Sunday, March 20, 2016

St. Louis theatre calendar for the week of March 21, 2016

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's events web site.

Share on Google+

American Idiot
Photo: Jill Ritter Lindberg
New Line Theatre presents the musical American Idiot, based on the album by Green Day, Thursdays through Saturdays at 8 PM through March 26. " New Line continues its 25th season with the powerful, high-octane, rock fable AMERICAN IDIOT, based on the powerhouse album by Green Day, a scorching attack on what they saw as the hypocrisy and moral evils of the Bush Administration after the attacks of Sept. 11, as well as the increasingly submissive nature of the American public. The score includes every song from Green Day's hit album American Idiot, as well as several songs from their follow-up release, 21st Century Breakdown, with music by Green Day, lyrics by frontman Billie Joe Armstrong, a book by Armstrong and Michael Mayer, and musical arrangements and orchestrations by Broadway composer Tom Kitt (High Fidelity, Next to Normal, If/Then). The Toronto Star called the show 'the first great musical of the 21st century.'" Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

The Bissell Mansion Murder Mystery Dinner Theatre presents And Away You Go through March 27. The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com.

The Lemp Mansion Comedy-Mystery Dinner Theater presents Clueless through April 16. The Lemp Mansion is at 3322 DeMenil Place. For more information: lempmansion.com

The Presenters Dolan present Natalie Douglas in Hello Dolly: The Music of Dolly Parton on Thursday, March 24, at 8 PM as part of the Gaslight Cabaret Festival. "Called "a true force of nature" by The Times UK and "sensational" by Time Out New York. After a Birdland residency and a weeklong triumph in London, Natalie Douglas - a buxom beauty herself - brings her acclaimed Dolly Parton show to our town.." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

If/Then
Photo: Joan Marcus
The Fox Theatre presents the musical If/Then opening on Tuesday, March 15, and running through March 27. "IF/THEN is a contemporary Broadway musical about living in New York today - and all the possibilities of tomorrow. With unforgettable songs and a deeply moving story by the Pulitzer Prize and Tony Award®-winning creators of Next to Normal, this "fascinating, ambitious, and original new musical" (New York Post) simultaneously follows one woman's two possible life paths, painting a deeply moving portrait of the lives we lead, as well as the lives we might have led." The Fox is on North Grand in Grand Center. For more information: fabulousfox.com.

The Presenters Dolan present Liam Forde: Live! on Friday and Saturday, March 25 and 26, at 8 PM as part of the Gaslight Cabaret Festival. " Liam's one break away from the heights - catch him now." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

The Repertory Theatre of St. Louis presents the world premiere of Molly's Hammer through March 27. "Molly Rush was focused on the endgame- save the world, protect her family. But what would she have to sacrifice? In 1980, the Pittsburgh housewife and mother of six walked into a General Electric plant and took a hammer to a nuclear warhead to protest the buildup of America's nuclear arsenal. Based on the true story of the Plowshares Eight, Molly's Hammer is the world-premiere account of one woman's unwavering beliefs and her family's desperate attempts to protect her from infamy." Performances take place in the studio theater at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org. Read my review!

Old Wicked Songs
Photo: Eric Woolsdy
New Jewish Theater presents the Old Wicked Songs through April 3 "Hoping to reconnect with his music and shatter the artistic block that has plagued his career, a young American piano prodigy travels to Vienna in the spring of 1986. He is assigned to a vocal teacher who gives him the "Dicheterliebe" song cycle by Robert Schumann. Marans incorporates the poetry of Heinrich Heine and the music of Robert Schumann into the series of events. Through the sessions between the two men, Marans creates a link between two generations who find they much more in common than they think. This is the inspirational journey of two very different men who, with music as their one common bond, must find a way to break through their pasts." Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

The Presenters Dolan present Pink Martini: A Spring Fling Featuring China Forbes on Monday, March 21, at 8 PM as part of the Gaslight Cabaret Festival. The performance takes place at the Sheldon Concert Hall in Grand Center. For more information: metrotix.com.

The St. Louis Theater Circle presents the St. Louis Theater Circle Awards on Monday, March 21, at 7 PM. The awards recognize outstanding achievement in locally produced professional theatre as judged by local theatre critics who are members of the Circle. Presenters will include KDHX's own Chuck Lavazzi. The ceremony takes place at The Skip Viragh Center on the campus of Chaminade University . Tickets are available in advance at brownpapertickets.com. A pre-ceremony buffet and open bar will be situated just outside the theater entrance. Food and drinks will be available on a cash basis, but the buffet has to be ordered and paid for in advance. Check out the With Love Catering site for details or call 314-637-7907. The event will be broadcast and webcast live on HEC-TV Charter channel 989, U-Verse channel 99, and at hectv.org

Satchel Paige and the Kansas City Swing
Photo: John Gitchoff
The Repertory Theatre of St. Louis presents Satchel Paige and the Kansas City Swing March 16 - April 10. "The crack of the bat, the roar of the crowd-it's what every baseball player dreams of. In 1947, Jackie Robinson had broken baseball's color barrier, while Satchel Paige and his Negro League All-Stars were barnstorming against their white counterparts in the Majors. It was baseball by day and jazz by night as the impassioned and devoted players tried to find their place in a country on the verge of change." Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

On Wednesday, March 23, at 7:30 p .m. the Repertory Theatre of St. Louis Ignite! New Play Festival presents Unseen by Mona Monsour. "Conflict photographer Mia wakes up in the Istanbul apartment of her on-again, off-again girlfriend after being found unconscious at the scene of a massacre she was photo-graphing. When Mia's mother arrives from the U.S., the apartment is filled with tension as the women try to unravel what happened. Unseen is a provocative look at one American's attempt to commune with another very foreign, much discussed part of the world." The performance takes place at the Sally S. Levy Opera Center, 210 Hazel Avenue in Webster Groves. For more information www.repstl.org/ignite.

The Repertory Theatre of St. Louis Ignite! New Play Festival presents Until the Flood by Daniel Orlandersmith Friday at 7:30 p.m. and Saturday at 1 p.m., March 25 and 26. " The Rep has commissioned celebrated writer, performer and Pulitzer Prize finalist Dael Orlandersmith to write and perform a play about the recent events in Ferguson. She has fashioned a sensitive and moving portrayal of the people in our community, and how they feel about an event that placed St. Louis in a spotlight it didn't expect or relish." The Friday performance takes place at the Sally S. Levy Opera Center, 210 Hazel Avenue in Webster Groves and the Saturday performance at St. Louis Public Radio in Grand Center. For more information www.repstl.org/ignite.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

Friday, March 18, 2016

St. Louis classical calendar for the week of March 21, 2016

The St. Louis Brass Band
The Sheldon Concert Hall presents the St. Louis Brass Band in High, Fast, and Loud on Tuesday, March 22, at 7:35 PM. “Calling all Trumpet Players, Brass Players, and Music Lovers!!! Come hear Karin Bliznik, Principal Trumpet of the St. Louis Symphony Orchestra, performing in the intimate, and beautiful Sheldon Concert Hall, with the Saint Louis Brass Band! The Brass Band is thrilled to have Ms. Bliznik join us as Guest Artist and want you to help make this a very special evening for one and all. In addition to the solo works, the band will be performing Shostakovich’s “Festive Overture,” Philip Sparke’s “Harmony Music,” and the beautiful and moving “Hymn for Diana.” As always, the Brass Band will bring along a surprise or two as well. This is an evening of brass music you just can’t miss!!!!” The Sheldon is at 3648 Washington in Grand Center. For more information: thesheldon.org.

The Tavern of Fine Arts presents Manuela Kaymakanova, violin and Diana Umali, piano in a concert of music by Mozart, Fauré, Piazzolla, and others on Saturday, March 26, at 8 p.m. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

Thursday, March 17, 2016

Chuck's Choices for the weekend of March 18, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

Share on Google+:

New This Week:

This Friday through Sunday, March 18-20, Fontbonne University Theatre Department presents Almost, Maine. Welcome to Almost, Maine, a town that's so far north, it's almost not in the United States-it's almost in Canada. One night in the middle of winter, while the northern lights hover in the sky above, Almost's residents find themselves falling in and out of love in the strangest ways. And life for the people of Almost, Maine will never be the same. Performances take place in the Fontbonne Fine Arts Theatre on Wydown. For further details about Almost Maine, www.fontbonne.edu/academics/departments/fine-arts-department/theatre-productions.

My take:This is a charming set of romantically comic one acts with a strong dose of a kind of magical realism. We did the local premier of this a few years back at West End Players Guild and the show has been cropping up here and there ever since. I haven't seen the Fontbonne production, but I can attest to the fact that the play itself is first-class stuff.

Marisaa Mulder
The Presenters Dolan present Marissa Mulder in Fragments of Marilyn on Friday and Saturday, March 18 and 19, at 8 PM as part of the Gaslight Cabaret Festival. " In this utterly fascinating show, Marissa explores Marilyn Monroe, mind, heart and soul, and her journey from orphanage to celebrity's epicenter. A magical mix of real cabaret theater. The first public performance of Marilyn from one of the emergent talents in all of cabaret." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: Ms. Mulder, as I noted in my review of her Tom Waits show back in 2014, is a fine singer who is also a gifted actor, with the ability to truly inhabit the characters in her songs. If anyone can conjure up the spirit of the late Ms. Monroe (who, while not a strong singer, also knew how to really sell a lyric) it would be Ms. Mulder.

The Presenters Dolan present Jon Weber in From Joplin to Jarrett on Sunday, March 20, at 3 PM as part of the Gaslight Cabaret Festival. " A history of jazz piano in 70 minutes, from the host of NPR's Piano Jazz." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: Now there's something you don't see every day, Chauncey (as they used to say on Rocky and His Friends); a cabaret show where the focus is on piano instrumentals rather than songs. As a frustrated pianist myself, I think this looks like a fascinating show. The evolution of African-influenced piano composition from the classical approach of Scott Joplin to the disciplined improvisations of Keith Jarrett covers a lot a impressive musical territory.

Molly's Hammer
Photo: Jerry Naunheim, Jr.
The Repertory Theatre of St. Louis presents the world premiere of Molly's Hammer through March 27. "Molly Rush was focused on the endgame- save the world, protect her family. But what would she have to sacrifice? In 1980, the Pittsburgh housewife and mother of six walked into a General Electric plant and took a hammer to a nuclear warhead to protest the buildup of America's nuclear arsenal. Based on the true story of the Plowshares Eight, Molly's Hammer is the world-premiere account of one woman's unwavering beliefs and her family's desperate attempts to protect her from infamy." Performances take place in the studio theater at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

My take: What's the price of compassion? What is the extent of a citizen's obligation to oppose fundamentally evil policies by a government? How much should one be expected to sacrifice for the common good? As I write in my review, these and many other questions are raised by Tammy Ryan's gripping drama Molly's Hammer. At a time when the very foundations of our political system are being openly challenged by the forces of fascism and hysterical fear, and when the leading candidates of one of our political parties are almost drooling with pleasure at the possibility of starting a nuclear war, these questions could not be more timely.

This Friday, Saturday and Sunday First Run Theater is holding its annual Play Reading Festival. This festival showcases original scripts by St. Louis playwrights interested in seeing their work produced on a state-of-the-art stage; all readings are open to the public. The performances take place in the theatre on the campus of DeSmet Jesuit High School on Ballas Road in Creve Coeur. For more information on First Run Theater's Play Reading Festival, firstruntheatre.com

On Saturday afternoon the Repertory Theatre of St. Louis Ignite! New Play Festival presents Replica. In the near future, a terminally ill woman volunteers for an experimental procedure that will allow her memories and personality to live on in her clone. The performance begins at 2:00 PM at inside the Opera Center at Opera Theatre of St. Louis, on Hazel Avenue in Webster Groves. For more information about Saturday's performance of Replica repstl.org/ignite

My take: It's always interesting to see new plays—it's the main reason I attend the Humana Festival every year— and both the Rep and First Run are giving you a chance to see some newly-hatched theatrical chicks this weekend. First Run shows are by local playwrights while the Rep features writers from around the country. First Run's festival is this weekend only while the Rep has shows Wednesday, Friday, and Saturday of next week.

The Tavern of Fine Arts presents Tim Schall's Cabaret Party on Friday, March 18, at 8 p.m. "Hosted by Tim Schall with Carol Schmidt at the piano, this promises to be fun, lively and entertaining - a musical party with Tim, Carol and their talented friends- each singing lots of tunes for you! The guests that will sing their hearts out on March 18 include: Mara Bollini, Meghan Kirk, Ben Nordstrom and Tim and Carol, of course. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

My take: This is the first in a planned series of showcases of local cabaret talent presented in the informal atmosphere of the Tavern of Fine Arts, which is where I host The Cabaret Project's monthly open mic night. As the executive director of The Cabaret Project and the organizer of the yearly St. Louis Cabaret Festival, Tim Schall is one of the genre's leading exponents here in St. Louis, and Carol Schmidt is one of our most sought-after music directors. Their guests for this first outing are all impressive performers in their own right, so you can expect serious entertainment here. I intend to be in the audience; join me and enjoy,

Held Over:

American Idiot
Photo: Jill Ritter Lindberg
New Line Theatre presents the musical American Idiot, based on the album by Green Day, Thursdays through Saturdays at 8 PM through March 26. " New Line continues its 25th season with the powerful, high-octane, rock fable AMERICAN IDIOT, based on the powerhouse album by Green Day, a scorching attack on what they saw as the hypocrisy and moral evils of the Bush Administration after the attacks of Sept. 11, as well as the increasingly submissive nature of the American public. The score includes every song from Green Day's hit album American Idiot, as well as several songs from their follow-up release, 21st Century Breakdown, with music by Green Day, lyrics by front man Billie Joe Armstrong, a book by Armstrong and Michael Mayer, and musical arrangements and orchestrations by Broadway composer Tom Kitt (High Fidelity, Next to Normal, If/Then). The Toronto Star called the show 'the first great musical of the 21st century.'" Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: As you can see from the description of this show, it could hardly be more relevant during the current primary campaign season, especially in light of the Republican Party's slide into drooling insanity. In her review for KDHX, Tina Farmer says this "is a fantastic production, and several scenes flash with brilliance. The cast are uniformly strong singers and the interpretations of the songs are spot on. " At Ladue News, Mark Bretz says "New Line’s presentation superbly captures the musical essence of the album and show as well as making the most of the straightforward plot."

Monday, March 14, 2016

Review: "Molly's Hammer" strikes a blow for conscience at the Rep Studio, through March 27, 2016

L-R: Joe Osheroff and Nancy Bell
Photo: Jerry Naunheim, Jr.
Share on Google+

What's the price of compassion? What is the extent of a citizen's obligation to oppose fundamentally evil policies by a government? How much should one be expected to sacrifice for the common good?

These and many other questions are raised by The Repertory Theatre of St. Louis production of Tammy Ryan's gripping drama Molly's Hammer. At a time when the very foundations of our political system are being openly challenged by the forces of fascism and hysterical fear, and when the leading candidates of one of our political parties are almost drooling with pleasure at the possibility of starting a nuclear war, these questions could not be more timely.

Based on Liane Ellison Norman's 1989 book Hammer of Justice: Molly Rush and The Plowshares Eight, Molly's Hammer is the story of the Pittsburgh housewife and mother of six who, along with seven other activists, including radical priest Daniel Berrigan, walked into a General Electric plant in King of Prussia, Pennsylvania, in 1980 and took a hammer to the nuclear warheads manufactured there.

Joe Osheroff
Photo: Jerry Naunhiem, Jr.
The act was symbolic—a realization of the call in Isaiah 2:3-4 to beat swords into plowshares—but the Federal government's response was not. Rush and her fellow activists were charged with more than ten different felony and misdemeanor counts. Rush herself spent 78 days in Pennsylvania jails until two Pittsburgh religious orders—the Sisters of Mercy and the Sister of St. Joseph—posted $125,000 bail. After ten years of legal battles Rush and her fellow activists were convicted on some of the less severe charges and sentenced to time served. Rush continues to be a peace activist.

Ms. Ryan's script concentrates on Rush's conflict with her less idealistic husband Bill and the agonizing choices she faces between her obligations to her family and her concern for the future of all families. Belligerent talk by political leaders about surviving a nuclear holocaust has her worried that her children might never live to see adulthood. Rush decides that she must do something to oppose the madness regardless of the personal cost.

Nancy Bell and Kevin Orton
Photo: Jerry Naunheim, Jr.
Nancy Bell is an immediately sympathetic and credible Molly Rush. The character's occasional ideological outbursts could come across as strident and unrealistic, but Ms. Bell infuses them with the kind of simple sincerity which, I expect, the real Molly Rush must have felt.

Joe Osheroff is equally real as her baffled but ultimately loving husband, who goes on the longest psychological journey during the play. Staring with a seven-point plan to stop his wife from pursuing a course of action that he believes will destroy their lives, he eventually becomes her most loyal supporter, actively campaigning on her behalf. Mr. Osheroff makes his gradual change of heart believable and engaging.

All the other roles in the play are portrayed by Kevin Orton in a masterful display of physical and vocal acting techniques. In one remarkable scene he changes from Daniel Berrigan to Molly's 12 year old son in a matter of seconds with a quick alteration of vocal range and body language. Over the course of the play he takes on an wide variety of roles of different ages and sexes including, most impressively, a very pregnant friend of Molly's.

Seth Gordon's direction is clear and focused. Gianni Downs's simple set consists of a backdrop of boards attached to pipes—a reflection of Bill Rush's job in the plumbing business—with small set pieces that are easily pulled on and off, making the many scene changes quick and fluid. Mark Wilson's lights clearly delineate playing areas, and his pre show slide show of period activist images vividly evokes the anxieties of the era. Amada Werre's pre show mix of Bob Dylan classics completes the period feel.

Kevin Orton
Photo: Jerry Naunheim, Jr.
"Bad men need nothing more to compass their ends," observed John Stuart Mill in 1867, "than that good men should look on and do nothing." I can't speak for anyone else, but I came away from this production asking myself not "how could Molly Rush have done that" but rather "why haven't I done more?" This a first-rate production of a play which, if it punts the ultimate question of whether or not its heroine's sacrifice was really all that great or all that effective, nevertheless deserves to bee seen and debated.

Molly's Hammer continues through March 27 in the studio space at the Repertory Theatre of St. Louis. For more information, visit the Rep web site.

Sunday, March 13, 2016

Review: KT Sullivan and Jeff Harnar pay tribute to Sondheim at the Gaslight Cabaret Festival, March 11 and 12, 2016

Written by Steve Callahan

Share on Google+

KT Sullivan and Jeff Harnar
It was just over thirteen years ago that I was first enchanted by KT Sullivan in cabaret at the Grandel.  Now she’s back in a splendid evening at the Gaslight, a featured star in that theater’s cabaret festival.  This time she brings with her a most talented and charming partner, Jeff Harnar, in an evening of pure Stephen Sondheim.

Ms. Sullivan has long been a luminary in the world of cabaret, but she also has an impressive resume in musical theatre—on Broadway and elsewhere.  The lady retains her glamour and wit, and vocally though her vibrato is a tiny bit broader she’s certainly still in top form.  She can be warm and lush or bright and exciting.  She retains a purity of tone even when she sings in what seems to be a whisper (though it’s perfectly audible.) Her early training in opera has given her the technical skills that make her performance seem so effortless, but this—cabaret—is definitely her mètier.  She knows these songs, she loves them, and she makes that love contagious.

Jeff Harnar is a trim, dapper, personable youngish man.  His baritone voice is as smooth as supple chamois leather.  He makes a near-ideal partner for Ms. Sullivan as they lead us through a vast tapestry of Stephen Sondheim songs.

The tiny Gaslight Theater provides a wonderful intimacy.  Every syllable, every tiny graceful turn of Sondheim’s lyrics is clearly heard and understood;  this is so important with Sondheim, who showers us with wit and intellect and vocabulary, surprising little internal rhymes, and subtle, almost subliminal references. To cite just two examples: the lyric “Nature fashioned you,” occurring in a song from “Follies,” refers to “You Were Meant for Me” (1929). And “Every day a little death,” from “A Little Night Music” is perhaps only an unconscious reference to the French term for “orgasm”:  “la petite mort”.

Sullivan and Harnar treat us to some forty songs from fifteen different “pure Sondheim” shows—that is, shows in which he created both music and lyrics.  These range from the vastly popular “A Funny Thing Happened”, “Into the Woods”, “Company”, “Night Music”, “Sunday in the Park”, “Sweeney Todd” and “Follies” to far more obscure works.  Mr. Harnar does lovely work with “Live Alone and Like It” and “More” from the movie “Dick Tracy” and he introduces us to the gorgeous “Sand”, where love is ever-shifting;  it’s from the never-produced 1992 show “Singing Out Loud”.

Sullivan and Harnar give a lively vaudeville sense to “On My Left” and “Bounce” from “Road Show” which never made it to Broadway.  There’s a beautiful “Take Me to the World” from the 1966 TV film, “Evening Primrose” (based on the John Collier story story).  “The Girls of Summer” is a true gem, though it was only incidental music in a straight play.  We even get “So Many People” from 1954’s “Saturday Night”, which never opened because it’s lead died.  And as a final encore we get “How Do I Know?” which Sondheim wrote when he was fifteen!

Harnar shows himself a past master of the lightning-fast patter song, and Ms. Sullivan is a grand delight in a number from “Follies” where in portraying some Bronxy chorus girls she’s almost a ventriloquist to herself.  Together they finish “Who Wants to Live in New York” (from “Merrily We Roll Along”) by blending their voices into a most convincing train whistle.  And, tipsily sipping cocktails, they make “The Ladies Who Lunch” both funny and intensely poignant.

Throughout the evening Ms. Sullivan uses her beautiful large features—and her perceptive phrasing—to reveal the real drama in many songs.  “Send in the Clowns” was gorgeous.

Mr. Harnar gives us a skillful “Ballad of Sweeney Todd”, and “Careful the Things You Say” (from “Into the Woods);  with these I felt that a touch more rubato—placing certain words just a fraction off the beat as is commonly done—would have given more menace.

Several songs are sung by the not-expected gender:  for example Harnar sings Little Red’s “I Know Things Now” from “Into the Woods” and “Getting Married Today” from “Company”, and Sullivan sings “Pretty Women” from “Sweeney Todd”.  I know that everything is fair game in today’s gender-fluid world, but let’s face it:  a nervous groom is simply different from the cliché nervous bride, and male lustful musings are peculiarly male.

Sondheim is a very lyric-heavy songwriter.  He rarely gives us songs with what in more conventional works is called “the chorus”, where the familiar tune and words are repeated.  In this evening we utterly bathe in Sondheim—and it’s a little like an evening of beautiful, cleverly rhymed recitative.  This intimate venue and these articulate singers allow Sondheim’s lyrics to be every bit as important as his music.

As advertised it’s an evening of “pure” Sondheim—just his songs, not even the usual banter from the performers—just Sondheim.  The rule of the evening was:  “No talk!”  How refreshing!  Unlike so many cabaret singers these masters of the craft realize that the evening is not about them, it’s about the songs.

St. Louis theatre calendar for the week of March 14, 2016

[Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.]

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's events web site.

Share on Google+

This Friday through Sunday Fontbonne University Theatre Department presents Almost, Maine. Welcome to Almost, Maine, a town that's so far north, it's almost not in the United States-it's almost in Canada. One night in the middle of winter, while the northern lights hover in the sky above, Almost's residents find themselves falling in and out of love in the strangest ways. And life for the people of Almost, Maine will never be the same. Performances take place in the Fontbonne Fine Arts Theatre on Wydown. For further details about Almost Maine, www.fontbonne.edu/academics/departments/fine-arts-department/theatre-productions.

American Idiot
Photo: Jill Ritter Lindberg
New Line Theatre presents the musical American Idiot, based on the album by Green Day, Thursdays through Saturdays at 8 PM through March 26. " New Line continues its 25th season with the powerful, high-octane, rock fable AMERICAN IDIOT, based on the powerhouse album by Green Day, a scorching attack on what they saw as the hypocrisy and moral evils of the Bush Administration after the attacks of Sept. 11, as well as the increasingly submissive nature of the American public. The score includes every song from Green Day's hit album American Idiot, as well as several songs from their follow-up release, 21st Century Breakdown, with music by Green Day, lyrics by frontman Billie Joe Armstrong, a book by Armstrong and Michael Mayer, and musical arrangements and orchestrations by Broadway composer Tom Kitt (High Fidelity, Next to Normal, If/Then). The Toronto Star called the show 'the first great musical of the 21st century.'" Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

The Bissell Mansion Murder Mystery Dinner Theatre presents And Away You Go through March 27. The Bissell Mansion is at 4426 Randall Place. For more information: bissellmansiontheatre.com.

Carol Schmidt
The Cabaret Project and 88.1 KDHX present the monthly cabaret open mic night on Wednesday, March 16, from 7 to 10 PM at the Tavern of Fine Arts "Drop by and enjoy a night of great music from St. Louis cabaret artists, backed up by music director Carol Schmidt on the baby grand." The master of ceremonies is Chuck Lavazzi, senior performing arts critic at 88.1 KDHX. If you're planning to sing, be prepared to do one or two songs and bring music, preferably in your key. At least one of your two songs should be a medium-or up-tempo number. We'd also recommend that you have your song memorized. The Tavern of Fine Arts is at 313 Belt at Waterman in the Central West End. There's free parking in the lot right across the street. For more information: thecabaretproject.org.

The Lemp Mansion Comedy-Mystery Dinner Theater presents Clueless through April 16. The Lemp Mansion is at 3322 DeMenil Place. For more information: lempmansion.com

The Emerald Room Cabaret presents Taylor Pietz in #Crazy is the New Black on Wednesday, March 16, at 7:30 p.m. " We're all a little crazy sometimes. We do crazy things for love, crazy things for art, crazy things to make it all work. This show might be a little crazy too." The performance takes place in The Emerald Room at The Monocle Bar, 4510 Manchester in The Grove neighborhood. For more information: www.buzzonstage.com/st-louis.

UMSL Opera Theatre presents Purcell's Dido and Aeneas Friday at 8 p.m., Saturday at 2 and 8 p.m., and Sunday at 2 p.m., March 18-20. "UMSL's national award-winning Opera Theatre invites you to an evening of beauty, music, and dance. Join us as we sojourn to antiquity and pay homage to one of opera's most heartbreaking pair of star crossed-lovers. Be witness to fate's unbending will as Dido and Aeneas' love succumbs to deceit, pride and destiny. There will be a pre-show talk 45 minutes prior to each performance." Performances take place in the Touhill Performing Arts Center on the University of Misouri-St. Louis campus. For more information: touhill.org.

Monday, March 14, at 6:30 p.m. St. Louis Writers' Group Musical Theatre Workshop presents Ebenezer. Ebenezer is a musical with book, music, and lyrics by Mario Farwell based on "A Christmas Carol" by Charles Dickens. The musical Ebenezer reimagines the traditional tale with an Afro-American/urban slant. The performance begins at 6:30PM at the Emerald at the Monocle. For further details on Ebenezer, www.stlwritersgroup.com

Alton Little Theater presents the comedy The Foreigner Thursdays through Sundays, through March 20, at 2450 North Henry in Alton, IL. "The scene is a fishing lodge in rural Georgia often visited by "Froggy" LeSeuer, a British demolition expert who occasionally runs training sessions at a nearby army base. This time "Froggy" has brought along a friend, a pathologically shy young man named Charlie who is overcome with fear at the thought of making conversation with strangers. So "Froggy," before departing, tells all assembled that Charlie is from an exotic foreign country and speaks no English. Once alone the fun really begins, as Charlie overhears more than he should - the evil plans of a sinister, two-faced minister and his redneck associate; the fact that the minister's pretty fiancee is pregnant; and many other damaging revelations made with the thought that Charlie doesn't understand a word being said. That he does fuels the nonstop hilarity of the play and sets up the wildly funny climax." For more information, call 618.462.6562 or visit altonlittletheater.org.

Marisaa Mulder
The Presenters Dolan present Marissa Mulder in Fragments of Marilyn on Friday and Saturday, March 18 and 19, at 8 PM as part of the Gaslight Cabaret Festival. " In this utterly fascinating show, Marissa explores Marilyn Monroe, mind, heart and soul, and her journey from orphanage to celebrity's epicenter. A magical mix of real cabaret theater. The first public performance of Marilyn from one of the emergent talents in all of cabaret." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

The Presenters Dolan present Jon Weber in From Joplin to Jarrett on Sunday, March 20, at 3 PM as part of the Gaslight Cabaret Festival. " A history of jazz piano in 70 minutes, from the host of NPR's Piano Jazz." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

The Looking Glass Playhouse presents the Tennessee Williams's drama The Glass Menagerie Thursdays through Sundays through March 20. "The play revolves around a young man begrudgingly supporting the family his father has abandoned. It also features a painfully shy and slightly crippled sister character, whose preoccupation with a collection of glass animals draws her away from reality. Set against the backdrop of the Depression, the family struggles together with the past, the future, and one another." Performances take place at 301 West St. Louis Street in Lebanon, Ill. For more information, visit www.lookingglassplayhouse.com.

The Improv Shop presents Heartbreak running through March 19. "Heartbreak is an improvised serial show where we explore, in depth, the stages of doomed relationships. Watch characters go from strangers to friends, friends to lovers, and from lovers to heartbreakers. Heartbreak. It doesn't happen all at once." The Improv Shop is at 510 North Euclid in the Central West End. For more information on this and other Improv Shop shows: theimprovshop.com.

If/Then
Photo: Joan Marcus
The Fox Theatre presents the musical If/Then opening on Tuesday, March 15, and running through March 27. "IF/THEN is a contemporary Broadway musical about living in New York today - and all the possibilities of tomorrow. With unforgettable songs and a deeply moving story by the Pulitzer Prize and Tony Award®-winning creators of Next to Normal, this "fascinating, ambitious, and original new musical" (New York Post) simultaneously follows one woman's two possible life paths, painting a deeply moving portrait of the lives we lead, as well as the lives we might have led." The Fox is on North Grand in Grand Center. For more information: fabulousfox.com.

The Repertory Theatre of St. Louis presents the world premiere of Molly's Hammer through March 27. "Molly Rush was focused on the endgame- save the world, protect her family. But what would she have to sacrifice? In 1980, the Pittsburgh housewife and mother of six walked into a General Electric plant and took a hammer to a nuclear warhead to protest the buildup of America's nuclear arsenal. Based on the true story of the Plowshares Eight, Molly's Hammer is the world-premiere account of one woman's unwavering beliefs and her family's desperate attempts to protect her from infamy." Performances take place in the studio theater at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

Kirkwood Theatre Guild presents comedy The Murder Room through March 20. "Mavis Templeton Hollister returns home from an evening out surprised to find her new husband, Edgar Hollister, still alive. He, in turn, is surprised that she claims to have attended a church meeting that he knows for a fact had been cancelled. Edgar questions Mavis about her whereabouts but his interrogation stops abruptly when she pulls out a gun and shoots him. Chaos ensues when it comes to light that the gun was shooting blanks and Edgar's body has vanished. This hilarious spoof of crime thrillers has all the features of the classic whodunits with a spooky, old house, surprise relatives, a poisoned cat, and, of course, secret panels." Performances take place in the Robert G. Reim Theatre of the Kirkwood Community Center, 111 South Geyer Road. For more information, call 314-821-9956 or visit ktg-onstage.org.

Peabody Opera House presents the one-woman musical A Night With Janis Joplin Friday through Sunday, March 19-20. "Fueled by such unforgettable songs as "Me and Bobby McGee," "Piece of My Heart," "Mercedes Benz," "Cry Baby" and "Summertime," a remarkable cast and a breakout performance by Mary Bridget Davies, A NIGHT WITH JANIS JOPLIN, written and directed by Randy Johnson, is a musical journey celebrating Janis and her biggest musical influences-icons like Aretha Franklin, Etta James, Odetta, Nina Simone and Bessie Smith, who inspired one of rock & roll's greatest legends." The Peabody is at 14th and Market streets, downtown. For more information, visit peabodyoperahouse.com or call 314-622-5420.

Old Wicked Songs
Photo: Eric Woolsdy
New Jewish Theater presents the Old Wicked Songs March 17 - April 3 "Hoping to reconnect with his music and shatter the artistic block that has plagued his career, a young American piano prodigy travels to Vienna in the spring of 1986. He is assigned to a vocal teacher who gives him the "Dicheterliebe" song cycle by Robert Schumann. Marans incorporates the poetry of Heinrich Heine and the music of Robert Schumann into the series of events. Through the sessions between the two men, Marans creates a link between two generations who find they much more in common than they think. This is the inspirational journey of two very different men who, with music as their one common bond, must find a way to break through their pasts." Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

This Friday, Saturday and Sunday First Run Theater is holding its annual Play Reading Festival. This festival showcases original scripts by St. Louis playwrights interested in seeing their work produced on a state-of-the-art stage; all readings are open to the public. The performances take place in the theatre on the campus of DeSmet Jesuit High School on Ballas Road in Creve Coeur. For more information on First Run Theater's Play Reading Festival, firstruntheatre.com

On Saturday afternoon the Repertory Theatre of St. Louis Ignite! New Play Festival presents Replica. In the near future, a terminally ill woman volunteers for an experimental procedure that will allow her memories and personality to live on in her clone. The performance begins at 2:00PM at inside the Opera Center at Opera Theatre of St. Louis, on Hazel Avenue in Webster Groves. For more information about Saturday's performance of Replica repstl.org

The Repertory Theatre of St. Louis presents Satchel Paige and the Kansas City Swing March 16 - April 10. "The crack of the bat, the roar of the crowd-it's what every baseball player dreams of. In 1947, Jackie Robinson had broken baseball's color barrier, while Satchel Paige and his Negro League All-Stars were barnstorming against their white counterparts in the Majors. It was baseball by day and jazz by night as the impassioned and devoted players tried to find their place in a country on the verge of change." Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

The Wildey Theater presents Sister's Easter Catechism: Will My Bunny Go To Heaven? on Friday and Saturday, March 18 and 19. "Celebrate the Easter Season with Sister as she answers the time worn questions of the season like "Why isn't Easter the same day every year like Christmas?" and "Will My Bunny Go To Heaven?" Part pageant, and wHOLY hysterical, this latest of the sinfully funny Late Nite Catechism series unearths the origins of Easter bunnies, Easter eggs, Easter bonnets, Easter baskets, and of course those yummy Easter Peeps. Sister answers questions about pet heaven and the significance of those adorable baby chicks! Classroom participation is a must, so don't forget to wear your Easter bonnet and join Sister for this seasonal treat!" The Wildey Theatre is at 252 North Main Street in Edwardsville, Illinois. For more information, visit wildeytheatre.com.

Tammy McCann
The Presenters Dolan present Tammy McCann in The Storytellers - Sarah, Ella, Dinah and Billie on Thursday, March 17, at 8 PM as part of the Gaslight Cabaret Festival. " Tammy McCann has been named Best Jazz Vocal Performance for several years by the Chicago Tribune. She is an internationally recognized jazz vocalist whose powerful, sultry, and emotionally charged voice paints pictures and tells stories by merging classical vocal technique and a Gospel aesthetic with jazz to create a sound that is completely her own." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

The Tavern of Fine Arts presents Tim Schall's Cabaret Party on Friday, March 18, at 8 p.m. "Hosted by Tim Schall with Carol Schmidt at the piano, this promises to be fun, lively and entertaining - a musical party with Tim, Carol and their talented friends- each singing lots of tunes for you! The guests that will sing their hearts out on March 18 include: Mara Bollini, Meghan Kirk, Ben Nordstrom and Tim and Carol, of course. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

Clayton Community Theatre presents Clare Boothe Luce's The Women Thursdays through Saturdays at 8 p.m. and Sundays at 2 p.m., through March 20. "This witty comedy of manners follows a group of women through the perils of adultery, divorce, and finding a unique voice in a sea of gossip and innuendo. The 1936 play continues to echo a relevant look in the complex nature of relationships." Performances take place at the Washington University South Campus Theatre. For more information, call 314-721-9228 or visit placeseveryone.org.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

St. Louis classical calendar for the week of March 14, 2016

The Chamber Project St. Louis
The Chamber Project St. Louis presents Divine on Wednesday, March 16, at 7:30 PM. "Heaven and earth intersect with this program highlighting Schubert’s String Quintet, often regarded as the pinnacle of chamber music, composed to express the universality of the human condition. Stabat Mater for soprano and string quartet by Virgil Thomson compliments and rounds out the program. We return to The Chapel for this intimate and beautiful program." The performance takes place at The Vino Gallery 4701 McPherson in the Central West End. For more information: www.chamberprojectstl.org

The Pulitzer Arts Foundation presents members of the St. Louis Symphony performing the Piano Sonata No. 3 by Pierre Boulez and The Companion Guide to Rome by Andrew Norman on Wednesday, March 16, at 7:30 p.m. The performance takes place in the newly renovated space at the Pulitzer Arts Foundation, 3716 Washington. For more information: stlsymphony.org.

The St. Louis Symphony’s Crescendo Circle presents Sips and Symphonies, featuring a discussion/presentation on Mussorgsky's Pictures at an Exhibition, on Thursday, March 17 at 7:00 PM. "What is Sips and Symphonies? It is a great way to learn about music in a fun, casual environment." A special cocktail is created for each event to accompany the music. The event takes place at The Tavern of Fine Arts, 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

David Halen
Jun Märkl conducts the St. Louis Symphony Orchestra in music by Beethoven and Schumann Friday at 10:30 a.m., Saturday at 8 p.m., and Sunday at 3 p.m., March 18-20. "Concertmaster David Halen will display his "singing tone and superior technique" (St. Louis Post-Dispatch), with the sweeping melodies and virtuosic finale of Beethoven’s Violin Concerto, a performance certain to bring St. Louis audiences to their feet. Schumann’s "Rhenish" Symphony paints a romantic landscape of the Rhine region in Germany, written just after the composer’s peaceful visit to the region." Performances take place at Powell Symphony Hall, 718 North Grand. For more information: stlsymphony.org.

Steven Jarvi conducts the St. Louis Symphony Youth Orchestra in music by Tchaikovsky and Bernstein, along with winners of the orchestra's annual Concerto Competition, on Friday, March 18, at 8 p.m. "The STL Symphony Youth Orchestra represents some of St. Louis’ most talented young musicians—join them in their second concert of the season at Powell Hall featuring the winners of the annual Concerto Competition!" The performance takes place at Powell Symphony Hall, 718 North Grand in Grand Center. For more information: stlsymphony.org.

Second Presbyterian Church presents a Palm Sunday Concert on Sunday, March 20, at 4 p.m. "Soprano Angel Riley and pianist Andrew Peters present a concert for Palm Sunday. A student at DePauw University in Greencastle, Indiana, Riley has been a guest soprano with The Metropolitan Orchestra of St. Louis. Free and open to the public." The church is at 4501 Westminster Place in the Central West End. For more information: secondchurch.net.

The Tavern of Fine Arts presents a classical open stage night on Monday, March 14, from 7:30 – 9 PM. "Come by yourself or bring your quartet. Sight read through a Beethoven quartet or use this as an opportunity to put the finishing touches on that Hindemith Viola Sonata you have been working on. All ages and skill levels are welcome. We have a 6' grand piano and an accompanist." The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

Jeffrey Noonan
The Tavern of Fine Arts presents tenor Jeffrey Gonder and pianist Jocelyn Rugaber in a pre-St. Patrick's Day concert on Tuesday, March 15, at 8 p.m. The concert features ballads, folk songs, and piano solos about and from the Emerald Isle. Concert favorites, show tunes, and arias will also be featured. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

The Tavern of Fine Arts presents Jeffrey Noonan performing French music for lute, baroque guitar and theorbo on Saturday, March 19, at 8 p.m. The concert includes music by Vallet, Gaultier, and de Visee. The Tavern of Fine Arts is at 313 Belt in the Debaliviere Place neighborhood. For more information: tavern-of-fine-arts.blogspot.com.

Review: Leonard Slatkin brings home the passion of Berlioz's "Romeo et Juliette" Friday and Saturday, March 11 and 12, 2016

Leonard Slatkin
Photo: Alexander Ivanov / leonardslatkin.com
Even if I hadn't seen the video blog in which St. Louis Symphony Conductor Laureate Leonard Slatkin named Berlioz's 1838 Roméo et Juliette, Symphonie dramatique (op. 17) as one of his favorite works to conduct, I would have guessed as much from the fierce joy and commitment of the interpretation he gave this monumental work with the SLSO Orchestra and Chorus Friday night (March 11, 2016). If you'll pardon the expression, he and his forces completely killed it.

If you've never seen this remarkable mashup of symphony, oratorio, and opera performed live—and there's a good chance you haven't, given what a big undertaking it is—I hope you had a chance to experience this. With over 100 musicians on the stage and over 80 (by my count) in the chorus, this is a work which, while massive in scope, has moments of real delicacy and intimacy. Maestro Slatkin's interpretation was beautifully shaped and dramatically compelling, and the musicians played and sang with real perfection.

Tenor Sean Panikkar's description of Queen Mab in the second movement's "Grande fête chez Capulet" (essentially, "big party the Capulet's place") was delightfully droll. Mezzo Kelley O'Connor expertly captured the ecstasy of young love in the first movement's "Strophes," assisted by Allegra Lilly's flowing harp. And bass Renaud Delaigue was the passionate voice of morality in the imposing choral finale. Both the full chorus and the smaller chamber chorus that is featured in the first two movements sang with the power and clarity I have come to expect from them.

Maestro Slatkin's interpretation got off to a dramatic start, adopting a strikingly brisk tempo for the opening "Combats" section, which portrays the war between the Montagues and the Capulets with rapid-fire thrusts and parries from the strings and brasses. It proved to be emblematic of an overall approach that brought out all the drama in Berlioz's music.

The orchestra responded with some of the finest playing of the season, from the unearthly violin harmonics in the famous "Queen Mab" scherzo that makes up the fourth movement to the powerful brass declarations that announce the intervention of the Prince in the first. There were many impressive solo passages as well, such as Jelena Dirk's haunting oboe melody in the "Tristesse" ("sadness") section of the second movement and Principal Clarinet Scott Andrews's dramatic depiction of Juliet's awakening in the sixth movement.

The SLSO's Roméo et Juliette is history now, but the season continues this Friday through Sunday (March 18-20) as Jun Märkl conducts a program the features Schumann's Symphony No. 2 ("Rhenish") and Beethoven's Violin Concerto with Concertmaster David Halen as soloist. There's also a Pulitzer Series concert Wednesday at the Pulitzer Arts Center. For information these and other upcoming SLSO events, check out the web site.

Review: Live long and prosper with "Star Trek: The Ultimate Voyage"

Justin Freer and the orchestra
Photo: Erika Goldring, startrekultimatevoyage.com
It's a concert! It's a movie! It's Star Trek: The Ultimate Voyage 50th Anniversary Concert Tour, and it played the Fox for one night only this past Wednesday (March 9, 2016).

It's also a really long title, but maybe that's appropriate given the longevity of the Trek franchise. I know when I first started watching the series back in 1966, it never would have occurred to me that it would still be around a half-century later. I expected personal jet packs and robot maids, but a fiftieth anniversary concert tour with a 30-piece symphony orchestra and clips from five Trek TV shows and eight (or was it nine) feature films on a 40-foot screen? Now that would have been fanciful!

Produced by CineConcerts and written by the company's co-founder Randy Beaubien, Star Trek: The Ultimate Voyage is a lively multi-media romp through the franchise's various media incarnations. Segments focus on the captains and crews of the Trek TV shows, with the heaviest emphasis on the original series, Next Generation and Deep Space Nine, along with the more popular movies.

That means lots of footage from (say) ST II: The Wrath of Kahn, ST IV: The Voyage Home, and ST VI: The Undiscovered Country but not so much from stinkers like ST V: The Final Frontier. There are even clips from the reboot film Star Trek Into Darkness. Editor David H. Tanaka has chosen the segments well and seamlessly edited them together into scenes that don't always make dramatic sense but which do complement the music perfectly.

And this is, ultimately, all about the music. Under the assured baton of composer, conductor, and film music specialist Justin Freer, the orchestra delivers two hours of some of the best Trek TV and film music, much of it from the pens of noted composers such as Jerry Goldsmith, James Horner, and Michael Giacchino. My favorite segment was the loving video tribute to the various incarnations of the Enterprise set, appropriately, to the "Enterprise" segment from the first Star Trek film.

When Star Trek: The Ultimate Voyage 50th Anniversary Concert Tour comes to your city, you'll probably have your favorites as well. You can find a complete list of tour dates and locations  at the tour web site. If you're a Trek fan, you won't want to miss this reminder of how a risky low-budget SF show from Lucille Ball and Desi Arnaz's Desilu Productions went on to live long and prosper.

Thursday, March 10, 2016

Chuck's Choices for the weekend of March 11, 2016

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

Share on Google+:

New This Week:

American Idiot
Photo: Jill Ritter Lindberg
New Line Theatre presents the musical American Idiot, based on the album by Green Day, Thursdays through Saturdays at 8 PM through March 26. " New Line continues its 25th season with the powerful, high-octane, rock fable AMERICAN IDIOT, based on the powerhouse album by Green Day, a scorching attack on what they saw as the hypocrisy and moral evils of the Bush Administration after the attacks of Sept. 11, as well as the increasingly submissive nature of the American public. The score includes every song from Green Day's hit album American Idiot, as well as several songs from their follow-up release, 21st Century Breakdown, with music by Green Day, lyrics by front man Billie Joe Armstrong, a book by Armstrong and Michael Mayer, and musical arrangements and orchestrations by Broadway composer Tom Kitt (High Fidelity, Next to Normal, If/Then). The Toronto Star called the show 'the first great musical of the 21st century.'" Performances take place at the Marcelle Theater, 3310 Samuel Shepard Drive, three blocks east of Grand, in Grand Center. For more information, visit newlinetheatre.com or call 314-534-1111.

My take: As you can see from the description of this show, it could hardly be more relevant during the current primary campaign season, especially in light of the Republican Party's slide into drooling insanity. In her review for KDHX, Tina Farmer says this "is a fantastic production, and several scenes flash with brilliance. The cast are uniformly strong singers and the interpretations of the songs are spot on. " At Ladue News, Mark Bretz says "New Line’s presentation superbly captures the musical essence of the album and show as well as making the most of the straightforward plot."

Sun Theater
Amanda Honigfort / St. Louis Public Radio
The Gateway Men's Chorus presents Dear Future Husband Friday and Saturday, March 11 and 12, at 8 p.m. "Celebrating the landmark Supreme Court decision the men will treat audiences to the struggles and triumphs of the march to Marriage Equality, including the world premiere of two pieces written exclusively for Gateway Men's Chorus." The performances take place at the Sun Theater in Grand Center. For more information: gmcstl.org.

My take: With the Missouri legislature displaying its contempt for the law of the land these days, the GMC's latest show is both timely and welcome. And the newly-rehabbed Sun Theater looks very cool inside.

R-S Theatrics presents Pirates!, its fifth annual KIDaret fund raiser, on Saturday, March 12, at 7 PM. "Bring your favorite swashbucklers, or just grab a friend from a deserted island and come enjoy some of our favorite members of the R-S family singing fun, non-lame, family-friendly tunes. We at R-S believe that art is important at every age, so don't worry about getting a sitter - bring the kids along!" The performance takes place at Bethel Fellowship Hall located at 7001 Forsyth. For more information: r-stheatrics.com

My take: R-S is a company worth supporting for its daring choices (they took on the local premiere of Jason Robert Brown's Parade, for example) and the performers in this show always constitute a nice cross section of local theatre talent. Should be fun, and certainly less pricey than the Fox's Beauty and the Beast as a family night out.

KT Sullivan and Jeff Harnar
The Presenters Dolan present KT Sullivan and Jeff Harnar in A Sondheim Montage on Friday and Saturday, March 11 and 12, at 8 PM as part of the Gaslight Cabaret Festival. "Manhattan standouts KT Sullivan and Jeff Harnar take on one of the greats. Nominated for 5 BroadwayWorld.com Awards. Recently filmed by PBS. They're prepping in St. Louis for a theatrical run in NY. Hauntingly good." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: KT Sullivan is a singing actress of considerable skill and, with a golden, flexible voice and engaging manner, Mr. Harnar is perhaps the ideal cabaret performer. Together I think we can expect great things from them, especially given the fact that Stephen Sondheim is one of the giants of late 20th/early 21st century musical theatre.

Wednesday, March 09, 2016

Symphony Preview, March 11 and 12, 2016: Berlioz stalks Shakespeare

Leonard Slatkin
Photo: Niko Rodamel
The St. Louis Symphony's month-long Shakespeare Festival comes to a grand conclusion this Friday and Saturday with a complete performance of Hector Berlioz's "dramatic symphony" "Roméo et Juliette" with SLSO Conductor Laureate Leonard Slatkin at the podium. Never has a stalking incident had such a musically important outcome.

The stalking incident in question isn't the fictional one in Shakespeare's play but rather the real one in the life of Berlioz. It all began in 1827 when he saw the Irish actress Harriet Smithson as Ophelia in a highly edited production of "Hamlet" by the actor Charles Kemble (who also played Hamlet) at the Odéon in Paris. Although considered a somewhat mediocre performer in Britain, she bowled the French over with her sensitive "mad" scene and completely transfixed poor Berlioz, even though he didn't understand a word of English.

"Shakespeare, coming upon me unawares," wrote Berlioz in his "Memoirs," "struck me like a thunderbolt. The lightning flash of that discovery revealed to me at a stroke the whole heaven of art, illuminating it to its remotest corners. I recognized the meaning of grandeur, beauty, dramatic truth...I saw, I understood, I felt...that I was alive and that I must arise and walk."

His infatuation with Shakespeare, however, was lukewarm compared to his adoration of Smithson. He sent her letters. He sent hand-delivered notes. He did everything but mail himself to her in a box like poor Waldo in the Velvet Underground's "The Gift". The depth of his obsession can be seen in a letter he sent to his friend Ferdinand Hiller (quoted on Melissa Ide and Leslie Merriman's Interdisciplinary Shakespeare site):
... today it is a year since I saw HER for the last time_________oh! unhappy woman! how I loved you...trembling I write, HOW I LOVE YOU! If there is another world shall we find each other again?...Shall I ever see Shakespeare? Will she know me?...Will she understand the poetry of my love?...oh! Juliet, Ophelia, Belvidera, Jane Shore, names that hell repeats unceasingly..."
"Oh! sublime ones! sublime ones! annihilate me! summon me to your golden clouds! deliver me!..."
"Go, go Henriette Smithson and Hector Berlioz will be reunited in the oblivion of the tomb, which will not prevent other unhappy ones from SUFFERING AND DYING."
Today he would have been hit with a restraining order. Instead, he wrote his "Symphonie Fantastique" and continued to pursue her, even going to far as to threaten to kill himself with an opium overdose if she didn't marry him. In 1833, after seeing a performance of "Lélio" (Berlioz's rarely-performed sequel to the "Symphonie Fantastique"), she finally agreed, but they did not live happily ever after. The marriage fell apart after a decade and both Smithson's health and fortunes went into decline.

Charles Kemble and Harriet Smithson
as Romeo and Juliet
By Francis (François-Antoine Conscience)
Berlioz's love affair with Shakespeare never wavered though, and "Roméo et Juliette" is undoubtedly the greatest product of that love. Composed largely in 1838 to a libretto by poet Émile Deschamps, it's a grand mashup of opera, oratorio, and symphony that both looks backward to Beethoven's monumental "Symphony No. 9" and forward to the integrated music dramas of Wagner. In fact, the latter's "Tristan and Isolde" owes quite a bit to "Roméo et Juliette"—a debt Wagner acknowledged when he sent Berlioz a copy of the "Tristan" score with the following dedication: "Au grand et cher auteur de Roméo et Juliette, l'auteur reconnaissant de Tristan et Isolde" ("To the great and dear author of Romeo and Juliet, from the grateful author of Tristan and Isolde").

"Berlioz claimed not to understand Wagner’s 'strange thing,'" writes Renée Spencer Saller in her program notes. "Nine years after the Frenchman’s death, Wagner named a pet rooster 'Berlioz.'" Sic transit gloria mundi.

But I digress.

"Roméo et Juliette" is a big piece in every possible way. It's in seven movements, runs around ninety minutes, and calls for over 100 musicians and a full chorus. It's grand in scope and brilliant and innovative in its orchestration. Which is what you would expect given that, as Ms. Saller reminds us in her notes, Berlioz "literally wrote the book on orchestration. His Grand traité d’instrumentation et d’orchestration moderne was originally published as 16 booklets beginning in late 1841."

There's no reason for me to provide a detailed description of the program of "Roméo et Juliette" here since Ms. Saller has already done a very thorough job in her notes. I'll just point out that it's an unfailingly colorful, gripping, and wholly original piece of music drama with a remarkable choral finale in which the Montagues and Capulets reconcile in a way only hinted at in the play. It's Berlioz's "Romeo and Juliet," not Shakespeare's, but no less compelling for all that.

In a video blog on the SLSO YouTube channel, Maestro Slatkin describes "Roméo et Juliette" as one of his ten favorite works to conduct "because it has all the elements that make this composer great. It's symphonic in scope. There's a chorus. There are three soloists. There are incredibly inventive sounds—sounds that were occurring just after Beethoven had died, and yet there's no comparison between these two composers musically. 'Romeo and Juliet' is one of the wonders of the musical world".

The essentials: Leonard Slatkin conducts the St. Louis Symphony Orchestra and Chorus in Berlioz's "Roméo et Juliette" Friday and Saturday at 8 p.m., March 11 and 12. Performances take place at Powell Symphony Hall, 718 North Grand. For more information, visit the SLSO web site.