St. Louis theatre calendar for the week of December 28, 2015

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's events web site.

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The Bissell Mansion Murder Mystery Dinner Theatre presents And Away You Go January 1 through March 27. The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com.

Chuck Lavazzi
Photo: Jill Ritter Lindberg

The Tavern of Fine Arts presents Concert for Change, a cabaret showcase in support of The Brady Campaign to Prevent Gun Violence, on Saturday, January 2, at 8 p.m. "Calling all moms, dads, brothers, sisters, grandmas, grandpas, sons, daughters, aunts, uncles and cousins: Get your Peter, Paul and Mary on for a great musical evening. Join music director Carol Schmidt and singers Matt Anderson, Bob Becherer, Anna Blair, Steve Brannmeier, Robert Breig, Michele Isam, Chuck Lavazzi, Kay Love, Katie McGrath, Elizabeth Murphy, Angela Nicholson, Dionna Raedeke, Charlene Reiman, Christy Simmons and Jeffrey M. Wright for a free concert to promote the need for change in our gun laws. No speeching, teaching or preaching. Online petitions will be available from The Brady Campaign to Prevent Gun Violence for sign-up on the spot and contact info on our local, state and national representatives who need to know we support their efforts for change." The Tavern of Fine arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

The Lemp Mansion Comedy-Mystery Dinner Theater presents The Naughty List through January 2. The Lemp Mansion is at 3322 DeMenil Place. For more information: lempmansion.com

The Monocle presents an open mic night every Mondays from 9:00pm to midnight. "Musical Theater actor? Cabaret singer? Balladeer? Beleter? Coloratura soprano? Crooner? Student? Teacher? Performer? Fan? Come on down and sing. All are welcome. Ron Bryant is your accompanist. Bring your sheet music"." The monocle is at 4510 Manchester in The Grove neighborhood. For more information: themonoclestl.com.

Wicked
Photo: Joan Marcus

The Fox Theatre presents the musical Wicked, based on the novel by Gregory McGuire, through January 3. "Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz. One - born with emerald green skin - is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for 'the most complete - and completely satisfying - musical in a long time' (USA Today)." The Fox Theatre is at 517 North Grand in Grand Center. For more information, fabulousfox.com or call 314-534-1678. Read the 88.1 KDHX review!

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

St. Louis classical calendar for the week of December 28, 2015

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The Community Music School of Webster University presents a 90th Anniversary Alumni Recital on Wednesday, December 30, at 7 p.m. "This FREE recital features alumni who are winners of international competitions, have earned doctorate degrees in music, received full scholarships to prestigious conservatories and universities, and are performing all over the world. Featuring the following alumni: Caroline Camp Corrales, soprano; Dominic Cheli, piano; Lindsay Garritson, piano; Max Geissler, cello; Brett Hodge, horn; Holly Jenkins, violin; Aaron Krumsieg, trumpet; Benjamin Minden-Birkenmaier, guitar; Tim Padgett, percussion; and Rachel Siegel, clarinet." The performance takes place at The Community Music School of Webster University, 535 Garden Avenue. For more information: webster.edu/cms.

David Robertson

The St. Louis Symphony Orchestra conducted by David Robertson presents a New Year's Eve Celebration on Thursday, December 31, at 7:30 PM at Powell Symphony Hall, 718 North Grand. "David Robertson and the St. Louis Symphony bring the year to a spectacular conclusion with the eighth annual New Year's Eve Celebration. Full of surprises and enchanting music, this best-kept secret is a memorable way to ring in the New Year!" For more information: stlsymphony.org.

The St. Louis Symphony presents a showing of the animated comedy Ratatouille, with the score performed live by the orchestra conducted by composer Michael Giacchino, on Saturday at 7 p.m. and Sunday at 2 p.m., January 2 and 3. The event takes place at Powell Symphony Hall, 718 North Grand in Grand Center. For more information: stlsymphony.org.

Concert Review: The annual magic of the Bach Society Christmas Candlelight Concert, December 23, 2015

The Bach Society at Powell Hall

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As it has every Christmas season since 1951, the Bach Society of St. Louis presented its Candlelight Concert last night. It's a local tradition grounded in fine musicianship and intelligent programming, and marred only by the fact that it lasts but one night.

For those of you who have never had the pleasure of attending this annual gala, the concert is in two parts. The first is the more "serious" of the two and usually features the traditional classical repertoire.

This year, in anticipation of the organization's 75th anniversary, the focus was on selections that have graced previous Candlelight Concerts, beginning with a lively and lucid performance by the chorus and orchestra of "Jauchzet, frohlocket" ("Shout for joy"), from Bach's "Christmas Oratorio" under the baton of the Bach Society's long-time music director A. Dennis Sparger. The trumpet section is featured prominently in the music, and delivered it with wonderful clarity and precision.

Noted soprano and area native Christine Brewer (born in Grand Tower, Illinois, just a couple hours south of St. Louis) was the soloist for the next two selections, the brief "Et exultavit" (the second movement from Bach's "Magnificat") and some selections from Part 1 of Handel's "Messiah." Her voice was clear and fluid, and the tessitura of all the selections sounded like a good fit for her.

Christine Brewer
Photo: Christian Steiner

When she returned in the second half of the concert for a chorus and orchestra arrangement by Mack Wilberg of Adolphe Adam's Greatest Hit, "O Holy Night," she seemed not entirely comfortable with the low notes in the opening, but really nailed the rest of it, garnering a well-earned standing ovation.

The first half of the concert concluded with "Christmas Medley" an inventive arrangement of three carols by Utah Symphony chorus master Barlow Bradford that made nice use of the chimes, xylophone, and other percussion instruments.

It's the second half of the concert that gives the event its name, though, and it's undoubtedly the most anticipated part. It consists traditional carols sung by the Bach Society choir, assisted by the St. Louis Children's Choirs. It opens with the candlelight procession. The lights dim, and the members of the Bach Society walk down the aisles singing, each with an electric candle. If you're lucky enough to be sitting downstairs in the orchestra section, you're soon surrounded by singers—some carrying the melody, some the harmony, enveloping you in a constantly changing kaleidoscope of sound. Meanwhile the sound of the children's choir floats down from the dress circle upstairs.

Giovanni Gabrielli, that great exponent of the antiphonal school of 16th century Venetian choral composition, would have loved it. Heaven knows I did.

The rest of the second half focused on carols old and new, often in ingenious and delightful arrangements. I was especially taken with Stephen Paulus's setting of "I Sing the Birth" for chorus, harp, flute, and percussion, as well as Stephen Mager's version of the Medieval German carol "Resonet in Laudibus," with its little trio of female voices set antiphonally against the full chorus.

I even enjoyed the lively reworking of the traditional Burgundian carol "Pat-a-Pan," with its Las Vegas-style Latin congas. In fact, percussionists Erin Elstner and Kim Shelley deserve a special nod for their versatile work throughout the evening.

Mr. Sparger oversaw it all in fine form on the podium, handling the program's variety of musical styles with ease and occasionally narrating with dry humor.

The St. Louis Children's Choirs had their moments in the spotlight as well, under the direction of Karen Kaibel and Emily Pikaard, with John Leavitt's arrangement of "People Look East," a version of "O Come Little Children" incorporating the orchestral accompaniment of the final chorus from Bach's BWV 147 cantata (better known as "Jesu, joy of man's desiring"), and "Believe" from the animated film "Polar Express."

The Bach Society's Candlelight Concert is over, but the organization has some ambitious programming lined up for its 75th anniversary season. You can find out more at bachsociety.org.

Chuck's Choices for the weekend of December 24, 2015

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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Nothing new, as this is Christmas week. So happy theatre holidays to all!

Held Over:

The Monocle Varieté presents Holi-Dazzle Done Fridays and Saturdays at 9 and 11 p.m., through December 27. "Holi-Dazzle is the avant-retro variety show that will help you make it through the season that's not all fun and good cheer. Isn't it just sometimes weird, and a little crazy? And not dazzling in the right way? Get your holiday cure right here on our stage." This ninety-minute comedy show will have you rolling in the aisles with the bawdy humor of the late Joan Rivers." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: buzzonstage.com/st-louis

My take: Looking for something a bit more adult in terms of holiday fun? The Monocle has just the thing for you. In her review for KDHX, Tina Farmer says the show "puts a little spice into the season with a festive evening of fun among friends...The Emerald Room at The Monocle is an intimate space, with audience members seated around tables just a few feet from the stage. The close proximity makes the venue a perfect setting for a cabaret that references the glitz and glamour of old Hollywood and New York supper clubs with a touch of vaudeville."

Wicked
Photo: Joan Marcus

The Fox Theatre presents the musical Wicked, based on the novel by Gregory McGuire, running through January 3. "Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz. One - born with emerald green skin - is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for 'the most complete - and completely satisfying - musical in a long time' (USA Today)." The Fox Theatre is at 517 North Grand in Grand Center. For more information, fabulousfox.com or call 314-534-1678.

My take: I haven't seen this particular tour, but in my review of the 2005 tour I noted that composer/lyricist Stephen Schwartz and book author Winnie Holtzman have done a remarkable job of simplifying and reducing the story of Gregory McGuire's original novel while still remaining true to the original characters and their relationships. The score is one of Schwartz's best, and that's saying something.

St. Louis theatre calendar for the week of December 21, 2015

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's events web site.

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All is Calm
Photo: John Lamb

Mustard Seed Theatre presents the a capella musical All is Calm through December 23. "Join us in celebrating the power of peace in this a capella musical based on the true story of soldiers during World War I who for one night, put down their arms and played soccer instead of exchanging bullets." Performances take place at the Fontbonne Fine Arts Theatre, 6800 Wydown Blvd. For more information, call (314) 719-8060 or visit the web site at www.mustardseedtheatre.com. Read my review!

Bad Jews
Photo: John Lamb

New Jewish Theater presents Bad Jews through December 23. "Good Jews, Bad Jews - it's all relative in this razor sharp and savage comedy about family, faith, and legacy. Meet Daphna Feygenbaum, a "Real Jew" with an Israeli boyfriend who she met on Birthright. When Daphna's cousin Liam brings home his shiksa girlfriend Melody for their grandfather's shiva and declares ownership of "Poppy's" Chai necklace, a vicious and hilarious family brawl ensues.A gleefully funny, thought-provoking evening of theatre. Outrageously and laceratingly funny, it's about what you choose to believe when you're chosen." Rabbis Amy Feder abd Michael Alper from Temple Israel will host a talk back session after the 2 p.m. performance on Sunday, December 13. Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283. Read the 88.1 KDHX review!

The Bissell Mansion Murder Mystery Dinner Theatre presents A Christmas Sleigh-Ing through December 30th. The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com

Peabody Opera House presents Elf the Musical December 26 and 27. “Based on the beloved 2003 New Line Cinema hit, Elf is the hilarious tale of Buddy, a young orphan child who mistakenly crawls into Santa's bag of gifts and is transported back to the North Pole. Unaware that he is actually human, Buddy's enormous size and poor toy-making abilities cause him to face the truth. With Santa's permission, Buddy embarks on a journey to New York City to find his birth father, discover his true identity, and help New York remember the true meaning of Christmas. This modern day Christmas classic is sure to make everyone embrace their inner Elf.” The Peabody is at 14th and Market streets, downtown. For more information, visit peabodyoperahouse.com or call 314-622-5420.

The Elves and the Shoemaker
Photo: Eric Woolsey

The Repertory Theatre of St. Louis's Imaginary Theatre Company presents the children's musical The Elves and the Shoemaker through December 23. The show is written by Sarah Brandt with music and lyrics by Webster University's Neal Richardson. "When a kindly shoemaker gives his only remaining pair of shoes to a cold and hungry beggar woman, he finds his good deed rewarded in very unexpected ways. The shoemaker is shocked by the appearance of magic elves who turn his simple shoe shop into a great success, thrilling customers with their special creations. Based on the tale by the Brothers Grimm, this beloved, warm-hearted story is perfect for the holiday season, reminding us that where we find kindness, generosity and hope, anything is possible." Performances take place in the Heagney Theatre at Nerinx Hall High School, 530 East Lockwood Avenue, Webster Groves. For more information: repstl.org.

The Monocle Varieté presents Holi-Dazzle Done Fridays and Saturdays at 9 and 11 p.m., through December 26. "Holi-Dazzle is the avant-retro variety show that will help you make it through the season that's not all fun and good cheer. Isn't it just sometimes weird, and a little crazy? And not dazzling in the right way? Get your holiday cure right here on our stage." This ninety-minute comedy show will have you rolling in the aisles with the bawdy humor of the late Joan Rivers." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: buzzonstage.com/st-louis. Read the 88.1 KDHX review!

The Lemp Mansion Comedy-Mystery Dinner Theater presents The Naughty List through January 2. The Lemp Mansion is at 3322 DeMenil Place. For more information: lempmansion.com

The Monocle presents an open mic night every Monday from 9:00pm to midnight. "Musical Theater actor? Cabaret singer? Balladeer? Beleter? Coloratura soprano? Crooner? Student? Teacher? Performer? Fan? Come on down and sing. All are welcome. Ron Bryant is your accompanist. Bring your sheet music"." The monocle is at 4510 Manchester in The Grove neighborhood. For more information: themonoclestl.com.

Peter and the Starcatcher
Photo: Jerry Naunheim, Jr.

The Repertory Theatre of St. Louis presents Peter and the Starcatcher through December 27. "An apprentice starcatcher and a young orphan boy find themselves on a life-changing adventure when they are charged with protecting magical starstuff from a fearsome pirate. Pursued by a giant crocodile, mysterious mermaids and angry islanders, their fantastical journey is filled with spectacle and whimsy. This swashbuckling prequel to Peter Pan is rich in stage magic, off-the-wall humor and touching sincerity as it takes us on a voyage to an island where dreams are born and time is never planned. Winner of five 2012 Tony Awards." Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org. Read the 88.1 KDHX review!

The Fox Theatre presents the musical Wicked, based on the novel by Gregory McGuire, through January 3. "Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz. One - born with emerald green skin - is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for 'the most complete - and completely satisfying - musical in a long time' (USA Today)." The Fox Theatre is at 517 North Grand in Grand Center. For more information, fabulousfox.com or call 314-534-1678. Read the 88.1 KDHX review!

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

St. Louis classical calendar for the week of December 21, 2015

The Bach Society at Powell Hall

The Bach Society of St. Louis presents a Christmas Candlelight Concert on Wednesday, December 23, at 7:30 PM. “World-renowned soprano Christine Brewer joins the Bach Society Chorus and Orchestra to sing 'The Announcement of Christ's Birth' from Handel's Messiah and 'O Holy Night”' The St. Louis Children's Choirs join in for the candlelight procession and seasonal carols. A St. Louis favorite for decades, this concert creates the perfect holiday family tradition. Last year's concert was a sell-out so be sure to reserve your tickets today!” The performance takes place at Powell Symphony Hall, 718 North Grand in Grand Center. For more information: www.bachsociety.org.

The Compton Heights Concert Band presents a Holiday Pops Spectacular on Monday, December 21 at 7:30 PM at Powell Symphony Hall, 718 North Grand. "A family friendly program includes holiday favorites such as Leroy Anderson's Sleigh Ride, Christmas carols, sacred classics such as O Holy Night, and the much anticipated Hallelujah Chorus Finale from Handel's Messiah, a rousing audience sing-along featuring the Band, Hugh Smith, Gina Galati, Soprano, and Robert Ellison, Baritone and a combined chorus of 115 voices from the Gospel Symphonic Choir, Jennings High School Choir, Dello Thedford, Director; and the East Central College Choir, Dr. Timothy Sexton, Director." For more information: chband.org.

The Tavern of Fine Arts presents Leah Stevens (flute) and Anthea Hallett-Ybarra (bassoon) in a program of Christmas music and other classics on Tuesday, December 22 at 5:30 p.m. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

The Tavern of Fine Arts presents a Christmas concert by tenor and pianist Jon Garrett and soprano Rebecca Drury on Tuesday, December 22 at 8 p.m. "Songs will include cherished hymns and carols, familiar tunes in unique medleys, Jon's signature piano arrangements, caroling fun for all, and a few cameo appearances by friends, including tenor Phil Touchette." The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

Concert Review: Getting the Christmas spirit back with Steven Jarvi and the St. Louis Symphony, December 18-20, 2015

Whitney Claire Kaufman and friend at Powell

What with El Niño, global warming, and the relentless drumbeat of hate and fear from the rightward end of the political spectrum, it hasn't felt much like Christmas lately for me. But walking into a bright, wreath-bedecked Powell Hall Friday night for the first of the St. Louis Symphony's Macy's Holiday Celebration concerts changed all that. I'm starting to feel like a right jolly old elf.

If you've been to any of these concerts, you know what to expect: yuletide classics, a guest performer, and a visit from St. Nick himself. Santa's visit was a bit shorter than usual, but otherwise this musical evening was as comfortable and familiar as a favorite Christmas sweater.

Speaking of being comfortable, when Resident Conductor Steven Jarvi took over these concerts back in 2013 it seemed to me that, while his work at the podium was impeccable, he seemed a bit less at ease with the MC role. Two years later, he looks and sounds entirely relaxed up there, chatting with guest performer Whitney Claire Kaufman and cracking jokes about his "Star Wars" obsession.

It was nice to see Ms. Kaufman back on the stage this year. When she first appeared here in 2013, I noted that her singing showed the kind of emotional investment in the lyrics that made the pop standards she sang sound fresh. She did that again this year, with lovely renditions of "It's the Most Wonderful Time of the Year," "Santa Claus is Coming to Town," and "White Christmas."

Her considerable theatrical talents were on display in Jeff Tyzik's clever "The Twelve Gifts of Christmas," in which sections of the orchestra replace the original presents (as in: "three French horns, two clarinets, and a glockenspiel and a bell tree"). The piece itself is great fun, filled with in-jokes and musical quotes from Mozart, Vivaldi, Brahms, Beethoven, Rimsky-Korsakov, and (appropriately) lots of Tchaikovsky.

The area high school and college students of the Holiday Festival Chorus (directed by Kevin McBeth) are always a joy to hear, and this year was no exception. They sounded clear and robust in the arrangements of "Joy to the World" and "Silent Night" by Mormon Tabernacle Choir music director Mack Wilberg, and were particularly impressive in the syncopated, whimsical arrangement of "Jingle Bells" by Jack Gold, Marty Paich, and Mack Hayes, with its many rhythmic and key changes. With Mr. McBeth at the podium, they also did a fine job with André Thomas's brief "African Noel" for six-part chorus and percussion.

A few of my favorite things this year were the classical orchestral selections, led by a simply gorgeous prelude to Engelbert Humperdinck's opera "Hansel and Gretel." Humperdinck was a protégé of Richard Wagner, so it's not surprising that his prelude sounds more than a little bit like the one his mentor wrote for "Die Meistersinger." Mr. Jarvi's performance brought out all of the contrapuntal richness of this music and the orchestra did full justice to the composer's lush orchestral landscape.

It was also fascinating to find a work I'd never heard of on the program: the overture to the ballet "Der Schneemann" ("The Snowman"), written at the ripe old age of eleven by Erich Wolfgang Korngold and orchestrated by the composer's teacher Alexander von Zemlinsky (no slouch as a composer himself). It's surprisingly mature-sounding music, with all the ripe harmonies that would characterize Korngold's later work for films and the concert stage.

I've seen a number of the "Holiday Celebration" concerts over the years and have rarely been disappointed. They're always festive events, with the orchestra and hall decked out in seasonal finery and a selection of music calculated to appeal to both adults and all but the youngest kids. There's also a special drink at the bar: a bright-red Poinsettia Punch. And you can take your drinks to your seat with you, allowing you to savor them during the show.

The Macy's Holiday Celebration concerts continue through Sunday, December 20, after which Powell Hall gets turned over to the Compton Heights Concert Band and the Bach Society for their annual holiday concerts on December 21 and 23, respectively. The SLSO returns on New Year's Even for the annual musical party under the baton of David Robertson. For more information: stlsymphony.org.

Chuck's Choices for the weekend of December 18, 2015

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

The Presenters Dolan presents Dom Thomas and Maria Bartolotta in Dom and Maria's Holiday Celebration on Thursday, December 17, at 7:30 p.m. "Come enjoy a night full of love songs and holiday cheer. Music from Nat King Cole to Barbara Streisand will surely get you in the holiday spirit!" The Monocle is at 4510 Manchester in The Grove. For more information: domthomasmusic.com.

My take: I first saw Mr. Thomas shortly after he arrived in St. Louis last year at The Cabaret Project open mic night (which I host) . He impressed me (and everyone else who has seen him) with his smooth, charming song delivery, with its echoes of the great Nat "King" Cole and other classic crooners. I heard Maria for the first time at last night's open mic, and I think the two of them will deliver an entertaining evening of holiday tunes for you.

The Monocle Varieté presents Holi-Dazzle Done Fridays and Saturdays at 9 and 11 p.m., through December 27. "Holi-Dazzle is the avant-retro variety show that will help you make it through the season that's not all fun and good cheer. Isn't it just sometimes weird, and a little crazy? And not dazzling in the right way? Get your holiday cure right here on our stage." This ninety-minute comedy show will have you rolling in the aisles with the bawdy humor of the late Joan Rivers." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: buzzonstage.com/st-louis

My take: Looking for something a bit more adult in terms of holiday fun? The Monocle has just the thing for you. In her review for KDHX, Tina Farmer says the show "puts a little spice into the season with a festive evening of fun among friends...The Emerald Room at The Monocle is an intimate space, with audience members seated around tables just a few feet from the stage. The close proximity makes the venue a perfect setting for a cabaret that references the glitz and glamour of old Hollywood and New York supper clubs with a touch of vaudeville."

Shana Farr
Photo: Sandy Durell

Topper Productions presents Shana Farr in Home for the Holidays on Friday, December 18, at 7 p.m. "It has been five years since Missouri native Shana Farr came through St. Louis and this year the five-star award-winning singer comes home from New York City to sing some of her favorite holiday songs. Join her as she takes you on a journey through a "Winter Wonderland" as she shares some of the great hits such as "Sleigh Ride", "Christmas Time Is Here", "The Christmas Song", "Santa Baby", "White Christmas", "Rudolph The Red Nosed Reindeer", "Frosty The Snowman", "You're A Mean One, Mr. Grinch", "Have Yourself A Merry Little Christmas" and more." The performance takes place at Cyrano's 603 East Lockwood in Webster Groves. For more information: www.eventbee.com/v/shanafarrholiday

My take: When I reviewed Ms. Farr's first solo endeavor, Pure Imagination, back in 2010, I described it as a very intelligently crafted, beautifully sung and highly entertaining show. She's had five years of experience to build on since then, so you can probably expect great things from her this time around. A classically trained singer with a respectable theatre background, Ms. Farr has vocal technique to spare and a good sense of how to build a cabaret show.

Held Over:

All is Calm
Photo: John Lamb

Mustard Seed Theatre presents the a capella musical All is Calm Thursdays through Sundays through December 23. "Join us in celebrating the power of peace in this a capella musical based on the true story of soldiers during World War I who for one night, put down their arms and played soccer instead of exchanging bullets." Performances take place at the Fontbonne Fine Arts Theatre, 6800 Wydown Blvd. For more information, call (314) 719-8060 or visit the web site at www.mustardseedtheatre.com.

My take: As I say in my review, this show combines splendid and often quite complex a cappella singing with readings of letters from soldiers and other historical documents. It's powerfully moving and beautifully performed by a fine ensemble of eleven of our town's most talented singing actors. Highly recommended, especially given the current level of hateful and aggressive political rhetoric that is currently despoiling our holiday season.

Bad Jews
Photo: Eric Woolsey

New Jewish Theater presents Bad Jews through December 23. "Good Jews, Bad Jews - it's all relative in this razor sharp and savage comedy about family, faith, and legacy. Meet Daphna Feygenbaum, a "Real Jew" with an Israeli boyfriend who she met on Birthright. When Daphna's cousin Liam brings home his shiksa girlfriend Melody for their grandfather's shiva and declares ownership of "Poppy's" Chai necklace, a vicious and hilarious family brawl ensues.A gleefully funny, thought-provoking evening of theatre. Outrageously and laceratingly funny, it's about what you choose to believe when you're chosen." Rabbis Amy Feder abd Michael Alper from Temple Israel will host a talk back session after the 2 p.m. performance on Sunday, December 13. Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

My take: New Jewish Theater has brought some intriguing new shows to town over the years, and this one appears to be a good example. In her review for KDHX, Tina Farmer says Bad Jews is "a clever script filled with just the right levity, enabling the excellent cast to deliver a deeply evocative and thought-provoking story that sneaks up on you with surprising force."

Devil Boys from Beyond
Photo: John Lamb

Stray Dog Theatre presents the comedy Devil Boys from Beyond Thursdays through Saturdays at 8 PM through December 19. "Men are from Mars; women are from Venus; all the rest are from Pluto. A high-camp parody of '50s B-movies and trashy romance novels, mixed with a dash of 'Adult Swim' cartoon. Fold in a heaping portion of screwball comedy and stir gently but keep it lumpy!" Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: Ah, Stray Dog theatre! This small, smart local company treats is actors and its audiences like royalty and has produced some very fine work over the years. I'm a bit biased in that I've done a number of shows with them and always found the experience worthwhile, but the continued growth of their audience numbers and long string of good reviews indicate that I'm not alone in my admiration. "[T]he crisp, quick paced show," writes Tina Farmer in her review for KDHX, "is a mash up of science fiction and romantic comedy with abundant laughs, quirky characters, compromising situations, and a retro feel. To keep with the season, there's also and uplifting ending and genuine, positive messages about sexuality, gender roles, and acceptance."

The Gin Game
Photo: John Lamb

St. Louis Actors' Studio presents The Gin Game through December 20 at the Gaslight Theatre, 358 North Boyle. "This winner of the 1978 Pulitzer Prize, which originally starred Jessica Tandy and Hume Cronyn and was later revived with Julie Harris and Charles Durning, uses a card game as a metaphor for life. Weller Martin is playing solitaire on the porch of a seedy nursing home. Enter Fonsia Dorsey, a prim, self righteous lady. They discover they both dislike the home and enjoy gin rummy, so they begin to play and to reveal intimate details of their lives. Fonsia wins every time and their secrets become weapons used against one another. Weller longs for a victory to counter a lifetime of defeats but it doesn't happen. He leaves the stage a broken man and Fonsia realizes her self-righteous rigidity has led to an embittered, lonely old age." For more information, call 314-458-2978 or visit stlas.org.

My take: Donald Coburn's script has been a staple of small theatre groups for a long time now, and with good reason. It's filled with great lines for two very well-drawn characters. "Similar to the game of gin itself," writes Tina Farmer at KDHX, "the story behind each of the two characters in the show is neither as simple nor straightforward as it may first appear, and neither are willing to reveal their hand too quickly. The result is a show that teeters on the line between comic and tragic, accidentally revealing truth that is at times humorous to behold, at times painful to consider."

Wicked
Photo: Joan Marcus

The Fox Theatre presents the musical Wicked, based on the novel by Gregory McGuire, running through January 3. "Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz. One - born with emerald green skin - is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for 'the most complete - and completely satisfying - musical in a long time' (USA Today)." The Fox Theatre is at 517 North Grand in Grand Center. For more information, fabulousfox.com or call 314-534-1678.

My take: I haven't seen this particular tour, but in my review of the 2005 tour I noted that composer/lyricist Stephen Schwartz and book author Winnie Holtzman have done a remarkable job of simplifying and reducing the story of Gregory McGuire's original novel while still remaining true to the original characters and their relationships. The score is one of Schwartz's best, and that's saying something.

Opera review: The world premiere of "Bel Canto" suffers from musical and dramatic overload at Lyric Opera of Chicago

Act I opening
Photo: Andrew Cioffi

I haven't read Ann Patchett's popular novel "Bel Canto". So I have no idea whether the musical and theatrical overload of the opera version, which is currently having its world premiere at Lyric Opera of Chicago, reflects the style of Ms. Patchett's writing or that of composer Jimmy López and librettist Nilo Cruz.

Danielle de Niese
Photo: Todd Rosenberg

Although generally well received by the audience the night we saw it, the sheer excess of the work had the unfortunate effect of calling attention to its own inventiveness at the expense of the narrative and distancing me from what should have been a compelling story. If felt self-indulgent, as though the creators were more interested in showing off their considerable gifts than in communicating with an audience.

Based on a real-life incident in Peru in 1996, in which guests at the Japanese ambassador's mansion were held hostage by terrorists for four months, "Bel Canto" changes the ambassador to the CEO of a Japanese electronics firm and adds the character of Roxane Coss, an American soprano whose music casts a healing spell on hostages and guerrillas alike. As in the real incident, the hostage taking drags on for months until the Peruvian army raids the house.

By the time that happens, in the operatic version of the story, insurgents and hostages have some to see each other less as opponents and more as fellow sufferers at the hands of forces beyond their control. When the Peruvian army bursts in at the end of the opera, they blast away at everyone in sight, with a callous disregard for "collateral damage" that leaves little doubt as to who the real villains of the piece might be.

Andrew Stenson and Danielle de Niese
Photo: Todd Rosenberg

This ought to be pretty powerful stuff. After all, despite the fact that Americans are as likely to be crushed to death by furniture as killed by terrorists, asymmetric warfare has been very much in the news lately, so this story should have real resonance.

Indeed, the opera has moments of real dramatic impact, especially in the more nuanced second act, and the gradual dramatic transformation of the guerrilla leaders from slogan-spouting bullies to sympathetic freedom fighters is nicely done. But for much of its three-hour length, "Bel Canto" did a better job of pushing me away than drawing me in.

Part of the problem is the sheer decibel level of Mr. López's score, which sounds like Richard Strauss filtered through John Adams. There are moments of genuine beauty, especially in the third act, but for the most part the score feels like a musical assault vehicle. I felt that the periodic flights of poetic fancy in Mr. Cruz's libretto, beautifully written though they were, had a distancing effect as well. Often delivered as soliloquies, I thought they tended to stop the action cold, even if they did offer valuable insights into their characters' thinking.

Anthony Roth Costanzo
Photo: Todd Rosenberg

Perhaps the biggest issue for me, though, is the rather artificial staging by director Kevin Newbury. In his "Anna Bolena" for Lyric last year and his "Eugene Onegin" for Opera Theatre of St. Louis back in 2010, I was struck by his tendency to place his principals in static poses, facing downstage, and generally adopting cliché operatic attitudes. There's a great deal of that in "Bel Canto", with characters nearly always singing towards the audience rather than interacting with each other. Even in the intimate third act love scene in which Roxane and the Japanese CEO Kasumi Hosokawa finally consummate the love affair that has been brewing for months, the characters have virtually no contact with each other until the final clinch.

That said, there are many outstanding performances in this cast, and that goes a long way towards making up for the production's other issues. Soprano Danielle de Niese does truly heroic work as Roxane Coss, a role that requires great vocal and dramatic range. So does tenor Andrew Stenson as Gen Watanabe, Hosokawa's translator, whose doomed love affair with the guerrilla Carmen (mezzo J'Nai Bridges in another compelling performance) is the "downstairs" parallel to the "upstairs" romance between his boss and Roxane.

Jeongcheol Cha
Photo: Todd Rosenberg

Tenor Rafael Davila is very effective in the ultimately tragic role of the guerrilla leader, General Alfredo, and Korean bass-baritone Jeongcheol Cha makes Hosokawa a very sympathetic character, struggling with the language barrier that prevents him from expressing his love for Roxane. Countertenor Anthony Roth Costanzo shines in the small but heartbreaking role of the fighter César, whose voice flowers under Roxane's tutelage, only to be cut short by a soldier's bullet. Bass Rúni Brattaberg also makes a strong impression in the cameo role of the Russian ambassador Fyodorov, although his odd comic relief scene late in the opera feels tacked-on and irrelevant.

In fact, there's really not a single weak link in this 24-member cast (19 singers and five non-singing actors), which is very much to Lyric Opera's credit. "Bel Canto" is a big piece that requires a deep talent pool, but Lyric is clearly up to the challenge.

David Korins's big, realistic, multi-level set is impressive, but it takes up so much room that action is mostly forced downstage. That makes for some cramped and confusing stage pictures and sometimes makes it difficult to tell who is singing when the entire cast is on stage (as it often is).

As the siege wears on, the fighters play socccer
Photo: Andrew Cioffi

Mr. López's score sounds highly demanding, but under the baton of Lyic's music director Sir Andrew Davis the orchestra gave a powerful account of it. The brass and percussion sections, in particular, got quite a workout. Even at its noisiest, though, the orchestra never overwhelmed the singers, which is a tribute to Mr. Davis's skill.

One interesting final note: projected English text has now become so ubiquitous in opera houses that Mr. Cruz apparently felt comfortable creating a libretto in which characters often sang in their native languages, secure in the knowledge that it would all be translated in the end. Eight different languages are heard here including Japanese, Latin, and Quechua, an Amerind language spoken in Peru and neighboring countries. It's an illustration of how technology has changed the way opera is done these days.

Lyric Opera of Chicago's production of "Bel Canto" continues through January 17th at Chicago's magnificent Civic Opera House. For more information: lyricopera.org.

St. Louis theatre calendar for the week of December 14, 2015

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's events web site.

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All is Calm
Photo: John Lamb

Mustard Seed Theatre presents the a capella musical All is Calm Thursdays through Sundays through December 23. "Join us in celebrating the power of peace in this a capella musical based on the true story of soldiers during World War I who for one night, put down their arms and played soccer instead of exchanging bullets." Performances take place at the Fontbonne Fine Arts Theatre, 6800 Wydown Blvd. For more information, call (314) 719-8060 or visit the web site at www.mustardseedtheatre.com. Read my review!

New Jewish Theater presents Bad Jews through December 23. "Good Jews, Bad Jews - it's all relative in this razor sharp and savage comedy about family, faith, and legacy. Meet Daphna Feygenbaum, a "Real Jew" with an Israeli boyfriend who she met on Birthright. When Daphna's cousin Liam brings home his shiksa girlfriend Melody for their grandfather's shiva and declares ownership of "Poppy's" Chai necklace, a vicious and hilarious family brawl ensues.A gleefully funny, thought-provoking evening of theatre. Outrageously and laceratingly funny, it's about what you choose to believe when you're chosen." Rabbis Amy Feder abd Michael Alper from Temple Israel will host a talk back session after the 2 p.m. performance on Sunday, December 13. Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283. Read the 88.1 KDHX review!

The Florissant Fine Arts Council presents the musical A Christmas Carol, based on the story by Charles Dickens, on Sunday, December 20, at 2 p.m. at the Florissant Civic Center Theatre at Parker Road at Waterford Drive in Florissant, MO. " The powerful story of Ebenezer Scrooge has been made into a wonderful family musical. This full stage musical comedy version of Charles Dickens' ever popular classic is a delightful and thoroughly entertaining new adaptation filled with song and dance." For more information: florissantfinearts.com.

The Bissell Mansion Murder Mystery Dinner Theatre presents A Christmas Sleigh-Ing through December 30th. The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com

Devil Boys from Beyond
Photo: John Lamb

Stray Dog Theatre presents the comedy Devil Boys from Beyond Thursdays through Saturdays at 8 PM through December 19. "Men are from Mars; women are from Venus; all the rest are from Pluto. A high-camp parody of '50s B-movies and trashy romance novels, mixed with a dash of 'Adult Swim' cartoon. Fold in a heaping portion of screwball comedy and stir gently but keep it lumpy!" Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995. Read the 88.1 KDHX review!

The Presenters Dolan presents Dom Thomas and Maria Bartolotta in Dom and Maria's Holiday Celebration on Thursday, December 17, at 7:30 p.m. "Come enjoy a night full of love songs and holiday cheer. Music from Nat King Cole to Barbara Streisand will surely get you in the holiday spirit!" The Monocle is at 4510 Manchester in The Grove. For more information: domthomasmusic.com.

The Repertory Theatre of St. Louis's Imaginary Theatre Company presents the children's musical The Elves and the Shoemaker opening on Saturday, December 19, with performances at 11 am and 3 pm, and running through December 23. The show is written by Sarah Brandt with music and lyrics by Webster University's Neal Richardson. "When a kindly shoemaker gives his only remaining pair of shoes to a cold and hungry beggar woman, he finds his good deed rewarded in very unexpected ways. The shoemaker is shocked by the appearance of magic elves who turn his simple shoe shop into a great success, thrilling customers with their special creations. Based on the tale by the Brothers Grimm, this beloved, warm-hearted story is perfect for the holiday season, reminding us that where we find kindness, generosity and hope, anything is possible." Performances take place in the Heagney Theatre at Nerinx Hall High School, 530 East Lockwood Avenue, Webster Groves. For more information: repstl.org.

The Gin Game
Photo: John Lamb

St. Louis Actors' Studio presents The Gin Game through December 20 at the Gaslight Theatre, 358 North Boyle. "This winner of the 1978 Pulitzer Prize, which originally starred Jessica Tandy and Hume Cronyn and was later revived with Julie Harris and Charles Durning, uses a card game as a metaphor for life. Weller Martin is playing solitaire on the porch of a seedy nursing home. Enter Fonsia Dorsey, a prim, self righteous lady. They discover they both dislike the home and enjoy gin rummy, so they begin to play and to reveal intimate details of their lives. Fonsia wins every time and their secrets become weapons used against one another. Weller longs for a victory to counter a lifetime of defeats but it doesn't happen. He leaves the stage a broken man and Fonsia realizes her self-righteous rigidity has led to an embittered, lonely old age." For more information, call 314-458-2978 or visit stlas.org. Read the 88.1 KDHX review!

The Tavern of Fine Arts presents vocalist Debby Lennon and pianist Carolbeth True in a Holiday Concert on Friday, December 18 at 8 p.m. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: http://tavern-of-fine-arts.blogspot.com.

Chuck Lavazzi
Photo: Jill Ritter Lindberg

The Cabaret Project and 88.1 KDHX present the fourth annual Holiday Open Mic Night on Wednesday, December 16, from 7 to 10 PM at the Tavern of Fine Arts “Drop by and enjoy a night of great music from St. Louis cabaret artists, backed up by special guest music director Ron McGowan on the baby grand.” The master of ceremonies is Chuck Lavazzi, senior performing arts critic at 88.1 KDHX. If you're planning to sing, be prepared to do one or two songs and bring music, preferably in your key. At least one of your two songs should be a medium-or up-tempo number. We'd also recommend that you have your song memorized. Holiday songs are strongly encouraged (but not required) and there will be a big holiday sing-along. The Tavern of Fine Arts is at 313 Belt at Waterman in the Central West End. There's free parking in the lot right across the street. For more information: thecabaretproject.org.

The Monocle Varieté presents Holi-Dazzle Done Fridays and Saturdays at 9 and 11 p.m., through December 26. "Holi-Dazzle is the avant-retro variety show that will help you make it through the season that's not all fun and good cheer. Isn't it just sometimes weird, and a little crazy? And not dazzling in the right way? Get your holiday cure right here on our stage." This ninety-minute comedy show will have you rolling in the aisles with the bawdy humor of the late Joan Rivers." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: buzzonstage.com/st-louis

Shana Farr
Photo: Sandy Durell

Cabaret St. Louis presents Shana Farr in Home for the Holidays on Friday, December 18, at 7 p.m. "It has been five years since Missouri native Shana Farr came through St. Louis and this year the five-star award-winning singer comes home from New York City to sing some of her favorite holiday songs. Join her as she takes you on a journey through a "Winter Wonderland" as she shares some of the great hits such as "Sleigh Ride", "Christmas Time Is Here", "The Christmas Song", "Santa Baby", "White Christmas", "Rudolph The Red Nosed Reindeer", "Frosty The Snowman", "You're A Mean One, Mr. Grinch", "Have Yourself A Merry Little Christmas" and more." The performance takes place at Cyrano's 603 East Lockwood in Webster Groves. For more information: www.eventbee.com/v/shanafarrholiday

Brass Rail Players present It's a Wonderful Life on Sunday, December 20 at 7:30 pm. "This radio play adaptation of Frank Capra's holiday favorite features a cast of old-timey radio actors reading the parts of multiple characters, and two sound-effects artists on stage!" The performances take place at The Turkey Hill Grange, 1375 Illinois Rte. 15 in Belleville, IL. For more information, visit brassrailplayers.org.

Alton Little Theater presents Miracle on South Division Street Thursdays through Sundays through December 20, at 2450 North Henry in Alton, IL. "Meet the Nowaks of Buffalo, NY: Clara and her three grown kids have always known they were special, ever since the miraculous night in 1942 when the Blessed Mother appeared to Grandpa in his barbershop! Since then, the neighborhood has looked upon the Nowaks' 20-foot commemorative shrine as a beacon of hope and faith amidst the urban rubble. And now daughter Ruth unveils her plan to write and star in a one-woman show about the family miracle so the “whole world will know!” However, as her plans for theatrical immortality unfold, the entire family's faith is shaken to the very core when a deathbed confession causes the family legend to unravel. The results are heartfelt and hilarious." For more information, call 618.462.6562 or visit altonlittletheater.org.

The Lemp Mansion Comedy-Mystery Dinner Theater presents The Naughty List through January 2. The Lemp Mansion is at 3322 DeMenil Place. For more information: lempmansion.com

The Monocle presents an open mic night every Monday from 8:00pm to 11:00pm" "Musical Theater actor? Cabaret singer? Balladeer? Beleter? Coloratura soprano? Crooner? Student? Teacher? Performer? Fan? Come on down and sing. All are welcome. Ron Bryant is your accompanist. Bring your sheet music"." The monocle is at 4510 Manchester in The Grove neighborhood. For more information: themonoclestl.com.

The Repertory Theatre of St. Louis presents Peter and the Starcatcher through December 27. "An apprentice starcatcher and a young orphan boy find themselves on a life-changing adventure when they are charged with protecting magical starstuff from a fearsome pirate. Pursued by a giant crocodile, mysterious mermaids and angry islanders, their fantastical journey is filled with spectacle and whimsy. This swashbuckling prequel to Peter Pan is rich in stage magic, off-the-wall humor and touching sincerity as it takes us on a voyage to an island where dreams are born and time is never planned. Winner of five 2012 Tony Awards." Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org. Read the 88.1 KDHX review!

Max and Louie Productions presents Sublime Intimacy by St. Louis actor/playwright Ken Page through December 20. "Sublime Intimacy is the remembered tales of five friends: an ex-Hollywood actor,a psychology professor, a painter, an actress and a Broadway musical performer whose lives were elevated, touched and indeed changed by their love of a dancer and his dance. While each person's story is different, they overlap, intertwine and inform each other as the lives and tales of friends often do. We the audience, like the characters, are allowed to share in the intimate beauty of the art form through the performances of "The Dancer" as the play unfolds. Sublime Intimacy, isn't that what we all want?" Performances take place in the black box at the Kranzberg Center, 501 N. Grand in Grand Center. For more information, visit maxandlouie.com. Read the 88.1 KDHX review!

Wicked
Photo: Joan Marcus

The Fox Theatre presents the musical Wicked, based on the novel by Gregory McGuire, through January 3. "Long before that girl from Kansas arrives in Munchkinland, two girls meet in the land of Oz. One - born with emerald green skin - is smart, fiery and misunderstood. The other is beautiful, ambitious and very popular. How these two grow to become the Wicked Witch of the West and Glinda the Good makes for 'the most complete - and completely satisfying - musical in a long time' (USA Today)." The Fox Theatre is at 517 North Grand in Grand Center. For more information, fabulousfox.com or call 314-534-1678.

Saint Louis Effort for AIDS and members of the national youring company of Wicked will host A Wicked Wonderland, a holiday celebration of song and dance, at BallPark Village on Monday, December 14th. Doors open at 6:00pm and the performance will begin at 7:30 p.m. BallPark Village is located at 601 Clark Ave, downtosn. Net proceeds will benefit Broadway Cares/Equity Fights AIDS (BC/EFA) and Saint Louis Effort for AIDS. For more information: ticketfly.com.

The Sheldon Concert Hall presents Winter Wonderland, a holiday cabaret featuring Zoe Vonder Haar, John Flack, Peter Merideth, Emily Peterson and Steve Neale, on Tuesday, December 15, at 8 p.m. " Celebrate the season with a wonderful mix of winter and holiday music, old and new, performed by acclaimed actress Zoe Vonder Haar and a cast of some of St. Louis' finest singers! Hear favorites such as “Snow,” from White Christmas, “Sleigh Ride,” “Joy to the World” and many more!" The performance takes place at the Sheldon Concert Hall, 3658 Washington in Grand Center. For more information: sheldonconcerthall.org.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

Opera Review: A big, bright "Merry Widow" at Chicago Lyric Opera

Act I opening waltz
Photo: Andrew Cioffi

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This weekend, I caught one of the last performances of Lyric Opera of Chicago's early Christmas present for opera lovers: a production of Lehar's durable 1905 comic operetta "The Merry Widow" that was as bubbly as champagne and as bright as a Christmas tree. With colorful sets and costumes, delightful dancing by the corps de ballet, and great performances all the way around, this was a tremendously entertaining show.

If you've never seen it either on stage or in one of its many film incarnations, know that the story of "The Merry Widow" revolves around Hanna, a youngish widow from the fictional Balkan nation of Pontrevedro, who became a millionaire when her much older husband died on their wedding night. Living the high life in Paris, she's actively courted by young men with their eyes on the twenty million franc prize, but she secretly yearns for her first love, Count Danilo, who was forbidden to marry her many years ago by his snobbish family.

Act II folk dancers
Photo: Todd Rosenberg

Now a minor official in the Pontrevedrian embassy trying to drown his torch for Hanna in champagne and grisettes at Maxim's, Danilo is ordered by the ambassador, Baron Zeta, to woo Hanna and marry her, thereby keeping her millions from leaving the country. But, of course, Danilo's pride won't let him say those "three little words" to Hanna.

You know where this is all going, right?

There's also a subplot concerning Zeta's young wife Valencienne and her brief fling with a young Frenchman, Camille de Rosillon, and a recurring gag about the inability of Danilo's assistant, Njegus, to keep a secret. Needless to say, all ends happily with a big party at Maxim's.

Nicole Cabell
Photo: Devon Cass

When we saw the show Nicole Cabell had taken over the role of Hanna from famed soprano Renée Fleming for the show's closing weekend, and while her voice hadn't quite the power I would have preferred, it was uniformly lovely throughout its range. Those soft high notes in "Vilja," for example, were crystal clear. She was also a fine actress, making Hanna both seductive and self-mocking.

Noted baritone Thomas Hampson was a delight as Danilo, with a big voice and excellent comic sense. The quarter-century age difference between him and Ms. Cabell (Ms. Fleming is closer to his age) is something I found myself having to willfully ignore at first, but the two of them worked so well together than I was able to suspend disbelief without much effort.

For me, some of the best work was done by the supporting cast. Soprano Heidi Stober and tenor Michael Spyres were consistently bright and engaging as Valencienne and Rosillon. Bass-baritone Patrick Carfizzi (the hilarious Dulcamara in Opera Theatre of St. Louis's "Elixir of Love" last summer) was the essence of comic pomposity as Baron Zeta and actor Jeff Dumas's Njegus was a classic study in comic timing. Baritone Paul La Rosa and tenor Jonathan Johnson also had many fine moments as Hannah's ineffectually dueling suitors Cascada and St. Brioche.

Act III, Heidi Stober and grisettes
Photo: Todd Rosenberg

Michael Black's chorus has a lot to do in "Merry Widow" and they did it quite well. The opera was sung in English (witty translation by Jeremy Sams) and while projected text was available, the chorus's diction was good enough to make it largely unnecessary.

The many dance sequences were smartly choreographed by director Susan Stroman, whose substantial Broadway experience was evident in the canny theatricality that permeated this production. Down in the pit, Lyric Opera's music director Sir Andrew Davis led the orchestra in a flawless reading of Lehar's unforgettable score

"Merry Widow" left closed on Sunday, December 13, but Lyric's season continues with the world premiere of "Bel Canto" (based on the novel by Ann Patchett) and, starting in January, Verdi's "Nabucco". For more information: lyricopera.org.