with small flags waving and tiny blasts of tiny trumpets, we shall meet the enemy, and not only may he be ours, he may be us."  Check out my interview with the directors for more information.

Shakespeare Festival St. Louis presents Henry V nightly except for Tuesdays through June 15. Beginning May 26, the production alternates with performances of Henry IV. Performances take place in Shakespeare Glen next to the Art Museum in Forest Park. Curtain time is 8 PM. For more information, visit shakespearefestivalstlouis.org and don't forget to check out my interview with the directors.

My take: The festival's production of Henry IV has already gotten raves and it looks like the sequel is doing the same. In her review for KDHX, Tina Farmer says this is "a well-acted, fast-paced retelling of the glory days of Henry V's reign, from the battle of Agincourt, where Henry prevailed against the odds, to the resulting peace, sealed with the marriage of Henry and Katherine."

Juggler/clown Adam Kuchler

Circus Flora presents its new show, The Pawn, through June 22 under the air-conditioned, red-and-white, big top tent in Grand Center next to Powell Hall. "Drawing from the history of chess, this mythic tale is steeped in the rich sights, sounds and mystique of ancient Persia and India. The audience will journey to an exotic world where myth and intellect collide, and the stone city surrenders to the desert's ever shifting sands. Follow the Pawn on his journey through curious creatures and intrigues: knights mounted on steed, bishops zigzagging across colored squares, chess pieces flying through the air. In this world, the chess pieces do not wait to be moved. They have their own adventures to play out under the big top. For more information, visit circusflora.org.

My take: This is the best Circus Flora in years. The unifying concept—a chess game—provides a simple, easily understood thread to link the various acts and doesn't require a lot of narration. The streamlined structure also moves the show along more quickly and provides a nice local tie-in with the World Chess Hall of Fame just a few minutes east of Grand Center in the Central West End. The balance of performers is excellent as well and the new clown, juggler Adam Kuchler, is a delight. See my review at KDHX for more information.

Photo: Peter Wochniak

Stages St. Louis presents the musical They're Playing Our Song May 30 - June 29. "Meet Vernon, a neurotic, witty composer and Sonia, a wacky, free spirited lyricist who form an unlikely partnership to write the next great love song. A rocky and hilarious start leaves them struggling to find their creative harmony - and romance was definitely not what they were expecting! But a series of unlikely events lead to a match made in musical comedy heaven. They're Playing Our Song is inspired by the real life love story of Academy Award-winning composer, Marvin Hamlisch (The Way We Were, The Sting) and Grammy Award-winning lyricist Carole Bayer Sager (“That's What Friends Are For”, “Nobody Does It Better” ). Topping off the jazzy score is a laugh-a-minute book by America's leading funny man, Tony Award Winner Neil Simon (Barefoot in the Park, The Odd Couple). A sweet and sophisticated musical romp, They're Playing Our Song will have you singing along from curtain up to curtain down!" Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information, visit stagesstlouis.org or call 314-821-2407.

My take: I wouldn't call it a must see, but this unusual comedy—almost more of a play with musical interludes rather than a conventional musical—is a charming period piece from the disco era (if opened in 1979 and ran for over 1000 performances) that's definitely worth a look. The production is smartly directed and choreographed.  See my review for KDHX for more information.