Chuck's Choices for the weekend of August 19, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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Inherit the Wind
Photo: John Lamb

Insight Theatre Company presents the drama Inherit the Wind through August 28. "Bert Cates a 1920's schoolteacher is put on trial for violating the Butler Act, a state law that prohibits public school teachers from teaching evolution instead creationism. Rachel Brown who is Cates girlfriend is also the daughter of Reverend Brown is torn between the opposing beliefs held by Cates and her father and her love for both of them." Performances take place in the Heagney Theatre, 530 East Lockwood on the campus of Nerinx Hall High School in Webster Groves. For more information, call 314-556-1293 or visit insighttheatrecompany.com.

My take: This classic portrayal of the struggle between science and superstition ought to be a museum piece, but the resurgence of radical fundamentalism has created a new wave of attacks on science in our public schools, making this script sadly relevant again. "In a political season," writes Tina Farmer at KDHX, "a play like Inherit the Wind, running through August 28, 2016 at Insight Theatre Company, serves to remind us that our vote often has ramifications that extend well beyond a politician's name or party affiliation. Our response to the challenges that face our country impacts society on every level, including the education of future generations. This stirring production presents a fresh, engaging, and well-performed case for education, helmed by two of our most persuasive stage veterans."

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Mary Shelley Monster Show

Slightly Askew Theatre Ensemble presents Mary Shelley Monster Show by Nick Otten Wednesday through Saturday at 8 p.m., August 17 - 20. "SATE will remount its original play, Mary Shelley Monster Show, by Nick Otten. Mary Shelley: the impulsive teen in a runaway love triangle, the precocious novelist, the daughter of revolutionaries, the lover and wife of philosopher-poet. Mary Shelley: the grieving mother, the martyr-widow, the hack writer. Mary Shelley: the monster and monster's mother. Was Mary Shelley's most famous novel, “Frankenstein” really an autobiography? Is she the creator or the creature? " Performances take place at The Chapel Venue, 6238 Alexander Drive. For more information: slightlyoff.org.

My take: This innovative piece was very well received when it first appeared back in 2014. At the Stage Door blog, for example, Steve Allen called it "a wonderful, creative piece of theatre" while Mark Bretz at Ladue News said it was "riveting and thought-provoking."

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The St. Lou Fringe Festival opens on Friday, August 19, and runs through August 27 at several venues in the Grand Center area including the Kranzberg Arts Center (501 N. Grand) and TheStage at KDHX. Performances include traditional theater, dance, music, comedy, circus arts, performance art, cabaret, and burlesque, with acts from St. Louis and around the country. "This year's festival will coincide with Grand Center's new arts event Music at The Intersection and will include both new and familiar programming. 2016 will see the premiere of microtheater (short performances for an audience of no more than 9 patrons in an intimate, immersive setting), spin rooms (post show talk backs an workshops), Voices Unleashed (A number of festival slots are reserved for producers who are underrepresented in mainstream theatrical settings based on ethnicity, gender identity, language, dialect, age, physical ability, BMI, or other barrier), and an incubator program (a specialized collaborative showcase setting with more support for emergent artists). Past favorite programs like Fringe Family and the Artica sculpture garden will again enliven Strauss Park." For a complete schedule, visit stlfringe.comstlfringe.com.

My take: I've been an enthusiastic supporter of the St. Lou Fringe since its scrappy beginnings in June of 2012. Four years later, the Fringe is a major player on the local cultural scene and is attracting attention nation-wide. If you've never "fringed," you have missed an awful lot of unusual—and often unique—entertainment. And this year, with the festival expanded to two weekends, there's no excuse not to check it out.

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Tell Me On a Sunday
Photo: Jill Ritter Lindberg

New Line Theatre presents Andrew Lloyd Webber's musical Tell Me on a Sunday Thursdays through Saturdays at 8 PM through August 27. "This pop-rock song cycle follows a young English woman newly arrived in New York, brimming with optimism, and her journey through America and the perils of ill-advised romance. As she seeks out success and love, she weaves her way through the maze of New York and Hollywood social life, and through her own anxieties, frustrations, and heartaches, and she begins to wonder whether there are better choices to be made." Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: Tell Me On a Sunday may be one of the least-known of Andrew Lloyd Webber's many musicals, right down there with the impressive Aspects of Love. As a one-woman show, it's also one of the most modest. It's by no means ALWs best work and, in fact, the composer himself later turned it into the first act of his full-length musical Song and Dance, but is has some fine music, including the lovely "Unexpected Song", and star Sarah Porter has gotten lots of praise for her performance.

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Kelsey Bearman

The Emerald Room Cabaret presents singer Kelsey Bearman in Whatever I Want to Be on Saturday, August 20, at 8 p.m. "Kelsey offers her fresh, fun take on this wonderfully crazy journey we call “life,” as she playfully explores life's paradoxes, from falling in love to breaking up, from facing fears to embracing life's mysteries. The show includes classic golden-age favorites by Rodgers and Hammerstein as well as selections by contemporary musical theatre composers such as Heisler and Goldrich and Michael John LaChiusa. Engaging and hysterically edgy, “Whatever I Want It To Be” embraces life and the opportunity to make each moment whatever we want it to be." The performance takes place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: themonoclestl.com.

My take: As her performance at the St. Louis Cabaret Conference last month reminded me, Kelsey is a very talented performer who very likely has a promising career ahead of her. She's off to New York soon to make a name for herself, so here's your opportunity to say you saw her when.

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Held Over:

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Bat Boy

Stray Dog Theatre presents Bat Boy: the Musical Thursdays through Saturdays at 8 PM, through August 20. “This offbeat comedy/horror musical is a big-hearted satire about prejudice. As ripped from a bizarre tabloid headline and set in a tiny West Virginia town, a strange, deformed boy is found alone in a cave. Once the “bat boy” is brought to light, dark - and hilarious - secrets emerge, shaking the community to its core. A clever, playful pop/rock score highlights the show's delirious take on American eccentricities._For MATURE AUDIENCES: In an effort to keep the selection of shows engaging and dynamic, this production may not be appropriate for all ages." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: This is not the first local appearance of this odd little musical which first saw the light of day in London in 1997, and I expect it won't be the last. Reviews have been good, which is not surprising, given that this is just the sort of ensemble cast thing Stray Dog does so well. They show is also a kind of memorial to Stray Dog's late production manager Jay Hall, who died during rehearsals.

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The Drowsy Chaperone
Photo: Peter Wochniak

Stages St. Louis presents the musical satire The Drowsy Chaperone through August 21. "With its laugh-a-minute script and one show-stopping song and dance number after another, it's easy to see why THE DROWSY CHAPERONE won the most Tony Awards of any musical on Broadway in 2006, including Best Book and Score. It all begins when a die-hard musical theatre fan decides to play his favorite cast album in his small brownstone apartment - a 1928 smash hit musical called "The Drowsy Chaperone." The show magically bursts to life before him as audiences are instantly transported to an earlier time and place and immersed in the glamorous and hilarious tale of a celebrity bride and her uproarious wedding day, complete with gangsters, mistaken identities, an off-course aviatrix, and an uplifting ride to the rafters. " Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information, visit stagesstlouis.org or call 314-821-2407.

My take: The Drowsy Chaperone is a very smart and mostly very funny parody of musical theatre and, to a certain extent, the very concept of theatre itself. It's fun to watch, and when I saw the local premiere at the Fox back in 2007 I found my appreciation of its cleverness increasing in retrospect - always a good sign. It's essentially the most elaborate in joke in living memory. I haven't seen the Stages production, but honestly it's hard to see how they could not do well by this very strong material. If you love musical theatre, you won't want to miss it.

Chuck's Choices for the weekend of August 12, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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Aida

The Muny presents Elton John and Tim Rice's musical Aida opening on Monday, August 8, and running nightly at 8:15 pm through August 14 in the outdoor theatre in Forest Park. "A decade ago, Muny audiences fell in love with an unforgettable tale. Set in ancient Egypt, this timeless saga of forbidden love between the Ethiopian princess Aida and her Egyptian captor has been re-envisioned for this enchanting production. Expect to be captured yourself by Elton John's soaring melodies including “Written in the Stars,” “The Gods Love Nubia” and “Elaborate Lives.” Aida is the thrilling finale to the Muny season." For more information, visit muny.org or call 314-361-1900.

My take: When I reviewed the tour of the Broadway production back in 2001, I found Aida to be pretty entertaining but rather thin stuff overall. But reviews for the Muny's version have been good and this is certainly a show that allows the Muny to display its glossy tech. "Surely any story involving ancient Egypt has the potential for good visuals," writes Ann Lemmons Pollack, "and the opening scene, taking place in the dessert, pyramids in the background, gives us to understand that this is all fantasy, simply by creating a scene that evokes something from Tatooine in Star Wars." And given the weather lately, you won't have to try very hard to imagine you're in Egypt.

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Bat Boy

Stray Dog Theatre presents Bat Boy: the Musical Thursdays through Saturdays at 8 PM, through August 20. “This offbeat comedy/horror musical is a big-hearted satire about prejudice. As ripped from a bizarre tabloid headline and set in a tiny West Virginia town, a strange, deformed boy is found alone in a cave. Once the “bat boy” is brought to light, dark - and hilarious - secrets emerge, shaking the community to its core. A clever, playful pop/rock score highlights the show's delirious take on American eccentricities._For MATURE AUDIENCES: In an effort to keep the selection of shows engaging and dynamic, this production may not be appropriate for all ages." Performances take place at The Tower Grove Abbey, 2336 Tennessee. For more information, visit straydogtheatre.org or call 314-865-1995.

My take: This is not the first local appearance of this odd little musical which first saw the light of day in London in 1997, and I expect it won't be the last. Reviews have been good, which is not surprising, given that this is just the sort of ensemble cast thing Stray Dog does so well. They show is also a kind of memorial to Stray Dog's late production manager Jay Hall, who died during rehearsals.

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Amy Ogle

The Emerald Room at the Monocle presents singer Amy Ogle in Nick of Time on Friday, August 12, at 8 p.m. "In her all new show, Amy explores the realization of a dream. And ours." The performance takes place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: themonoclestl.com.

My take: Amy is a genuinely talented performer with a wide range and a solid voice. She can make you laugh as easily as she can bring a tear to your eye. I've seen her do great work at the St. Louis Cabaret Conference and at the open mic nights at the late, lamented Tavern of Fine Arts.

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David Giuntoli

The Emerald Room at the Monocle and The Presenters Dolan present David Guintoli in Sinatra...The Man and His Music on Saturday, August 13, at 8 p.m. "David Giuntoli sings songs that Frank Sinatra made famous. He would have been 100, if alive, and although he was from a different era, his musical stylings are a as swinging today as they were in the 40s, 50s, and 60s when he was at his peak. Sinatra had a gift of taking songs from great composers like, Cole Porter, Jimmy Van Heusen, Sammy Cahn, and, along with his fantastic arrangements, giving them that “Sinatra” stamp. The show includes these songs; I've Got the World on a String, All or Nothing at All, The Best is Yet to Come, I've Got You Under My Skin, The Way You Look Tonight, Angel Eyes, Fly Me to the Moon, Night and Day, The Lady is a Tramp and more." The show features Adam Maness on piano and Ben Wheeler on bass. The performance takes place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: www.buzzonstage.com/st-louis.

My take: No, this is not the David Giuntoli who stars in Grimm, but rather my fellow Cabaret Project board member in his first solo show. The focus on Sinatra makes perfect sense, given that Mr. Giuntoli is a baritone with a crooner's sensibility and an affection for the Great American Songbook.

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Held Over:

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The Drowsy Chaperone
Photo: Peter Wochniak

Stages St. Louis presents the musical satire The Drowsy Chaperone through August 21. "With its laugh-a-minute script and one show-stopping song and dance number after another, it's easy to see why THE DROWSY CHAPERONE won the most Tony Awards of any musical on Broadway in 2006, including Best Book and Score. It all begins when a die-hard musical theatre fan decides to play his favorite cast album in his small brownstone apartment - a 1928 smash hit musical called "The Drowsy Chaperone." The show magically bursts to life before him as audiences are instantly transported to an earlier time and place and immersed in the glamorous and hilarious tale of a celebrity bride and her uproarious wedding day, complete with gangsters, mistaken identities, an off-course aviatrix, and an uplifting ride to the rafters. " Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information, visit stagesstlouis.org or call 314-821-2407.

My take: The Drowsy Chaperone is a very smart and mostly very funny parody of musical theatre and, to a certain extent, the very concept of theatre itself. It's fun to watch, and when I saw the local premiere at the Fox back in 2007 I found my appreciation of its cleverness increasing in retrospect - always a good sign. It's essentially the most elaborate in joke in living memory. I haven't seen the Stages production, but honestly it's hard to see how they could not do well by this very strong material. If you love musical theatre, you won't want to miss it.

Chuck's Choices for the weekend of July 15, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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Black and Blue

Gitana Productions presents Black and Blue by Lee Patton Chiles at on Friday, July 15, at 7:30 p.m. "An original play of hope and healing, exploring the assumptions that all young black men are dangerous, and that all cops are bad. " The performance takes place at Christ Church Cathedral, 1210 Locust downtown. For more information: www.gitana-inc.org.

My take: The events in Ferguson, Missouri, in 2014 resonated throughout the nation. As headlines continue to demonstrate, what happened there was hardly an isoloated incident. Originally presented back in June of 2015, this drama by St. Louis playwright Lee Patton Chiles is, in the words of KDHX theatre reviewer Tina Farmer, "a thought provoking, well-acted and strongly worded play that stirs discussion in an attempt to create a fuller, more varied and nuanced understanding of racial conflict, not only in St. Louis but across America." Theatre can educate, enlighten, and provoke as well as entertain, and it looks like Gitana has a production here that does all three.

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Grey Gardens
Photo: Dan Donovan

Max and Louie Productions presents the musical Grey Gardens through July 30. "Not since Mama Rose and Gypsy has there been a mother/daughter act as hilarious, as heartbreaking and as utterly unforgettable as "Big" Edith and "Little" Edie Beale - Jackie Kennedy's most outrageous relatives - in the acclaimed musical smash Grey Gardens! From the grandeur of an East Hampton high society party in 1941 to the sensational tabloid headlines that rocked the Kennedy clan in 1973, Grey Gardens is scandalously entertaining. Step into the world of Grey Gardens and see the other side of Camelot." Performances take place at the Wool Studio Theatre at the JCC, 2 Millstone Campus Drive. For more information, visit maxandlouie.com.

My take: The folks at Max and Louie must be popping open the champagne right now, given how much critical praise they're getting. Steve Allen's review at Stage Door STL is typical. "Reviewing a production is, of course, a personal viewpoint", he writes, "and every one of the several critics we have in our town will vary in their opinions. But with “Grey Gardens,” the current musical from Max and Louie Productions, I think we’ll join forces in our praise for just about every aspect from casting and direction down through the technical creators. If it isn’t flawless, it comes pretty darn close." 'Nuff said, I guess.

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Claudia Hommel

The Presenters Dolan and The Emerald Room at the Monocle present singer Claudia Hommel and singer-pianist Elizabeth Doyle in Your Ticket to Paris, an evening of classic French songs, on Saturday, July 16, at 8 p.m. "Singer-actor-coach and producer, a favorite from the Art Institute of Chicago to the Lapin Agile in Paris, Claudia specializes in concerts and cabaret shows of French chansons, art songs, and American Songbook standards. She tours nationally and to Europe playing concert halls, clubs, theatres, museums, schools and special events. The magnet for many years at Chicago's famed Pump Room, singer-pianist-composer Elizabeth Doyle has created, performed in and often music-directed an array of shows at Chicago's major cabaret rooms and theatres." The Monocle is at 4510 Manchester in the Grove. For more information: www.themonoclestl.com/events-page.

My take: Over the past few years, I have become a dedicated fan of French popular songs, and after seeing her work at the St. Louis Cabaret Conference last year, I have no doubt that Claudia Hommel shares that affection. She also loves Paris at least as much as I do, often leading cabaret-oriented tours of the City of Light. As I'm writing this, tickets are going fast (the show may even be sold out), so if you haven't ordered your tickets by now, you'll want to do so ASAP.

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The Mikado
Photo: John Lamb

Union Avenue Opera presents Gilbert and Sullivan's The Mikado Fridays and Saturdays at 8 PM, July 8 - 16. "Oh how complicated love can be! Nanki-Poo is desperately in love with Yum-Yum who happens to be betrothed to the new Lord High Executioner. Ko-Ko must find someone to execute or it will be his neck on the line. Will a case of mistaken identity save the day as these two conspire - or will heads roll? Witty lyrics and a topsy-turvy plot make this light-hearted tale of forbidden love and trickery a story that reaches beyond traditional interpretations. Widely regarded as the finest Gilbert and Sullivan operetta, The Mikado will captivate and delight at every turn." Performances take place at the Union Avenue Christian Church, 733 Union at Enright in the Central West End. The opera is sung in English with projected English text. For more information, visit unionavenueopera.org or call 314-361-2881.

My take: I have a friend who says he loves directing Shakespeare because it's so easy to do. Just don't get in the playwright's way and you can't lose. I think the same could be said of the better Gilbert and Sullivan operettas as well. Don't mess with G&S and you're golden. And while, as I note in my review for KDHX, director Eric Gibson has messed with Gilbert's text a bit more than I'd like, the show as a whole is tremendously entertaining and well worth your attention.

Chuck's Choices for the weekend of July 8, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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The Mikado
Photo: John Lamb

Union Avenue Opera presents Gilbert and Sullivan's The Mikado Fridays and Saturdays at 8 PM, July 8 - 16. "Oh how complicated love can be! Nanki-Poo is desperately in love with Yum-Yum who happens to be betrothed to the new Lord High Executioner. Ko-Ko must find someone to execute or it will be his neck on the line. Will a case of mistaken identity save the day as these two conspire - or will heads roll? Witty lyrics and a topsy-turvy plot make this light-hearted tale of forbidden love and trickery a story that reaches beyond traditional interpretations. Widely regarded as the finest Gilbert and Sullivan operetta, The Mikado will captivate and delight at every turn." Performances take place at the Union Avenue Christian Church, 733 Union at Enright in the Central West End. The opera is sung in English with projected English text. For more information, visit unionavenueopera.org or call 314-361-2881.

My take: I have a friend who says he loves directing Shakespeare because it’s so easy to do. Just don’t get in the playwright’s way and you can’t lose. I think the same could be said of the better Gilbert and Sullivan operettas as well. Don’t mess with G&S and you’re golden. So while I haven't seen this production yet, I'm going to say that, based on Union Avenue's track record to date, it's reasonable to assume they won't get in Gilbert and Sullivan's way. Which should make this great fun all the way around.

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The Music Man

The Muny presents Meredith Willson's The Music Man opening on Tuesday, July 5, and running nightly at 8:15 pm through July 11 in the outdoor theatre in Forest Park. "Buyer beware! Professor Harold Hill, the slickest, slyest con man on the Iowa circuit is headed our way, eager to make mischief and steal your heart. Set on the 4th of July, every note in Meredith Willson's iconic score is as delectable as a slice of Mom's apple pie. And by the way, if you think The Muny will settle for just “76 Trombones” onstage - you don't want to miss this parade!." For more information, visit muny.org or call 314-361-1900.

My take: This show has been a favorite of audiences and critics alike since its 1957 premiere. It beat out West Side Story for the New York Critics' Circle Best Musical award that year, ran for 1,375 performances, and made a star out of Robert Preston. Playwright William Saroyan declared it "one of the great pieces of Americana", and audiences apparently agree with him. It's a family-friendly crowd pleaser that also gets in som sharp digs at small -town small mindedness and anti-intellectualism—a neat trick. Mark Bretz's review for Ladue News is typical of the praise this production has received: "The Muny’s spacious outdoor theater and expansive stage are an ideal combination for Meredith Willson’s memorably tuneful musical," he writes. "Director Rob Ruggiero moves this version of The Music Man like one of those trains that adheres strictly to its schedule, sending the audience happily home after two acts played out in two and a half snappy hours".

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Ben Watts

The Emerald Room at the Monocle and The Presenters Dolan present Ben Watts in Wonderful Enough on Saturday, July 9, at 8 p.m. "Ben Watts is a throwback to the Golden Age of Hollywood. He brings charm and class to jazz standards, long-forgotten show tunes, 80s power rock ballads, and everything in between. Wry, witty, and darkly funny, his stories and songs will leave you laughing and wanting more. With sings Cole Porter, Noël Coward, Kurt Weill, Peggy Lee andJerry Herman." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: www.themonoclestl.com/events-page.

My take: As I said in my preview article, for this show's first appearance a little over a year ago, a well-constructed cabaret act is ultimately a kind of one-act play, which is why actors—who have the advantage of understanding dramatic form—often create some of the best cabaret. Mr. Watts has shown that he can do both comedy and drama, and his appearances at The Cabaret Project's open mic nights (which I host) have been very impressive. And, of course, Tim Schall and Carol Schmidt are cabaret pros of considerable standing themselves.

Chuck's Choices for the weekend of June 10, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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You can read more about all the upcoming operas at OTSL in my preview post.

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Ariadne on Naxos
Photo: Ken Howard

Opera Theatre of St. Louis presents Richard Strauss's comedy Ariadne on Naxos running through June 24. "The wealthiest man in Vienna has hired both divas and clowns to perform two separate shows at the end of a lavish dinner party. When dinner runs long, the artists are stunned to find they must all take the stage together. What results is a mashup of slapstick comedy and deeply profound romance - mixing coloratura fireworks with spectacular arias." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644.

My take: Your mileage may vary, but I have always found the comic carrying on of Zerbinetta and company to be some of the best bits. That said, the concluding love duet for Bacchus and Ariadne shows Strauss at his most rhapsodic. Look for distinguished St. Louis-based actor/singer/playwright Ken Page in the role of the Majordomo. In his review for KDHX, Steve Callahan says OTSL has done "a simply perfect production of this work. It's entire sensibility -- staging, costumes, sets, lights, and especially the acting style -- expresses a profound empathy with Strauss's subtle blend of classicism and parody."

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Atomic
Photo: Jill Ritter Lindberg

New Line Theatre presents the St. Louis premiere of the musical Atomic Thursdays through Saturdays at 8 PM through June 25. "New Line continues its 25h season with the regional premiere of the exhilarating and provocative new rock musical ATOMIC, based on the true story of the creation of the atomic bomb. With book and lyrics by Danny Ginges, and music and lyrics by Philip Foxman, this powerful rock musical blasts open the doors of The Manhattan Project, a government-funded program of top scientists with the task of creating the world's first Atomic Bomb." Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: "A long forgotten but important historical figure gets his due in the zealous rock musical Atomic,'" writes Lynn Venhaus at the Belleville News-Democrat, "which bursts with passionate performances, an expressive score and combustible conversations. New Line Theatre's smart production features a synergetic ensemble fully committed to telling this complex, fascinating story about Leo Szilard. We Americans should know of him, but unfortunately many of us don't." New Line is once again breaking new ground in St. Louis musical theatre.

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Broken Bone Bathtub
Photo: Kimberly N.

That Uppity Theatre Company and The Drama Club Stl present the St. Louis Premiere of Broken Bone Bathtub Thursdays at 7 and 9:30 p.m, Fridays and Saturdays at 7:30 and 9:30 p.m., and Sundays at 2 p.m. through June 26. "Created and performed by Siobhan O'Loughlin, this performance piece highlights disability-temporary or ongoing, vulnerability, the female body, community, and innovative theatre. Broken Bone Bathtub is an immersive theatre experience taking place inside a bathtub, in an actual home. After a serious bike accident, a young woman musters up the courage to ask for help, and shares her story, exploring themes of trauma, suffering, human generosity, and connection. The audience takes on the role of Siobhan's close friends; not only listening but sharing in their experiences, and assisting the cast-clad artist in the actual ritual of taking a bath." Friday through Sunday performances take place at the Lemp Mansion, 3322 DeMenil Place in south St. Louis. Thursday performances take place in bathtubs of private homes throughout the St. Louis metropolitan area. For more information: uppityco.com.

My take: This is Siobhan O'Loughlin's second St. Louis appearance (her first was at last year's St. Lou Fringe Festival). I didn't catch her show, The Rope in Your Hands, back then, but I did see her display her considerable talents as a storyteller as part of a performance by the improv comedy group Sorry, Please Continue. “Broken Bone Bathtub is unlike anything you've ever seen before, says New York Theatre Now. "It will change your perspective.” And the supposedly haunted Lemp Mansion is a pretty fascinating space in any case. In her KDHX review, Tina Farmer says M. O'Loughlin "succeeds spectacularly by taking a very intimate act and showing us the universal connection."

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The Emerald Room Cabaret presents Taylor Pietz in #Crazy is the New Black on Saturday,, June 11, at 8 .m.. "We're all a little crazy sometimes. We do crazy things for love, crazy things for art, crazy things to make it all work. This show might be a little crazy too." The performance takes place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: www.buzzonstage.com/st-louis.

My take: I have known Ms. Pietz professionally for over a decade now. We first met during a production of "The Best Little Whorehouse in Texas" nearly thirteen years ago when she was 17 and I was-well-thirteen years less old than I am now. I was playing Senator Wingwoah and she, appropriately, was playing Shy. I say "appropriately" because she struck me than as a somewhat shy young lady-but with terrific pipes and impressive acting skills. The ensuing years have only sharpened those skills and developed that voice into a lovely precision musical instrument. That old shyness seems to have morphed into a kind of pixyish, cheerfully ironic stage persona.

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Clayton Community Theatre presents the drama Inherit the Wind Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m., through June 26. "Inherit the Wind is far more than a dramatic retelling of the Scopes Trial of 1925. It is a parable about attempting to mold society by enforcing a specific worldview or philosophy. It seeks, instead, to celebrate the individuality of man as a reasoning being, capable of living life according to his own personal convictions." Performances take place at the Washington University South Campus Theatre. For more information, call 314-721-9228 or visit placeseveryone.org.

My take: I haven't seen any reviews of this production, but the play itself is, I'm sorry to say, as current now as when it was written. Attempts by the religious radicals to replace science with superstition continue to poison our educational system but here in the USA and abroad as well. The war on science, alas, isn't limited to any one religious system.

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Shakespeare Festival St. Louis presents the comedy A Midsummer Night's Dream nightly except for Tuesdays through June 26. "It's time for a comedy! Last seen at the Festival in 2002, Midsummer will feature a diverse cast of actors portraying some of Shakespeare's most beloved characters as they get lost and fall in and out of love in the woods around Athens." Beginning at 6:30 the Green Show presents pre-play entertainment a variety of local performers on multiple stages. The play begins at 8 p.m. Performances take place in Shakespeare Glen next to the Art Museum in Forest Park. For more information, visit shakespearefestivalstlouis.org.

My take: I've had a soft spot for this play every since I appeared as Oberon in the St. Louis Shakespeare production many decades ago. Ann Lemmons Pollack says the production "is particularly easy-going and understandable. At times, it feels rather like a screwball comedy, not, goodness knows, that there’s anything wrong with that. ..The play is a delicious, somewhat elaborate pastry." Go and enjoy.

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Circus Flora presents its new show, Pastime, through July 3 under the air-conditioned, red-and-white, big top tent in Grand Center next to Powell Hall. "Along with runs and hits, the box score will fill-up with flips, flights, and laughs throughout PASTIME. When the hometown Zephyrs struggle to get out of last place, only their biggest fan and some incredible (and unlikely) stunts can help them turn their season around. Join us, and the magic of baseball." For more information: circusflora.org.

My take: Although I was born and have spent most of my life in St. Louis, there are some local traditions and institutions that I never have and probably never will understand. White Castle, for example, or the business about asking where you went to high school. What's THAT all about, anyway? Circus Flora, though, is a St. Louis tradition that anyone can embrace. And what could be more St. Louis than a show inspired by baseball? Happy 30th birthday, Circus Flora. The elephant after which you are named may have retired to Florida long ago, but you're still going strong.

Held Over:

La Bohème
Photo: Ken Howard

Opera Theatre of St. Louis presents Puccini's La Bohème opening on Saturday, May 21, and running through June 25. "One of the most performed operas of all time, La bohème has gripped audiences for over a century. Rodolfo and his friends scrape by as bohemian artists, using their wit and charm to escape life's harsher consequences. Rodolfo can't imagine how love will change him until he encounters a beautiful dressmaker, Mimì. Set to lush, irresistible music, Puccini's masterpiece never fails to move audiences to both laughter and tears." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644.

My take: Pretty much everything I want to say about this fine production is in my 88.1 KDHX review!. There are some minor aspects of this particular La Bohème that I find less than ideal, but the production as a whole is so very good so often that I have no hesitation in recommending it.

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Macbeth
Photo: Ken Howard

Opera Theatre of St. Louis presents Verdi's Macbeth, based on the Shakespeare tragedy, opening on Saturday, May 28, and running through June 26. "This opera is a thriller from start to finish - from the eerie prophecies of witches, to Lady Macbeth's sleepwalking scene, to the chilling and bloody finale. Experience Shakespeare's tale of ruthless ambition and murder as a classic Verdi masterwork, set to some of the most magnificent music in all of opera." Performances take place at the Loretto-Hilton Center at 135 Edgar Road on the Webster University campus. All performances are sung in English with projected English text. For more information: experienceopera.org or call 314-961-0644.

My take: I haven't seen this yet and won't get the opportunity to do so for a few weeks, but I'm recommending it anyway because I have always liked this economical and dramatically charged operatic version of Shakespeare's terse tragedy. Yes, it's more Italian than it is Scots or English, but it's rattling good yarn all the same.

St. Louis theatre calendar for the week of May 9, 2016

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's events web site.

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The Lemp Mansion Comedy-Mystery Dinner Theater presents Bullets in the Bathtub through July 30. The Lemp Mansion is at 3322 DeMenil Place. For more information: mansion.com

The Looking Glass Playhouse presents the classic musical Fiddler on the Roof Thursdays through Sundays through May 15. Performances take place at 301 West St. Louis Street in Lebanon, Ill. For more information, visit www.lookingglassplayhouse.com.

Tim Schall

The Sheldon Concert Hall presents Tim Schall in The Gaslight Generation Tuesday and Wednesday, May 10 and 11, at 10 a.m. "Clubs like The Crystal Palace lined St. Louis' Gaslight Square neighborhood and played host to the stars of tomorrow. Tim Schall takes a musical look back at this exciting time in popular music, with songs like “Moon River” and “Georgia On My Mind,” and tunes by beloved composers such as Hoagy Carmichael and Carole King. The times were a-changin' and so was the music!" The Sheldon Concert Hall is at 3648 Washington in Grand Center. For more information: thesheldon.org.

Upstream Theater presents Tennessee Williams' The Glass Menagerie, with live music by Joe Dreyer, through May 15. "As Tennessee Williams'classic has entered our collective memory, it has moved from cutting-edge to canonical. Upstream Theater aims to take the piece out of the museum in a way guaranteed to move you, and move you to think. We are proud to present this production in conjunction with the inaugural Tennessee Williams Festival St. Louis." Performances take place at the Kranzberg Arts Center, 501 North Grand in Grand Center. For more information, including show times: upstreamtheater.org.

Family Musical Theater presents the classic Cole Porter musical Kiss Me, Kate running through May 15th. "The exciting story of Kiss Me, Kate involves the production of a musical version of William Shakespeare's The Taming of the Shrew and the conflict on and off-stage between Fred Graham, the show's director, producer, and star, and his leading lady, his ex-wife Lilli Vanessi. A secondary romance concerns Lois Lane, the actress playing Bianca, and her gambler boyfriend, Bill, who runs afoul of some gangsters." Performances take place at the Ivory Theatre, 7622 Michigan. For more information, visit www.familymusicaltheater.org or call 314-571-9579.

Brian Owens

The Sheldon Concert Hall presents Brian Owens in Lean on Me Saturday, May14, at 11 a.m. "Acclaimed vocalist Brian Owens is quickly making a name for himself nationally as the new torch bearer for classic soul music in the tradition of Marvin Gaye and Sam Cooke. He returns to The Sheldon with a tribute to the legendary Bill Withers, performing hits including “Lean on Me,” “Just the Two of Us,” and more! " The Sheldon Concert Hall is at 3648 Washington in Grand Center. For more information: thesheldon.org.

The Emerald Room Cabaret at The Monocle resents Amy Armstrong in Mama's Big Ones, a musical tribute to Mama Cass Elliot of The Mamas and the Papas, Friday and Saturday at 8 p.m., May 13 and 14. " Amy is the complete package - an exceptionally fine singer and dead-on comedienne, the total pro who is fresh and compelling and funny every night. Now she is bringing us her Mama Cass show, developed and honed on her tour of Mexican resort clubs this winter. Mama's Big Ones (the title of Cass's first solo album) takes us through her life and work. Though far from all, a big part of Cass's professional life was The Mamas and The Papas, whose California Dreamin' defined a sound for a generation. The performances take place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: www.buzzonstage.com/st-louis.

The Bissell Mansion Murder Mystery Dinner Theatre presents Nursery Crimes through July 31. The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com.

Act Two Theatre presents Neil Simon's The Odd Couple (Female Version) May 11-22. " Unger and Madison are at it again! Florence Unger and Olive Madison, that is, in Neil Simon's hilarious contemporary comic classic: the female version of The Odd Couple. Instead of the poker party that begins the original version, Ms. Madison has invited the girls over for an evening of Trivial Pursuit. The Pidgeon sisters have been replaced by the two Costazuela brothers. But the hilarity remains the same. " Performances take place in the St. Peters Cultural Arts Centre at 1 St Peters Centre Blvd, St. Peters, MO 63376. For more information: act2theater.com.

Alton Little Theater presents the comedy Skin Deep Thursdays through Sundays, May 12-22, at 2450 North Henry in Alton, IL. If you like a show that is filled with laugh-out-loud humor then Skin Deep is sure to please. A large, lovable, lonely-heart, named Maureen Mulligan, gives romance one last shot on a blind-date with sweet awkward Joseph Spinelli; she's learned to pepper her speech with jokes to hide insecurities about her weight and appearance, while he's almost dangerously forthright, saying everything that comes to his mind. They were set up on the date by Maureen's sister Sheila and her husband Squire, who are having problems of their own: Sheila undergoes a non-stop series of cosmetic surgeries to hang onto the attractive and much-desired Squire, who may or may not have long ago held designs on Maureen, who introduced him to Sheila. " For more information, call 618.462.6562 or visit altonlittletheater.org.

The Tennessee Williams Festival opens on Wednesday, May 11, and runs through May 15 at multiple venues throughout the St. Louis area. Events include theatrical performances, films, exhibits, lectures, and even a Williams-themed St. Louis bus tour. For more informatoin and a complete schedule of events, visit twstl.org.

The Theatre Guild of Webster Groves presents Horton Foote's drama The Trip to Bountiful Fridays through Sundays through May 15. "Mrs. Watts, an aging widow living with her son & daughter-in-law in Houston, Texas, fears that her presence may be an imposition on her family especially her demanding daughter-in-law. Mrs. Watts imagines that if she can get away and return to her old home in the town of Bountiful, she is sure to regain her strength, dignity and peace of mind. This is the story of her journey as she attempts to run away and the kind people she meets along the way." Performances take place in the Guild theatre at Newport and Summit in Webster Groves, MO. For more information: theatreguildwg.org or call 314-962-0876.

The Two-Character Play

The Midnight Company presents The Two-Character Play by Tennessee Williams Wednesdays and Thursdays at 7:30 p.m., Fridays at 8 p.m., and Saturdays and Sundays at 3 p.m., May 11-15. "Two actors, a brother and a sister, are stranded in a theatre, struggling to perform, struggling to survive." Performances take place at The Historic Mummers Theatre, 4504 Westminster in the Central West End. For more information: midnightcompany.com.

New Jewish Theater presents the musical Yentl May 11 - June 5 “Based on Isaac Bashevis Singer's short story “Yentl the Yeshiva Boy” and updated with new music and lyrics by Jill Sobule, “Yentl” tells the story of a young girl in 19th century Eastern Europe forbidden to pursue her dream of studying Talmud. Unwilling to accept her fate, she disguises herself as a man. But when she falls in love, Yentl must decide how far she's willing to go to protect her identity. This marks 40 years since the play - then without music - ran on Broadway. With parallels in Singer's short story coinciding with the burgeoning second wave of feminism, we find Yentl as an outsider seeking to find her own voice within a very proscribed world.” Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

Chuck's Choices for the weekend of May 6, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Ben Nordstrom

The Emerald Room at the Monocle presents Ben Nordstrom in Diary of an Almost Grown-Up on Friday and Saturday, May 6 and 7, at 8 p.m. "Do you ever think to yourself, “Maybe next year I'll start to feel like an adult?” Then the next thing you know, you're geeking out over the casting announcement of the next Star Wars movie or playing whiffle ball in the toy aisle at Wal-Mart. In his return to the cabaret stage, Ben explores the insecurities and follies of stumbling from childhood to adulthood. Do we ever really grow up? The musically eclectic evening will include funny, fresh material from new composers Joe Iconis and Ryan Scott Oliver, as well as songs by Stephen Sondheim, the Beatles, Rodgers & Hammerstein, and Paul Simon." Justin Smolik is pianist and music director for the show. The performances take place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: www.buzzonstage.com/st-louis

My take: Ben is a familiar face to theatre fans locally, with many shows to his credit at the Rep, Stages, and other professional companies. Reviewing his performance as J. Pierrepont Finch in Stages' How to Succeed in Business Without Really Trying last July, for example, I wrote that "Mr. Nordstrom hits exactly the right combination winsomeness and winking slyness, along with a fluid sense of physical comedy." He also did a nice set as part of Neal Richardson's solo cabaret debut last weekend. Expect an entertaining evening.

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The Glass Menagerie
Photo: ProPhotoSTL

Upstream Theater presents Tennessee Williams' The Glass Menagerie, with live music by Joe Dreyer, through May 15. "As Tennessee Williams'classic has entered our collective memory, it has moved from cutting-edge to canonical. Upstream Theater aims to take the piece out of the museum in a way guaranteed to move you, and move you to think. We are proud to present this production in conjunction with the inaugural Tennessee Williams Festival St. Louis." Performances take place at the Kranzberg Arts Center, 501 North Grand in Grand Center. For more information, including show times: upstreamtheater.org.

My take: This radical re-thinking of the Williams classic starts with the assumption that, as a "memory play," it need not concern itself too much with realism. So, in this version, Tom is an elderly man man near the end of his life instead of a younger man still finding himself. Both Tom (J. Samuel Davis) and his mother Amanda (Linda Kennedy) are black while his sister is white, and the sister in this production is actually disabled instead of simply frail. As Steve Callahan writes in his review for KDHX, this doesn't necessarily work at all times. "The Upstream production of The Glass Menagerie will leave you wondering about many things," he says. "But that's good! Do see it. It's well worth your time." And, of course, there's the fact that Davis and Kennedy are very accomplished actors.

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KTK Productions presents the comedy Laughing Stock through May 8. "A hilarious backstage farce and genuinely affectionate look into the world of the theatre. When the Playhouse, a rustic New England Summer Theatre, schedules a repertory season of Dracula, Hamlet and Charley's Aunt, comic mayhem ensues. We follow the well-intentioned but over-matched company from outrageous auditions to ego-driven rehearsals through opening nights gone disastrously awry to the elation of a great play well told and the comic and nostalgic season close." Performances take place at Southampton Presbyterian Church, 4716 Macklind. For more information: kurtainkall.org or call 314-351-8984.

My take: In his review for KDHX, Steve Callahan says that, despite less than ideal pacing, KTK's show "is a most enjoyable evening...you'll have a fun and laugh-filled time at KTK's Laughing Stock".

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The Cabaret Project presents its annual Trivia Night Fundraiser on Friday, May 6, from 7-10 p.m. "Show us how much trivial knowledge you have stuffed in your brilliant mind! This is our annual fundraiser to support the St. Louis Cabaret Festival in July 2016 and our new educations programs. PRIZES FOR TOP TWO TABLES! RAFFLES, 50/50 and GENERAL FRIVOLITY GUARANTEED.” Hosted by Phil Donato, The Trivia Guy. Contact Tim Schall at info at thecabaretproject.org to join the fun! Doors open 6:30, Trivia begins at 7:00 p.m. Water, soda light snacks provided. For more information: thecabaretproject.org.

My take: Let me be up front here and admit that I'm on the board of The Cabaret Project. But having said that, I should point out that the reason I'm on the board is that TCP is doing important work in promoting, developing, and sustaining the art of cabaret in St. Louis. Right now we do that mainly by sponsoring the monthly open mic night at Tavern of Fine Arts and bringing St. Louis audiences the annual St. Louis Cabaret Festival, but fundraisers like this one will enable us to expand into other areas such as education and audience development. So come on down and show your trivia smarts; we'd love to see you. And you might even wind up sharing a table with some local cabaret stars.

Held Over:

The Sound of Music
Photo: Matthew Murphy

The Fox Theatre presents the classic Rodgers and Hammerstein musical The Sound of Music opening Tuesday, April 26, and running through May 8. "The hills are alive! A brand new production of THE SOUND OF MUSIC, directed by Jack O'Brien, is coming to the Fox. The spirited, romantic and beloved musical story of Maria and the Von Trapp Family will once again thrill audiences with its Tony®, Grammy® and Academy Award® winning Best Score, including "My Favorite Things," "Do-Re-Mi," "Climb Ev'ry Mountain," "Edelweiss" and the title song." The Fox is on North Grand in Grand Center. For more information: fabulousfox.com.

My take: I haven't seen any reviews yet and my schedule probably won't allow me to see this, but how can you go wrong with this Rodgers and Hammerstein classic? The original stage show isn't as sentimental as the often-criticized film and a big revival is long overdue. This particular production has been gathering very positive reviews as it makes its way across the USA.

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Trash Mabceth

Equally Represented Arts presents Trash Macbeth running through May 7th. "Lady Macbeth says, 'What's done cannot be undone.' But can it be repurposed? Based on Shakespeare's iconic tragedy, ERA's experimental production Trash Macbeth resuscitates meaning within a climate of destruction, reestablishes the societal norms of America's most traditional era, and reframes the value of our revered Shakespeare, housewifery, and garbage. Trash Macbeth is a full-length, theatrical production created by an ensemble of theatre artists with text from Shakespeare's Macbeth, Emily Post's Etiquette, the book of Revelations, Dr Benjamin Spock's Common Sense Book of Baby and Child Care, and 1950's era advertisements." Performances take place at The Chapel, 6238 Alexander Drive. For more information: eratheatre.org.

My take: In a review of the original St. Louis University production of this last October, 88.1 KDHX reviewer Sarah Richardson wrote that "[t]he fates that are spun and the lives unwound in this tragedy reach astounding dramatic heights thanks to a marvelous alchemy of all the elements of theatre: design, staging, performance, and text...A delicious, theatrical nightmare par excellence." Reviewing the current version for KDHX, Steve Callahan calls it "a most remarkable evening of theatre." This is a chance to see the play done by the ensemble whose founder, Lucy Cashion, created the piece for St. Louis U. last fall. Ms. Cashion has made a name for herself locally for her ingenious reworkings of classic plays.

Chuck's Choices for the weend of April 21, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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New This Week:

Bosnian-American: The Dance of Life
Photo: John Lamb

Mustard Seed Theatre presents Bosnian-American: The Dance of Life, Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m. through May 1. "Born in Bosnia and raised in St. Louis - painful history meets present reality in this collaboratively created script that celebrates the true stories of our neighbors." Performances take place at the Fontbonne Fine Arts Theatre, 6800 Wydown Blvd. For more information, call (314) 719-8060 or visit the web site at www.mustardseedtheatre.com.

My take: Unlike some cities I could name, St. Louis has opened its doors to Muslim immigrants—especially those from Bosnia—and experienced considerable economic growth in the neighborhoods were they have settled. Mustard Seed has turned their experiences into what Steve Callahan calls "a most heartening and hopeful evening celebrating the Bosnian-American experience." At Ladue News, Mark Bretz writes: "Bosnian/American: The Dance for Life succeeds as a tribute to the valiant spirit of a people and culture driven from their homeland to start life anew in a land a continent away."  The show is a bit rocky in spots, but its heart is in the right place, which counts for a lot.

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Angela Sapolis

The Emerald Room at the Monocle and The Presenters Dolan present Angela Sapolis in I Couldn't Have Said it Better on Saturday, April 23, at 7:30 p.m. "A native of St Louis, Angela Sapolis has made a name for herself on stages from coast to coast, and as far away as Tokyo. "I Couldn't Have Said It Better" is a potent marriage of words and music, taking us on a journey through the peak experiences of life, guided by the wit and wisdom of the world's great thinkers, writers, and musicians. Angela is sincerely grateful to her mentor, teacher, and friend, the legendary Andrea Marcovicci, for her invaluable support in creating this show." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: buzzonstage.com/st-louis

Gail Payne

The Emerald Room at the Monocle and The Presenters Dolan present Gail Payne in Let it Shine on Thursday, April 21, at 7:30 p.m. "Four years ago, Gail Payne mustered the courage to let her light shine as she serenaded friends in her living room. Living into her dream of singing professionally, "Let It Shine" is Payne's fifth solo cabaret show demonstrating her passion and talent for masterfully weaving together songs and stories not only about her journey to sing solo, but also to find love and live happily ever after. Music will include classics from the Great American Songbook, Broadway, jazz, folk/country, and popular music." The performance takes place in the Emerald Room at The Monocle, 4510 Manchester in the Grove neighborhood. For more information: buzzonstage.com/st-louis

My take: Ms. Payne and Ms. Sapolis are veterans of the St. Louis Cabaret Conference, a week-long intensive training program for musical theatre and cabaret singers. It attracts some top-flight talent. You can't go wrong with their of these very talented and engaging women, and the Emerald Room is a very cool venue.

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Trash Macbeth at St. Louis University

Equally Represented Arts presents Trash Macbeth opening on Wednesday, April 20, and running through May 7th. "Lady Macbeth says, 'What's done cannot be undone.' But can it be repurposed? Based on Shakespeare's iconic tragedy, ERA's experimental production Trash Macbeth resuscitates meaning within a climate of destruction, reestablishes the societal norms of America's most traditional era, and reframes the value of our revered Shakespeare, housewifery, and garbage. Trash Macbeth is a full-length, theatrical production created by an ensemble of theatre artists with text from Shakespeare's Macbeth, Emily Post's Etiquette, the book of Revelations, Dr Benjamin Spock's Common Sense Book of Baby and Child Care, and 1950's era advertisements." Performances take place at The Chapel, 6238 Alexander Drive. For more information: eratheatre.org.

My take: In a review of the original St. Louis University production of this last October, 88.1 KDHX reviewer Sarah Richardson wrote that "[t]he fates that are spun and the lives unwound in this tragedy reach astounding dramatic heights thanks to a marvelous alchemy of all the elements of theatre: design, staging, performance, and text...A delicious, theatrical nightmare par excellence." This is a chance to see the play done by the ensemble whose founder, Lucy Cashion, created the piece for St. Louis U. last fall. Ms. Cashion has made a name for herself locally for her ingenious reworkings of classic plays.

Held Over:

David Guintoli

The Emerald Room Cabaret presents David Giuntoli in Sinatra...The Man and His Music on Friday, April 22, at 8 p.m. "David Giuntoli sings songs that Frank Sinatra made famous. He would have been 100, if alive, and although he was from a different era, his musical stylings are a as swinging today as they were in the 40s, 50s, and 60s when he was at his peak. Sinatra had a gift of taking songs from great composers like, Cole Porter, Jimmy Van Heusen, Sammy Cahn, and, along with his fantastic arrangements, giving them that “Sinatra” stamp. The show includes these songs; I've Got the World on a String, All or Nothing at All, The Best is Yet to Come, I've Got You Under My Skin, The Way You Look Tonight, Angel Eyes, Fly Me to the Moon, Night and Day, The Lady is a Tramp and more." The show features Adam Maness on piano and Ben Wheeler on bass. The performance takes place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: www.buzzonstage.com/st-louis

My take: No, this is not the David Giuntoli who stars in Grimm, but rather my fellow Cabaret Project board member in his first solo show. The focus on Sinatra makes perfect sense, given that Mr. Giuntoli is a baritone with a crooner's sensibility and an affection for the Great American Songbook. Last week's show was sold out, hence the reprise.