Showing posts with label women under the influence. Show all posts
Showing posts with label women under the influence. Show all posts

Thursday, June 25, 2015

Chuck's Choices for the weekend of June 26, 2015

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Hairspray
muny.com
The Muny presents the classic musical Hairspray nightly at 8:15 PM, June 23-30, in the outdoor theatre in Forest Park. "Winner of eight Tony® Awards including the 2003 Tony® for Best Musical, Hairspray brings its infectious beat and hilarious fun to the Muny for 8 performances. Set in the changing times of 1960s Baltimore, Tracy Turnblad dreams of dancing on the Corny Collins Show AND creating a perfect integrated world! Does she have the moves and the courage? Based on the 1988 John Waters Film of the same name, Hairspray features incredible dance numbers and a blazing set of pop tunes including “Good Morning Baltimore” and “You Can't Stop The Beat!”" For more information, visit muny.org or call 314-361-1900.

My take: No doubt about it, this is a big, splashy, entertaining musical with a message that is (somewhat sadly) still very relevant. In his review for Broadwayworld.com, Chris Gibson calls this "an exuberant and colorful staging..a really good show for the entire family,with plenty of laughs, catchy songs, and a timely message as well." "Today" writes Judy Newmark at stltoday.com, "the optimistic, Tony-winning show about tearing down barriers resonates more than ever. It feels like a gift."

Mariposa Artsts presents Women Under the Influence—consisting of Carol Schmidt, Michele Isam, Debbie Schuster and Katie McGrath—are together again, sharing their latest soul, rock and jazz selections in support of Huntington's Disease Society of America. The show takes place on Friday, June 26, at 8 p.m. at Soulard Preservation Hall, 1921 South 9th St. in Soulard. For tickets, head on over to brownpapertickets.com.

My take: I've been a big fan of this group since I previewed their first show. WUI takes its inspiration from performers whose work is not particularly well represented on the cabaret scene: the girl groups and soul sisters of the 1960s. Pop and R&B classics like “Met Him on a Sunday,” “He’s So Fine,” “Come See About Me,” and “He’s a Rebel” make up most of the set list, but there are also a few nods to contemporary stars like Adele (“Rumor Has It”), Rhiana (“Take a Bow”), and even Dolly Parton (“Jolene”). The group has a way of making all of those tunes their own—with tight vocal harmonies and even a bit of swingin' '60s choreography—and, in classic cabaret style, telling a story in the process.

Held Over:

The Barber of Seville
Photo: Ken Howard
Opera Theatre of St. Louis presents Rossini's comedy The Barber of Seville in rotating repertory with three other operas through June 27. "There's a good reason it's one of the world's most popular operas! Rossini's zany and sparkling score sets the gold standard for opera that is fresh, elegant, funny, and brimming with vocal fireworks. Delight as the young barber Figaro helps Count Almaviva steal the beautiful Rosina from under the nose of her doddering guardian." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644. Read the 88.1 KDHX review!

My take: As I write in my review for KDHX, everyone connected with this production can congratulate themselves on a job well done. Taking as his point of departure the animated and colorful films of Spanish director Pedro Almodóvar, Mr. Shell has produced a loopy, slightly surreal, and highly engaging take this comic opera classic. The updated bits are always funny and sometimes inspired. And there aren't so many of them that they pull focus from the singers and the text and score of the opera. This is a production that respects the intelligence of its audience and doesn't assume that we need to be constantly distracted in order to be entertained.

Emmeline
Photo: Ken Howard
Opera Theatre of St. Louis presents Tobias Picker's drama Emmeline in rotating repertory with three other operas through June 27. "Inspired by a compelling true story from a mill town in 19th century New England, Emmeline's heart-wrenching saga echoes the age-old Oedipus legend." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644. Read the 88.1 KDHX review!

My take: An out of town trip prevented my from seeing this revival of Tobias PIcker's 1996 opera, although I did get a chance to chat with the director beforehand. Reviews of this production have been very positive, though, and its sharp critique of what I would describe as soulless self-congratulation of corporate Christianity is as relevant as ever. In his review for 88.1 KDHX, Steve Callahan describes it as "a strikingly beautiful opera—visually and musically." "Both musically and theatrically," says Mark Bretz at Ladue News, "Emmeline is a bravura performance that resonates with its beauty."

One Summer on 2nd Street
Circus Flora presents its new show, One Summer on 2nd Street through June 28 under the air-conditioned, red-and-white, big top tent in Grand Center next to Powell Hall. "Travel back with us to The Jazz Age - to a time at which American cities grew rapidly, becoming home to families from all walks of life and corners of the map. We'll journey together to a typical block in a typical city on a typical day - and meet a very atypical set of families. Find yourself enchanted by a small Ukrainian family who tame the cats that live in the alley. Feel the excitement as Russian carriage drivers ride wildly through the streets, and the Flying Wallendas maneuver their way along clotheslines strung between buildings. Experience the bliss of young love, determined to stand strong amid their families' protests. These stories, and more, will come alive under the Big Top this summer." For more information, visit circusflora.org. Read the 88.1 KDHX review!

My take: One of the more welcome harbingers of summer in St. Louis is the appearance of Circus Flora's air-conditioned tent on the parking lot just south of Powell Hall. Once the big top is in place, you know that an evening of thrills, comedy and all-around family friendly entertainment awaits you within its pleasantly cool confines. "Circus Flora shows always tell a story," Tina Farmer reminds us in her KDHX review. "[T]his year it's 'One Summer on Second Street.' A tale of summer in the city with a nostalgic feel, the story encourages us to meet our neighbors and treat our animal friends with love and respect. Naturally, the lesson is delivered with an abundance of fantastic feats of skill, strength, and athleticism." Grab some popcorn and cotton candy, listen to the band organ before the show, and be a kid again. Or stay one, as the case may be.

Richard the Lionheart
Photo: Ken Howard
Opera Theatre of St. Louis presents the American premiere of Handel's Richard the Lionheart in rotating repertory with three other operas through June 26. "If you only know him from Robin Hood, you don't know the whole story of Richard the Lionheart. Shipwrecked on the way to the Third Crusade, one of England's bravest kings must disguise himself to protect his future bride and prevent war in a foreign land. But who can he trust in this all-too-real game of thrones? Handel's virtuosic vocal writing in this opera, never before heard in the United States, makes Richard an eagerly-anticipated event for all music-lovers." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644. Read the 88.1 KDHX review!

My take: Critical word on this one has been generally good. "The chief point of Baroque opera," writes Sarah Bryan Miller at stltoday.com, "is the production and enjoyment of lavish vocal displays; if you can have an effective and engaging staging to go with them, all the better. In its new production of Handel’s “Richard the Lionheart” (“Riccardo Primo”), Opera Theatre of St. Louis has largely succeeded in both". At 88.1 KDHX, Steve Callahan calls it "truly astonishing" and "the most perfect production of an opera that I've ever seen". As I write in my own review at OnSTL.com, I wouldn't go that far, but the singing is certainly spectacular.

La Rondine
Photo: Ken Howard
Opera Theatre of St. Louis presents Puccini's La Rondine in rotating repertory with three other operas through June 28. " Can a beautiful, sophisticated Parisian courtesan find happiness with a young man from the country? Or is her love affair doomed by a past she cannot keep secret? Celebrated OTSL music director Stephen Lord brings Puccini's gorgeous music and romantic storytelling to life in this stunning, new belle epoque period production." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644. Read the 88.1 KDHX review!

My take: La Rondine was always a bit of a problem child for Puccini. He left it in three different versions. I've seen two of them, and while in both cases the libretto was so cryptic that characters' decisions often seemed weirdly unmotivated, there was no getting around the fact that the composer lavished some truly wonderful music on that text. The music and, even more importantly, the singing actors are the reasons to see this beautifully sung, impeccably acted, intelligently directed, and all-around entertaining production. As I say in my review for KDHX, this production is a reminder of why we love opera in the first place.

Smokey Joe's Café
Photo: Peter Wochniak
Stages St. Louis presents the musical revue Smokey Joe's Café, based on the songs of Leiber and Stoller through June 28. " Welcome to the neighborhood for a nostalgic exploration of the lives, loves, and aspirations of a group of friends who know how to rock 60s style. Featuring nearly 40 chart-topping hits that span over three decades of popular American music, this thrilling Grammy Award-winning song celebration will knock your socks off. Relive the glory days of rock and roll with such pop standards as "Stand By Me,""Jailhouse Rock," "I'm A Woman," "Hound Dog," and "On Broadway." Now, Baby, that's rock 'n' roll! Words and Music by Jerry Leiber and Mike Stoller." Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information, visit stagesstlouis.org or call 314-821-2407. Read the 88.1 KDHX review!

My take: What's not to love about this jaunty musical revue of the songs of Leiber and Stoller? If you know of this duo only as the composers of rock classics like "Get a Job" or "Jailhouse Rock," though, you'll be pleasantly surprised by the variety of their songwriting skills. The Stages version has gotten lots of praise, too. At 88.1 KDHX, Tina Farmer calls it "a rousing, toe-tapping, finger-snapping production," while over at stltoday.com Judy Newmark praises "nonstop numbers that put the familiar songs onto their twinkling feet." Baby, that is rock and roll!

Scot Moore, creator of
Men Will Be Boys at the Fringe
The St. Lou Fringe Festival opens on Wednesday, June 17, and runs through June 27 at several venues in the Grand Center area including the Kranzberg Arts Center (501 N. Grand) and The Stage at KDHX. Performances include traditional theater, dance, music, comedy, circus arts, performance art, cabaret, and burlesque, with acts from St. Louis and around the country. For a complete schedule, visit stlfringe.com.

My take: I've been a big booster of the Fringe since its scrappy beginnings as a four-day, low-budget events at a handful of venues in the summer of 2012. Now budgets are bigger, there are more event spaces (including The Stage @ KDHX, with state-of-the-art lights and sound), and the festival runs for ten days, but the same spirit of pushing the entertainment envelope is still there. I'm seeing a dozen of there is overage from my fellow KDHX critics Steve Callahan and Tina Farmer. Check us out and, by all means, check out the Fringe. There's a little something for everyone.

Thursday, March 19, 2015

Chuck's Choices for the weekend of March 20, 2015

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Jeremy Webb in Buyer and Cellar
©Photo by Jerry Naunheim Jr.
The Repertory Theatre of St. Louis presents Buyer and Cellar through March 29. "Inspired by Barbra Streisand's coffee table book, My Passion for Design, this uproarious fictional account of celebrity eccentricity takes us into Babs' basement, where she houses her unique collections in a small street of shops. An underemployed actor becomes the caretaker, interacting with Barbra in moments both hilarious and surprisingly tender. A runaway hit in New York, this one-man show takes us into the ultimate fantasy of a star-struck dreamer as he fills the oddest of odd jobs." Performances take place in the studio theatre at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

My take: One-man shows can be risky propositions, but this one is apparently a success. "If you are a Streisand fan (and who among us isn’t?)," writes Bob Cohn at St. Louis Jewish Light, "'Buyer & Cellar' is a double treat. Not only is the play itself highly amusing and satisfying, it also contains enough Streisand trivia to satisfy an entire season of questions on 'Jeopardy.'" "Jonathan Tolins is a very clever writer," says Bob Wilcox at KDHX. "Jeremy Webb is a very smart actor. Put them together, with some inventive guidance from director Wendy Dann, and you get a quite enjoyable ninety minutes or so in the Studio Theatre at the Repertory Theatre of St. Louis."

Anna Blair
The Presenters Dolan present Anna Blair in Inside Story - Celebrating the Songs of Fran Landesman on Saturday, March 21, at 8 PM as part of the Gaslight Cabaret Festival. "Anna got the chance to work with Fran Landesman several years ago at the Gaslight Theater, when Jim Dolan brought Fran back to Gaslight Square for several shows. He asked Anna to sing some of Fran's standards. They connected, and Anna became a devotee of Fran's songs. Prior to Fran's death, Anna was able to visit and study with her, and her then-composer Simon Wallace, in London. This show is the fruit of that collaboration." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: I saw this show the first time Anna did it back and 2009 and was very impressed. At the time, Andrea Braun reviewed it for KDHX and had this to say about Anna's performance: "She has a supple, melodic voice, and she looks like she was born to wear a red dress (and proves that redheads needn't avoid that color) and lean against a baby grand. She is sultry, playful, sad, straight-forward, and she provides the audience with an altogether lovely evening." Anna was still relatively new to cabaret back then and has only gotten stronger over the years. Fran Landesman might not have always been the most profound lyricist, but her work was always intelligent, and Anna brings real heart to her performances of Fran's songs.

Robert McNichols, Jr. as Paul Robeson
Photo: Stewart Goldstein
The Black Rep presents Paul Robeson through March 29. "In Phillip Hayes Dean's biographical two-man play, the legendary actor, singer and political activist Paul Robeson sings songs and tells stories of his multi-faceted career, from triumphs in Show Boat and The Emperor Jones, to his fight for racial equality to accusations of Communist involvement." Performances take place at the Emerson Performance Center at Harris-Stowe State University in midtown. For more information: theblackrep.org.

My take: Paul Robeson's story is an important one, and not just because he was one of the great bass-baritones of the early 20th century. His courage in the face of virulent racism and deranged red baiting is an inspiration to us all. "Seeing a performance of playwright Phillip Hayes Dean’s fascinating, one-man drama, Paul Robeson," writes Mark Bretz at Ladue News, "is an exhilarating and educational experience." Over at stltoday.com, Judy Newmark has words of praise for the show's star, Robert McNichols, Jr.: "An opera singer himself, McNichols performs the song with feeling and intention, and gives an equally meaningful treatment to a trio of gospel numbers that Robeson sang in his stage debut. McNichols is also a fine actor, a big plus for a show that’s not a musical."

Meghan Kirk
The Presenters Dolan present Meghan Kirk in The Story Goes On on Friday, March 20, at 8 PM as part of the Gaslight Cabaret Festival. "Meghan reprises her wildly popular and sold-out splash. What a talent! Recently moved back to St. Louis after appearing many times at the Gardenia in LA." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: Conflicts have prevented me from seeing Meghan's solo shows until now (yes, I'll be there on Friday), but her work at the Cabaret Project's open mic nights (which I host) has always been exemplary. I'm looking forward to this one.

The Repertory Theatre of St. Louis presents a staged reading of This Thing of Ours by Caridad Svich on Saturday, March 21, at 3 p.m. as part of the Ignite! New Play Festival. "When an act of violence strikes an American city, how do we react? It's happened before. We say we will put our lives back together, but years will go by. We will grow apart, come together and some of us will wonder how to keep going, as we turn to myths and seek lessons there. This Thing of Ours is the latest play by Caridad Svich, winner of the Obie Award for Lifetime Achievement and author of the loving adaptation of Love in the Time of Cholera, read in the 2012 Ignite! series." The reading takes place at Sally S. Levy Opera Center, 210 Hazel Avenue, on the Webster University Campus. For more information: repstl.org

My take: The Rep's Ignite! festival offers a fascinating glimpse at new works while they're a-borning. Some, like Soups, Stews, and Casseroles 1976, have gone on to full productions and proven worthy of attention. Will this be the start of something big? The only way to know is to attend. It's a fascinating experience and a great opportunity to let the playwright know what you think.

Women Under the Influence
L-R: Carol Schmidt, Michele Isam,
Debbie Schuster, Katie McGrath
The Tavern of Fine Arts presents Women Under the Influence on Saturday, March 21, at 8 PM. "Women Under the Influence includes St. Louis cabaret singers Katie McGrath and Debbie Schuster, and features the former Jasmine duo Michele Isam and Carol Schmidt. With a soulful, strong and sultry style, their uplifting harmonies bring new interpretations of their girl-group musical influences, from LaBelle to Adele. Join them for songs of passion, romance, betrayal, survival and joy. A donation of $15 is suggested. All collected donations will go directly to Stray Rescue. The Tavern will also contribute a percentage of all food and drink sales to Stray Rescue." The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

My take: I will confess to knowing all the the members of Women Under the Influence for a number of years now (especially Carol Schmidt, who is the music director for the monthly open mic night I mentioned earlier). Their first show back in 2012 took a classic '60s R & B song list and, by artfully arranging the songs, turned the show into a narrative that moved from the first crush, through true love, down into betrayal and back up into independence. It’s could have the story of one woman or of late 20th century women in general. It might even be a little of both. WUI created a space for ambiguity there, and ambiguity is where art lives. They have added songs to their list and rearranged things a bit since then, so it will be interesting to see what the new show look like.

Held Over:

Afflicted: Daughters of Salem
Photo: Victoria Lafferty
Metro Theatre Company and the Missouri History Museum present Afflicted: Daughters of Salem by Laurie Brooks through March 22. "Abigail Williams, Ann Putnam, Mercy Lewis, Mary Warren, and Betty Paris meet deep in the dark woods of Puritan New England at night. Denied all outlets for imagination and all hope for the future, the girls unite in a secret society - Allies are found, promises made and broken, power taken. When the girls force the slave Tituba to tell their fortunes, they ignite a crucible of events that burns out of control, leading straight to the infamous Salem Witch Trials. Through their secrets, gossip and accusations these girls become some of the most notorious teens in history." Performances take place in the Lee Auditorium at the Missouri History Museum in Forest Park. For more information: mohistory.org.

My take: Metro can usually be relied upon to redefine the concept of "children's theatre" in ways that will engage and adult audience as well. In her review for KDHX, Tina Farmer says this new take on the Salem witchcraft trials is "an enjoyable well-researched fiction that successfully reminds audiences there are two sides to every story, even history."

Jerry Springer the Opera
Photo: Jill Ritter Lindberg
New Line Theatre presents the St. Louis premiere of the musical Jerry Springer the Opera Thursdays through Saturdays at 8 PM, through March 28. "The New Line season continues with one of New Line's wildest and most ambitious projects, JERRY SPRINGER THE OPERA, the smash-hit, multi-award winning musical that ran to unprecedented rave reviews and standing ovations at the National Theatre in London, after a sold-out run in London's West End. The Sunday Times called it “a shocking, irresistibly funny masterpiece.” With music by Richard Thomas, and book and lyrics by Thomas and Stewart Lee, this is an audacious, fearless piece of theatre that brilliantly and hilariously dissects the cultural forces that have kept Jerry Springer on the air all these years, the lives of quiet desperation that explode into public view in Springer's weirdly nonjudgmental, national confessional." Performances take place at the Washington University South Campus Theatre, 6501 Clayton Road. . For more information, visit newlinetheatre.com or call 314-534-1111.

My take: Come on, how can you not want to see a show with a title like this? The second act, after all, is a "very special" episode of the Jerry Springer Show broadcast live from Hell. And, yes, it really is an opera—or at least a musical in which there is no spoken dialog. "I recognize a quality production with strong direction and spot-on performances," says Tina Farmer in her KDHX review, "and I applaud the company for the bold and daring theater they produce."

Thursday, March 28, 2013

Chuck's Choices for the weekend of March 29, 2013

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New this week:

©Photo by Eric Woolsey
The Imaginary Theatre Company and the Missouri History Museum present Annie Oakley through March 30. “ Yee Haw! In 1800s America, a woman doesn't have much of a shot at fame, but that won't stop Annie Oakley. Delighting thousands with her talent as a sharp shooter in Buffalo Bill's Wild West Show, the "Little Sure Shot" dazzles the likes of President Cleveland and Queen Victoria, while showing everyone exactly what a woman is capable of. Follow Annie's adventures in this rootin' tootin' trip through American history as she lifts her family from poverty with her skill and shows everyone that she's 'just as good as any man.'” Performances take place at The Missouri History Museum in Foreset Park. ITC is the Lexus of childrens theatre locally and the Lee Auditorium at the museum is a comfy space. For more information: mohistory.org

First Run Theatre presents a staged reading of Joan of Arc the Musical, with book and music by Mario Farwell and music by Aaron Latina, Friday through Sunday, March 29-31, at 8 PM. Performances take place at The Chapel, 6238 Alexander Drive. I don't know anything about this, really, but I think a staged reading of a new locally-produced musical is automatically of interest. For more information email info at firstruntheatre.com, or visit www.firstruntheatre.com.

Photo by Stewart Goldstein
The Black Rep presents The Whipping Man by Matthew Lopez through April 13. “Just after the Civil War in Virginia during Passover, a wounded Confederate Officer returns to a ruined plantation to find only two former slaves to care for him. With a new and different social order, the three men must wrestle with the ties that bind them together and the secrets they share. A test of humanity and their Jewish faith.” Performances take place at the Grandel Theatre, 3610 Grandel Square. In her review for 88.1 KDHX, Tina Farmer describes this as "compelling, engrossing drama that examines a little considered, but incredibly important, period in U.S. history." For more information, visit theblackrep.org or call 314-534-3810.

Mariposa Artists presents Women Under the Influence on Saturday, March 30, at 8 PM, with a cash bar available starting at 7 PM. “Women Under the Influence includes St. Louis cabaret singers Katie McGrath and Debbie Schuster, and features the former Jasmine duo Michele Isam and Carol Schmidt. With a soulful, strong and sultry style, their uplifting harmonies bring new interpretations of their girl-group musical influences, from LaBelle to Adele. Join them for songs of passion, romance, betrayal, survival and joy.” The performance takes place at Joe Buck's Showroom 1000 Clark, downtown. A portion of the evening's proceeds will be donated to Places For People. I caught this show the first time around last November and I think I can assure you of a rockin' good time.  For more information: http://www.brownpapertickets.com/event/319297.

Tuesday, November 13, 2012

Influential women

"Women Under the Influence" L-R: Carol Schmidt, Michele Isam, Debbie Schuster, and Katie McGrath
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Ask most folks what kind of music they associate with cabaret and you’ll likely get some mix of “great American songbook” and “show tunes”. No surprise there; the Golden Age of American songwriting is, in fact, well represented on the small stage. Tim Schall’s entertaining and informative Rodgers and Hart Songbook from a couple weeks ago was a classic example.

But the cabaret tent is a big one, and in just the past year here in St. Louis alone we’ve had shows based on such diverse sources as contemporary country (Jeff Wright’s Southern Roots), 1950s and ‘60s TV themes (Ken Haller’s The TV Show), and turn-of-the-last-century vaudeville (my own Just a Song at Twilight).

I bring all this up because on Monday (November 12) I had the pleasure of sitting in on a rehearsal by a new quartet, Women Under the Influence (three of the members of which I’ve worked with on stage in the past), that also takes its inspiration from performers whose work is not particularly well represented on the cabaret scene: the girl groups and soul sisters of the 1960s. Pop and R&B classics like “Met Him on a Sunday,” “He’s So Fine,” “Come See About Me,” and “He’s a Rebel” make up most of the set list, but there are also a few nods to contemporary stars like Adele (“Rumor Has It”), Rhiana (“Take a Bow”), and even Dolly Parton (“Jolene”).

This isn’t just a nostalgia trip, though. The essence of cabaret is the way in which the artist puts his or her own stamp on the music and makes it into something new. The members of WUI—Carol Schmidt and Michele Isam of “Jasmine” fame, along with local cabaret stars Debbie Schuster and Katie McGrath—are well-established performers with their own unique styles. Carol is pianist and music director for the show, with Michele filling in on other instruments (percussion and harmonica at the rehearsal I attended). They’re making all of those tunes their own—with tight vocal harmonies and even a bit of swingin' '60s choreography—and, in classic cabaret style, telling a story in the process.

By artfully arranging the songs, WUI’s show moves from the first crush, through true love, down into betrayal and back up into independence. It’s could be the story of one woman or of late 20th century women in general. It might even be a little of both. WUI are creating a space for ambiguity there, and ambiguity is where art lives.

The Women Under the Influence show is being produced by singer Robert Breig's Mariposa Artists (the increase in local cabaret producers is a positive trend I may address in a future post) and will be presented this Saturday, November 17th, at 8 PM in the Showroom at Joe Buck’s Restaurant at 10th and Clark downtown. The space, I’m told, seats around 120 in a very “night clubby” ambience. And, of course, the bar and restaurant are there for your dining and drinking needs.

Tickets are available at http://www.brownpapertickets.com/event/281908. There’s even a good cause involved; a portion of the evening's proceeds will be donated to Places For People, whose mission is “[t]o provide innovative and effective mental health services to people in need while creating a system of care that promotes personal recovery.”

It’s just another reminder that there’s a lot more to the cabaret scene than one might suppose. It’s why I love going to cabaret shows; you never know when you’re going to encounter something new and surprising. And who doesn’t like a good surprise?