Chuck's Choices for the weekend of April 10, 2015

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Kay Love

The Presenters Dolan present Kay Love in Girls Just Want to Have Fun (the women who wrote the songs) on Saturday, April 11, at 8 PM as part of the Gaslight Cabaret Festival. "Kay does cabaret at its purest. The shows of this wonderful singer are completely put together." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: I see cabaret as a form of musical theatre, and Kay is an accomplished musical theatre actress of long standing locally. I don't see how you can go wrong with her show.

The Presenters Dolan present Gina Otto in The Lovers, the Dreamers, and Me on Thursday, April 9, at 8 PM as part of the Gaslight Cabaret Festival. "Jazzy standards segue into pop, Broadway and sassy, Western Swing. An accomplished local singer, sharp and funny and endearing, steps into the cabaret scene." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: Gina Otto is new to the local cabaret scene, but I've been hearing good things about this show.

Ken Haller

The Presenters Dolan present Ken Haller in a return engagement of his show Mama's Boy on Friday, April 10, at 8 PM as part of the Gaslight Cabaret Festival. "Charmer Dr. Haller comes back with Mama's Boy after a sold-out success last fall. He just does good shows. Ken got love of music from his Irish-Catholic mom who would sing standards while keeping house and raising five kids. You won't want to miss this heartwarming, hilarious, moving show from one of St. Louis's foremost cabaret artists!" The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: Ken's musical tribute to his late mother is a charming show, filled with great songs and memories. And, yes, there will be Sondheim. Reviewing the premiere of this show last November for KDHX, Katie McGrath praised it as "touching, over-too-soon glimpse into his history with stories about small moments that had huge impact on his life."

The Mystery of Edwin Drood
Photo: John Lamb

Stray Dog Theatre presents the musical The Mystery of Edwin Drood by Rupert Holmes Thursdays through Saturdays at 8 PM through April 18. "This raucous show within a show kicks off when a hilariously loony Victorian musical troupe 'puts on' its flamboyant rendition of an unfinished Charles Dickens mystery. Each performance ends differently depending on how the audience chooses to finish the story that Dickens didn't!" Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: This clever show-within-a-show musical has always been a favorite of mine. If your only exposure to Holmes' music has been his big tacky hit "Escape (The Piña Colada Song)," you're in for a surprise with this show with it's clever mock-Victorian score and witty lyrics. There's a good reason why it won the 1985 Tony Award. Reviews have described it as a rowdy good time. Typical is Mark Bretz's review at Ladue News, which describes this as "a clever, ingratiating production that is filled with verve and panache."

Stephen Peirick and Maggie Conroy
in Off the Record

OnSite Theatre Company presents Off the Record by Alec Wild Fridays at 8 PM, and Saturdays at 7 and 9 PM, through April 11. "The timely comedy, Off the Record, follows the gubernatorial campaign of a promising candidate as a surprising scandal puts him and his staff on their toes and forces them into damage-control mode. As the audience takes on the role of the press corps following the candidate, pieces of information about the candidate and his wife leak to the audience bit by bit via cellphone." Audiences will board the bus at Tavolo, 6118 Delmar. For more information: www.OnSiteTheatre.org.

My take: OnSite has an unusual mission: site-specific theatre. "From hotels to public restrooms," says their web site, "site-specific theatre takes the theatergoers out of their seats and thrusts them into the setting of the play. This form of theatre emphasizes stories and events that reveal the relationship between our physical environment and us." The site in this case is a bus; specifically, a school bus that plays the role of the campaign bus on which the play takes place. "Director Tom Martin masters the several unique technical difficulties of the venue," writes Steve Callahan at KDHX, "and leads his cast to a brisk and bright performance."

Held Over:

Jeremy Webb in Buyer and Cellar
©Photo by Jerry Naunheim Jr.

The Repertory Theatre of St. Louis presents Buyer and Cellar through April 12 (extended from March 29). "Inspired by Barbra Streisand's coffee table book, My Passion for Design, this uproarious fictional account of celebrity eccentricity takes us into Babs' basement, where she houses her unique collections in a small street of shops. An underemployed actor becomes the caretaker, interacting with Barbra in moments both hilarious and surprisingly tender. A runaway hit in New York, this one-man show takes us into the ultimate fantasy of a star-struck dreamer as he fills the oddest of odd jobs." Performances take place in the studio theatre at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

My take: One-man shows can be risky propositions, but this one is apparently a success. "If you are a Streisand fan (and who among us isn't?)," writes Bob Cohn at St. Louis Jewish Light, "'Buyer & Cellar' is a double treat. Not only is the play itself highly amusing and satisfying, it also contains enough Streisand trivia to satisfy an entire season of questions on 'Jeopardy.'" "Jonathan Tolins is a very clever writer," says Bob Wilcox at KDHX. "Jeremy Webb is a very smart actor. Put them together, with some inventive guidance from director Wendy Dann, and you get a quite enjoyable ninety minutes or so in the Studio Theatre at the Repertory Theatre of St. Louis."

Vanya and Sonia and Masha and Spike
©Photo by Jerry Naunheim Jr.

The Repertory Theatre of St. Louis presents Christopher Durang's Vanya And Sonia And Masha And Spike through April 12. "Stuck in their family home in Bucks County, Pennsylvania, Vanya and his adopted sister Sonia live a quiet existence until their lives are thrown into comic upheaval with the arrival of their B-list celebrity sister, Masha, and her 20-something boy toy, Spike. Add to that a soothsaying housekeeper, a star struck young neighbor and a rather odd costume party, and the stage is set for mayhem and hilarity in this present-day homage to Chekhov. Winner of the 2013 Tony Award for Best Play." Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

My take: This starts out as a broad, noisy parody of Chekov but finishes as something much more deep and satifying. "Playwright Christopher Durang," writes Tina Farmer at KDHX, "won a Tony Award for this insightfully hilarious look at aging and modern life through a lens tinted with Chekhov and Greek tragedy. The actors in The Repertory Theatre of St. Louis' production of Vanya and Sonia and Masha and Spike bring these characters to life convincingly, emphasizing their quirks, vanities and flaws in a production layered with humor and pathos, second questions and, perhaps, second chances." I couldn't agree more. Director Michael Evan Haney can be proud of this one.