Chuck's Choices for the weekend of August 8, 2014

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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Photo: John Lamb

Max and Louie Productions presents Doug Wright's Quills through August 17. “This wickedly witty, erotically charged play is about the conflict between the imprisoned Marquis de Sade (infamous, irreverent literary bad boy of 18th Century France) and the keepers entrusted with silencing the perverse tales that drip from his ink-laden quill. De Sade's only sword is his pen; his opponents are armed with far deadlier weapons. Quills explores the delicate and often malleable line between morality and personal freedom, while satirizing the hypocrisy and convenience of censorship and sexuality.” Performances take place at the Wool Studio Theatre at the JCC, 2 Millstone Campus Drive. For more information, visit maxandlouie.com.

My take: If this sounds like in intriguing idea, that's probably because it is. In her review for 88.1 KDHX, Tina Farmer says "Quills" is "a deliciously inventive play weighing our decidedly human fascination with social and sexual mores against the lengths society will go to in the attempt to stifle the works of artists who push the envelope or in other ways make us nervous...Brooke Edwards' direction is clear and small details, such as having the stage crew dress as patients in the asylum, show a thoughtful approach to storytelling. When accompanied by as talented and committed a cast as in this current production, the result in an engaging, thought-provoking play."

Joe Hanrahan

The Midnight Company presents Eric Bogosian's Sex, Drugs, Rock and Roll through August 17. "Bogosian's solo shows, which also include DRINKING IN AMERICA, WAKE UP AND SMELL THE COFFEE and POUNDING NAILS IN THE FLOOR WITH MY FOREHEAD, are scorching social commentaries on the urban and suburban scene - presenting portraits of contemporary men, from the homeless to possession-crazed millionaires to fading rock stars - “scabrously funny ” (Boston Phoenix) and “combustibly funny” (Newsday) monologues exposing their hidden fears, hypocrisy and rage." The performances take place at Herbie's Vintage 72, 405 N. Euclid in the Central West End. A special pre/post-theatre menu will be available before or after the show, cocktails will be available for the performance, and live music will follow Sunday performances. For more information: midnightcompany.com

My take: Joe Hanrahan has become the king of the one-man show locally and has quite an affinity for Bogosian's dark, funny, edgy work. The location has a lot going for it as well; Herbie's has been a Central West End institution for decades (I recall going there fairly often back in the 70s and 80s), with a high-end food and wine list and a French bistro atmosphere.

Action for Autism presents the drama The Violinist Friday through Sunday, August 8-10. " Written by the mother of a child with autism, the story of Thomas, a 13-year-old boy with autism, takes audiences on a thrill ride of deception and murder, as a young boy must overcome all the odds to bring down the dangerous villains pursuing him. A live string quartet will play an all new musical score with a new song written by Hollywood composer Bryan Arata. Sculptor Harry Weber donated original artwork for the event." The performances take place at the Gaslight Theater, 356 North Boyle in the Central West End. For more information: thevioliniststl.org

My take: This is a play with an fascinating premise and the proceeds all go to a worthy charity, Action for Autism. The show is directed by the very talented Kirsten Wylder. I don't think you can go wrong here.

Held Over:

Photo: Peter Wochniak

Stages St. Louis presents the musical Always..Patsy Cline through August 31. "Jacqueline Petroccia and Zoe Vonder Haar star in the return engagement of the show critics called 'exceptional, must see entertainment.' The touching and true story of Country music legend Patsy Cline and her friendship with Texas housewife Louise Seger returns to STAGES this spring. Combining down home country humor, heartache and 27 of Patsy Cline's unforgettable hits such as 'Crazy,' 'Walkin' After Midnight,' and 'Sweet Dreams,' Always... Patsy Cline endures as a piece of genuine Americana." Performances take place at The Playhouse at Westport Plaza. For more information, visit stagesstlouis.org or call 314-821-2407.

My take: Call this a qualified recommendation. If you're a lover of Patsy Cline or country music in general, I think you'll have a great time at this show, which is really more of a celebrity impersonation review than a book musical per se. Jacqueline Petroccia captures Cline's voice and manner so accurately it's eerie and Zoe Vonder Haar is a hoot and a half as Louise Seger, the real-life Houston fan who became a close friends and correspondent of Cline. With over two dozen Patsy Cline hits performed to perfection by Ms. Petroccia and a six-piece band, the show is a real feast for fans. See my KDHX review for more information.

Photo: Peter Wochniak

Stages St. Louis presents the musical How to Succeed in Business Without Really Trying through August 17. "Big business means big laughs in this delightfully clever lampoon of life on the corporate ladder. A tune-filled comic gem that took Broadway by storm winning both the Tony Award for Best Musical and a Pulitzer Prize, How to Succeed...boasts an exhilarating score by Frank Loesser including “I Believe in You,” “Brotherhood of Man,” and “The Company Way.” Bustling with humor, romance and song, this swingin' 60s send-up of Madison Avenue charts the spectacular rise (in record time!) of an ambitious young window washer to VP of Advertising!" Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information, visit stagesstlouis.org or call 314-821-2407.

My take: It's a sad commentary on the state of the nation that the cheerfully cynical satire of the mendacity, mediocrity, and Machiavellian backstabbing of corporate America that makes up the book of "How to Succeed in Business Without Really Trying" is as relevant now as it was when the show opened back in 1961. The Stages production is, as I write in my review for KDHX, a big, bright, hilarious technicolor cartoon that keeps the action firmly in the "Mad Men" era, so its sexism feels funny rather than creepy. The cast is wonderful, headed by Ben Nordstrom as perhaps the ideal J. Pierrepont Finch.

Photo: John Lamb

Union Avenue Opera presents Andre Previn's A Streetcar Named Desire, based on the play by Tennessee Williams, Friday and Saturday at 8 PM, August 1 - 9. Performances take place at the Union Avenue Christian Church, 733 Union at Enright in the Central West End. The opera is sung in English with projected English text. For more information, visit unionavenueopera.org or call 314-361-2881.

My take: I haven't seen this yet, but I'm putting it in here simply because it's the local premiere of a major work by an American compose noted equally for his work in the jazz and classical worlds. I can't think of a more appropriate person to set Williams's classic to music. "Mr. Previn has a fine ear for voices," wrote New York Times critic Bernard Holland of the work's 1998 premiere. "He knows how to flatter and coax it and send it gracefully from one musical episode to the next.....one had the impression that Mr. Previn had been writing for the musical theater all his life." In his review of this production for 88.1 KDHX, Gary Scott says "Union Avenue provides a first-rate production, with careful lighting, creative staging within a church sanctuary, soloists of the highest caliber and some of St. Louis's finest instrumentalists."