St. Louis theatre calendar for the week of April 5th, 2021

Now including both on-line and live events during the pandemic. To get your event listed here, send an email to calendar [at] stageleft.org.

Arts for Life presents an on-demand video stream of their fifth annual Theatre Mask Awards, honoring excellence in community theatre productions during 2020, on their YouTube channel. Act Two Theatre’s production of the farce “Who’s in Bed with the Butler?” leads this year’s Theatre Mask Awards nominations with nine. Alton Little Theater, with its two productions of “Inherit the Wind” and “The Miracle Worker,” earned 12 nominations in total – six for each. Two classic comedies by Clayton Community Theatre, “The Philadelphia Story,” and Monroe Actors Stage Company, “The Solid Gold Cadillac,” both received eight nominations apiece. Arts For Life announced the TMA nominations on March 12, during the nonprofit organization’s first-ever virtual trivia night. For more information: www.artsforlife.org

The Black Mirror Theatre Company presents Nuts and Bolts: Playwriting 101, an interactive, 6-week introductory class on Zoom, Thursdays from 7 to 9 pm through May 6. "Are you interested in writing your first short play, improving your playwriting basics or simply joining a short-term writing group to give your skills a spring work out?Join local playwright Michelle Zielinski in an exploration of the elements that make a good play." For more information, send emtil to blackmirrortheatrestl [at] gmail.com

The Blue Strawberry presents Open Mic Night with Sean Skrbec and Patrick White Sundays at 7 pm. "Come on down and sing, come on down to play, or come on down to listen and enjoy." The club is operating under a "COVID careful" arrangement with restricted indoor capacity, mask requirements, and other precautions. The Blue Strawberry is on North Boyle in the Central West End. For more information: bluestrawberrystl.com.

Sister City Circus

Circus Harmony in St. Louis and Circus Circuli in Stuttgart, St. Louis's German sister city, present Sister City Circus, on Circus Harmony’s YouTube page.  "Through a series of online meetings, workshops, and classes the two troupes created 6 different circus acts and then filmed them at iconic architectural locations in each of their cities." This and many other Circus Harmony videos are available at the Circus Harmony YouTube channel.

Fly North Theatricals presents three new free digital series. Their new digital line up includes The Spotlight Series, the Grown-Up Theatre Kids Podcast, and Gin and the Tonic. The Spotlight Series highlights the Fly North family of students and actors performing songs from previous FNT shows. In the Grown-Up Theatre Kids podcast you can join Colin Healy and Bradley Rohlf every other Friday as they explore life after drama club and what it means to make a living in theatre far from the lights of broadway. Gin and the Tonic is a "reckless unpacking of music history’s weirdest stories hosted by Colin Healy.” The Spotlight Series and Gin and the Tonic are available at the Fly North Theatricals YouTube channel and the Grown-Up Theatre Kids podcast can also be found on Spotify, Apple Podcasts, Sticher, other podcast platforms. All three are updated on a bi-weekly (every other week) basis.

The Lemp Mansion Murder Mystery Dinner Theatre presents A Fistful of Hollers through May 8. "Gun slingers, dance hall girls, cowboys, gold diggers, cowboy boots and ten-gallon-hats will abound. Rowdy cowboys will duel to the death as the crooked sheriff watches with glee. But none of these characters are as dangerous as Nasty Nate, he’s the orneriest gun in the west and word is that he’s going to be stirring up trouble at the Lemp Mansion." The Lemp Mansion is at 3322 DeMenil Place in south city. For more information: www.lempmansion.com

Lindenwood University Theatre presents an on-demand streamed performance of the musical Urinetown from 10 am Friday to 11:45 pm Saturday, April 9 and 10. "Winner of three Tony Awards, three Outer Critics Circle Awards, two Lucille Lortel Awards and two Obie Awards, Urinetown is a hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, bureaucracy, corporate mismanagement, municipal politics and musical theatre itself!" For more information: https://www.showtix4u.com/event-details/49346

Moonstone Theatre Company presents Moonstone Connections, a series of in-depth interviews with arts leaders by company founder Sharon Hunter. New episodes air the third Tuesday of each month; see linktr.ee/moonstoneconnections for more information.

The Muny presents Attuned: Cast Me at the Muny, a nine-part podcast that "showcases audition tips and funny stories, while offering an inside look at what makes casting a Muny show so challenging." The series is available on demand at the Classic 107.3 web site. For more information: classic1073.org/podcasts

Opera Theatre of St. Louis presenss Belonging in Opera: Learning from Our Past, Engaging with Our Future, an online symposium Tuesdays from 5:30 to 7:30 pm, April 6th and 13th. "Explore the rich canon of Black composers and engage in discussion about inclusion and equity within opera with current Black composers, artists, and administrators. Led by Dr. Naomi André, University of Michigan professor and author of Black Opera: History, Power, Engagement, this educational and inspiring series is free to all and will be livestreamed on OTSL’s Facebook and YouTube channels." For more information: opera-stl.org/belonging

Pathway

The Performing Arts Department at Washington University presents the MFA Student Dance Concert: Pathway via on-demand video through April 11. "This dance concert takes us on a journey that combines three distinct paths. One moves us through the world of grief, the powerful rollercoaster of human emotions. The next takes us on the passage of both the power and grace of Muslim women.  In the final piece, we are immersed in the force of our neglect of Nature and her rebellious response." For more information: edison.wustl.edu

The Repertory Theatre of St. Louis, in collaboration with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company, present Play at Home, a series of micro-commissioned short plays from some of the American theatre's most exciting and prominent playwrights. These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

Adena Varner and family

The Repertory Theatre of St. Louis presents a live video stream of the WiseWrite Digital Play Festival running until the end of the Rep's 2020-2021 season. “Step into the imagination of three young playwrights as The Rep presents professional readings of their new plays.” The production is directed by Adena Varner, the Rep's Director of Learning and Community Engagement. For more information: repstl.org.

Deal Orlandersmith in
After the Flood

The Repertory Theatre of St. Louis and All Arts present Until the Flood, written and performed by Dael Orlandersmith, via on-demand streaming. "On August 9, 2014, Darren Wilson, a white police officer, shot and killed Michael Brown, an African American teenager in Ferguson, Missouri. The shooting ignited weeks of social unrest, propelled the Black Lives Matter movement and prompted a controversial investigation by the U.S. Department of Justice. Celebrated writer, performer and Pulitzer Prize finalist Dael Orlandersmith traveled to St. Louis and conducted interviews with dozens of people who were grievously shaken by Brown’s shooting and the turbulent aftermath. From these intimate conversations, Orlandersmith created eight unforgettable characters who embody a community struggling to come to terms with the personal damage caused by these events." For more information: allarts.org

The Repertory Theatre of St. Louis presents Woolly Mammoth Theatre Company’s production of Human Resources, created by Telephonic Literary Union, on demand through April 11. "Together with the Woolly Mammoth Theatre Company and Telephonic Literary Union, The Rep presents a unique and interactive audio experience. Dial the hotline to access a menu of unexpected options, in a playful twist on the all-too-familiar customer service phone maze. Featuring new works by playwrights Brittany K. Allen, Christopher Chen, Hansol Jung and Zeniba Now, Human Resources invites callers to chart their own journey. Whether you're looking for self-knowledge, witness, or deliverance, help is only a phone call away." For more information: repstl.org.

R-S Theatrics presents While the Ghostlight Burns, a virtual discussion series featuring R-S Artistic Director Sarah Lynne Holt in conversation with St. Louis theatre artists, Mondays at 7 pm.  Conversations will be archived at the R-S Theatrics YouTube channel. For more information: r-stheatrics.com/while-the-ghostlight-burns.html

Come Together

The St. Louis Shakespeare Festival presents streaming videos from the SHAKE20 festival, including re-imagined, condensed versions of classic Shakespeare plays and new takes on old favorites like Joe Hanrahan's Come Together, at the Shakespeare Festival Facebook page at www.facebook.com/pg/STLShakesFest/videos

SATE, in collaboration with COCA and Prison Performing Arts, presents Project Verse: Creativity in the Time of Quarantine. Project Verse presents two new plays: Quatrains in Quarantine by e.k. doolin and Dream On, Black Girl: Reflections in Quarantine by Maxine du Maine. The performances are streamed free of charge on SATE’s website and Facebook page. For more information: slightlyoff.org.

Classic Mystery Game

SATE also offers streaming performances of the shows originally scheduled for live 2020 productions: The Mary Shelley Monster Show, As You Like It (produced for SHAKE20, Project Verse, and Classic Mystery Game. The shows are available on their YouTube channel.
 
Union Avenue Opera offers Sneak Peeks of its 2021 season operas Il barbiere di Siviglia (The Barber of Seville), Les Contes d'Hoffmann (The Tales of Hoffmann) and The Cradle Will Rock on its YouTube channel.

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's Events Calendar.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

St. Louis theatre calendar for the week of March 29, 2021

Now including both on-line and live events during the pandemic. To get your event listed here, send an email to calendar [at] stageleft.org.

The Black Mirror Theatre Company presents Nuts and Bolts: Playwriting 101, an interactive, 6-week introductory class on Zoom, Thursdays from 7 to 9 pm, April 1 - May 6. "Are you interested in writing your first short play, improving your playwriting basics or simply joining a short-term writing group to give your skills a spring work out?Join local playwright Michelle Zielinski in an exploration of the elements that make a good play." For more information, send emtil to blackmirrortheatrestl [at] gmail.com

The Blue Strawberry presents Open Mic Night with Sean Skrbec and Patrick White Sundays at 7 pm. "Come on down and sing, come on down to play, or come on down to listen and enjoy." The club is operating under a "COVID careful" arrangement with restricted indoor capacity, mask requirements, and other precautions. The Blue Strawberry is on North Boyle in the Central West End. For more information: bluestrawberrystl.com.

The Stephounds

The Blue Strawberry presents The Stephounds, starring musicians and tap dancers Anthony J. Russo and Justin Myles in an evening of World-Class Tap on Thursday, April 1, at 7:30 pm. "Both Anthony and Justin are alumni of worldwide, multi-year tours of Tap Dogs, the  hugely popular ode to tap, which the New York Observer called “Positively Electrifying.” Justin toured for years - as the lead - in worldwide phenomenon and mega-hit STOMP, making hypnotic, percussive music and theater with brooms, newspapers and garbage-can lids. Anthony has performed with Cirque de Soleil, and toured Europe with Rock The Ballet." The club is operating under a "COVID careful" arrangement with restricted indoor capacity, mask requirements, and other precautions. The show will also be available via live video stream. The Blue Strawberry is on North Boyle in the Central West End. For more information: bluestrawberrystl.com.

Sister City Circus

Circus Harmony in St. Louis and Circus Circuli in Stuttgart, St. Louis's German sister city, present Sister City Circus, on Circus Harmony’s YouTube page.  "Through a series of online meetings, workshops, and classes the two troupes created 6 different circus acts and then filmed them at iconic architectural locations in each of their cities." This and many other Circus Harmony videos are available at the Circus Harmony YouTube channel.

Fly North Theatricals presents three new free digital series. Their new digital line up includes The Spotlight Series, the Grown-Up Theatre Kids Podcast, and Gin and the Tonic. The Spotlight Series highlights the Fly North family of students and actors performing songs from previous FNT shows. In the Grown-Up Theatre Kids podcast you can join Colin Healy and Bradley Rohlf every other Friday as they explore life after drama club and what it means to make a living in theatre far from the lights of broadway. Gin and the Tonic is a "reckless unpacking of music history’s weirdest stories hosted by Colin Healy.” The Spotlight Series and Gin and the Tonic are available at the Fly North Theatricals YouTube channel and the Grown-Up Theatre Kids podcast can also be found on Spotify, Apple Podcasts, Sticher, other podcast platforms. All three are updated on a bi-weekly (every other week) basis.

The Gateway Men's Chorus presents Indivisible via live video stream on Friday and Saturday, April 2 and 3, from 7-9 pm. The program will recorded and remain available on demand for the following 24 hours. "For many within the gay community, our families stood for the tenets of our country and defended its ideals in theaters of war and conflict. Many of us felt the need to follow in the footsteps of our family in the opportunity to lay down life and liberty to make the world a better place. Unfortunately, whether masked in bigotry, veiled under the premises of “Don’t Ask, Don’t Tell” or blatantly stated in the ban of transgender troops, the U.S. Military has often left LGBT citizens at the sidelines. Join Gateway Men's Chorus as we examine Don't Ask Don't Tell through a musical lens in time to celebrate the 10th anniversary of its repeal." For more information: www.gmcstl.org

The Lemp Mansion Murder Mystery Dinner Theatre presents A Fistful of Hollers through May 8. "Gun slingers, dance hall girls, cowboys, gold diggers, cowboy boots and ten-gallon-hats will abound. Rowdy cowboys will duel to the death as the crooked sheriff watches with glee. But none of these characters are as dangerous as Nasty Nate, he’s the orneriest gun in the west and word is that he’s going to be stirring up trouble at the Lemp Mansion." The Lemp Mansion is at 3322 DeMenil Place in south city. For more information: www.lempmansion.com

Jacked!

Metro Theatre Company presents Jacked! streaming on demand through March 31. "From playwright Idris Goodwin (Ghost, And in this Corner: Cassius Clay) comes the Jack and the Beanstalk story with a modern-day twist. And it’s not just the story that has a fresh take. This all-new virtual production fuses storytelling and poetry with a smart, moving hip hop score and hand-drawn animation based on visuals by artist Nick Kryah – exploring the imaginative boundaries of theater, film, and animation. You and the children in your family join Jack for an adventure that might start with the beanstalk, but follows Jack and his mother as they struggle to live happily ever after." For more information: metroplays.org.

Moonstone Theatre Company presents Moonstone Connections, a series of in-depth interviews with arts leaders by company founder Sharon Hunter. New episodes air the third Tuesday of each month; see linktr.ee/moonstoneconnections for more information.

The Muny presents Attuned: Cast Me at the Muny, a nine-part podcast that "showcases audition tips and funny stories, while offering an inside look at what makes casting a Muny show so challenging." The series is available on demand at the Classic 107.3 web site. For more information: classic1073.org/podcasts

Pathway

The Performing Arts Department at Washington University presents the MFA Student Dance Concert: Pathway via on-demand video through April 11. "This dance concert takes us on a journey that combines three distinct paths. One moves us through the world of grief, the powerful rollercoaster of human emotions. The next takes us on the passage of both the power and grace of Muslim women.  In the final piece, we are immersed in the force of our neglect of Nature and her rebellious response." For more information: edison.wustl.edu

The Repertory Theatre of St. Louis, in collaboration with Baltimore Center Stage, Long Wharf Theatre, The Public Theater and Woolly Mammoth Theatre Company, present Play at Home, a series of micro-commissioned short plays from some of the American theatre's most exciting and prominent playwrights. These new plays – which all run 10 minutes or less – are available for the public to download, read and perform at home for free at playathome.org.

Adena Varner and family

The Repertory Theatre of St. Louis presents a live video stream of the WiseWrite Digital Play Festival running until the end of the Rep's 2020-2021 season. “Step into the imagination of three young playwrights as The Rep presents professional readings of their new plays.” The production is directed by Adena Varner, the Rep's Director of Learning and Community Engagement. For more information: repstl.org.

Deal Orlandersmith in
After the Flood

The Repertory Theatre of St. Louis and All Arts present Until the Flood, written and performed by Dael Orlandersmith, via on-demand streaming. "On August 9, 2014, Darren Wilson, a white police officer, shot and killed Michael Brown, an African American teenager in Ferguson, Missouri. The shooting ignited weeks of social unrest, propelled the Black Lives Matter movement and prompted a controversial investigation by the U.S. Department of Justice. Celebrated writer, performer and Pulitzer Prize finalist Dael Orlandersmith traveled to St. Louis and conducted interviews with dozens of people who were grievously shaken by Brown’s shooting and the turbulent aftermath. From these intimate conversations, Orlandersmith created eight unforgettable characters who embody a community struggling to come to terms with the personal damage caused by these events." For more information: allarts.org

The Repertory Theatre of St. Louis presents Woolly Mammoth Theatre Company’s production of Human Resources, created by Telephonic Literary Union, on demand through April 11. "Together with the Woolly Mammoth Theatre Company and Telephonic Literary Union, The Rep presents a unique and interactive audio experience. Dial the hotline to access a menu of unexpected options, in a playful twist on the all-too-familiar customer service phone maze. Featuring new works by playwrights Brittany K. Allen, Christopher Chen, Hansol Jung and Zeniba Now, Human Resources invites callers to chart their own journey. Whether you're looking for self-knowledge, witness, or deliverance, help is only a phone call away." For more information: repstl.org.

R-S Theatrics presents While the Ghostlight Burns, a virtual discussion series featuring R-S Artistic Director Sarah Lynne Holt in conversation with St. Louis theatre artists, Mondays at 7 pm.  Conversations will be archived at the R-S Theatrics YouTube channel. For more information: r-stheatrics.com/while-the-ghostlight-burns.html

Come Together

The St. Louis Shakespeare Festival presents streaming videos from the SHAKE20 festival, including re-imagined, condensed versions of classic Shakespeare plays and new takes on old favorites like Joe Hanrahan's Come Together, at the Shakespeare Festival Facebook page at www.facebook.com/pg/STLShakesFest/videos

SATE, in collaboration with COCA and Prison Performing Arts, presents Project Verse: Creativity in the Time of Quarantine. Project Verse presents two new plays: Quatrains in Quarantine by e.k. doolin and Dream On, Black Girl: Reflections in Quarantine by Maxine du Maine. The performances are streamed free of charge on SATE’s website and Facebook page. For more information: slightlyoff.org.

Classic Mystery Game

SATE also offers streaming performances of the shows originally scheduled for live 2020 productions: The Mary Shelley Monster Show, As You Like It (produced for SHAKE20, Project Verse, and Classic Mystery Game. The shows are available on their YouTube channel.

Stray Dog Theatre presents The New Works Laboratory: Song Series streaming on demand through March 31. "After receiving submissions from around the world, we selected 7 new musical theatre songs to bring right to you! Following your viewing, we invite you to leave comments and thoughts on our web form which will be available on the event page." For more information, visit straydogtheatre.org.
 
Union Avenue Opera offers Sneak Peeks of its 2021 season operas Il barbiere di Siviglia (The Barber of Seville), Les Contes d'Hoffmann (The Tales of Hoffmann) and The Cradle Will Rock on its YouTube channel.

Looking for auditions and other artistic opportunities? Check out the St. Louis Auditions site.

For information on events beyond this week, check out the searchable database at the Regional Arts Commission's Events Calendar.

Would you like to be on the radio? KDHX, 88.1 FM needs theatre reviewers. If you're 18 years or older, knowledgeable in this area, have practical theatre experience (acting, directing, writing, technical design, etc.), have good oral and written communications skills and would like to become one of our volunteer reviewers, send an email describing your experience and interests to chuck at kdhx.org. Please include a sample review of something you've seen recently.

Chuck's Choices for the weekend of October 4, 2019

Lots of new stuff this week, including a unique theatre/dance hybrid.

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New This Week:

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The Agitators
Photo by ProPhotoSTL

Upstream Theater presents The Agitators running through October 13. "Upstream Theater is excited to present Mat Smart's compelling play The Agitators, which takes us straight into the thunder and lightning of the 45-year friendship between Frederick Douglass and Susan B. Anthony. After meeting in Rochester in the 1840's, these two social activists became great allies and, at times, great adversaries. They agitated the nation, they agitated (and sometimes aggravated) each other and, in so doing they helped change the Constitution and the course of American history." Performances take place at the Kranzberg Arts Center, 501 North Grand in Grand Center. For more information, including show times: upstreamtheater.org.

My take: This is a somewhat qualified recommendation, based mostly on the rave reviews about the work of the two actors in the show, J. Samuel Douglas and Erin Kelley. In her KDHX review, for example, Tina Farmer writes that "J. Samuel Davis returns to the Upstream stage in the role of Frederick Douglass. Once again he gives a superb performance...Erin Kelley does fine work in her portrayal of Susan B. Anthony, convincing us of this woman's utter, tireless commitment to the cause." But she goes on to note tha the script is "rather weak" and that the characters themselves are a bit one-dimensional. At Limelight, Andrea Braun strikes a similar note, observing that "much of the play seems rather like a lecture" but adds "if there are better actors than Kelley and Davis to play these parts, I don’t know who they are." All the other aspects of the production have gotten plenty of praise as well and the play tells a story that is probably not well known, so (to quote The Bard), "'tis enough, 'twill suffice."

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Equivocation
Photo by John Lamb

The West End Players Guild opens its 109th season with Bill Cain's Equivocation Thursday through Saturday at 8 pm and Sunday at 2 pm, October 3-6. "Equivocation is a Shakespearean tale of intrigue starring the Bard himself. The King offers Shakespeare a commission he can't refuse, to write a play about the Gunpowder Plot to blow up Parliament. Shakespeare discovers it is a perilous assignment, as he learns that the King's version of the story does not quite square with the facts. Shakespeare is torn between the truth and the Crown. Can he walk this tightrope without losing his head (literally)?" There will also be a show on Thursday, October 3, at 8 pm. Performances take place at the Union Avenue Christian Church, 733 North Union at Enright in the Central West End. For more information, call 314-367-0025 or visit www.westendplayers.org.

My take: Speaking of The Bard, This freewheeling mix of fact and fiction has gotten good notices. "West End Players Guild begins its 109th season," writes Mark Bretz at Ladue News, "with an absorbing production of this provocative, fascinating and richly rewarding play by Jesuit priest Bill Cain." At STLToday, Calvin Wilson is less enthused about the script but praises the "imaginative direction and a terrific acting ensemble" and ends by calling it "a witty and wonderfully insightful play and a must-see for fans of all things Shakespearean." Sounds like a plan.

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Hello, Dolly!

The Fabulous Fox Theatre presents the musical Hello Dolly! running through October 13. "Winner of four Tony® Awards including Best Musical Revival, HELLO, DOLLY! is the universally acclaimed smash that NPR calls "the best show of the year!" and the Los Angeles Times says "distills the mood-elevating properties of the American musical at its giddy best." Director Jerry Zaks' "gorgeous" new production (Vogue) is "making people crazy happy!" (The Washington Post). After breaking box office records week after week and receiving unanimous raves on Broadway, this HELLO, DOLLY! is now touring America, paying tribute to the original work of legendary director/choreographer Gower Champion - hailed both then and now as one of the greatest stagings in musical theater history." The Fabulous Fox Theatre in on N. Grand in Grand Center. For more information: fabulousfox.com.

My take: How can anyone not like this show? The original Hello, Dolly opened on Broadway in January of 1964 after some rocky out-of-town previews and several revisions. It ran for 2,844 performances, considerably raising the bar for the definition of "blockbuster." It's not hard to see why. Herman's score is one of his best (not that he every wrote a bad song anyway) and the book retains all the humanitarian humor of the Thornton Wilder play on which it's based. Go and enjoy.

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Shakespeare Festival St. Louis, The Big Muddy Dance Company, Jazz St. Louis and the Nine Network of Public Media present an adaptation of Duke Ellington's Such Sweet Thunder Friday and Saturday, October 4-5 at 8:00 pm. "The collaboration between Shakespeare Festival St. Louis, Nine Network of Public Media, Jazz St. Louis, and The Big Muddy Dance Company brings to life Such Sweet Thunder, a 12-part jazz suite from Duke Ellington, in a multi-disciplinary performance to portray a tempestuous love story set in the 1950s. Bruce Longworth will adapt the script and direct the ensembles which include two actors Rayme Cornelle (Kate) and Ron Himes (Henry), 18 dancers in original choreography by Dexandro Montalvo and a 15-piece band playing Ellington's timeless score." Free performances take place in the Public Media Commons in Grand Center. Reservations are recommended. For more information: www.sfstl.com

My take: Honestly, I think this just speaks for itself. It's a jazz suite by Duke Ellington based on Shakespeare and adapted by Opera Theatre's Bruce Longworth. What more do you want? Well, how about this: it runs about an hour, it's free, and although it's outdoors, evening temperatures are finally seasonal. Case closed.

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Valhalla Cemetery and The Hawthorne Players present Voices Of Valhalla: A Hayride Through History October 4 - 12. Hayrides through Valhalla Cemetery depart every fifteen minutes beginning at 6:30 each evening as members of the Hawthorne Players portray some of the noted locals buried in Valhalla. Valhalla Cemetery is located at 7600 St. Charles Rock Road. For more information, visit hawthorneplayers.com.

My take: I had a chance to both see and appear in this annual event in 2014 and again in 2016, and I must say that I was impressed by the professionalism of both the script (assembled by director Larry Marsh from historical sources) and the quality of the performances. Here's how it works: you pile on a hay wagon and are driven through historic Valhalla Cemetery. At various points during the ride, the wagon stops and an actor portraying a historical figure buried at Valhalla steps out of the darkness and delivers a monologue on his or her life. They can be comic, tragic, or a combination of the two, but they're always well researched and informative.

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Held Over:

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Angels in America, Part 2
Photo by ProPhotoSTL

The Repertory Theatre of St. Louis presents Angels in America, Part 1: Millennium Approaches and Angels in America, Part 2: Perestroika running in alternating repertory with through October 4. "A towering epic that unveils new depths with each passing year, Tony Kushner's Tony- and Pulitzer Prize-winning masterpiece arrives on The Rep's stage for the first time. The AIDS epidemic is the flashpoint in Kushner's swirling tapestry of American culture, myths and spirituality. Navigating this maelstrom are Prior Walter, whose prophetic visions lead him toward an uncertain destiny, Joe Pitt, a devout and painfully closeted Mormon, and Roy Cohn, a lawyer whose AIDS diagnosis forces him to face a lifetime of misdeeds. These twin plays' vision of a wounded and chaotic nation struggling toward redemption is more urgent than ever." Performances take place at the Loretto-Hilton Center on the Webster University campus. For more information: repstl.org

My take: Angels in America: Gay Fantasia on National Themes (to quote its full title) is, effectively, an opera with no singing. It's a sweeping, unapologetically theatrical examination of some of the most basic of human ideas: love, death, loyalty, commitment, community and lots of other things that are usually capitalized when we discuss them. It's an epic tale told, as the best epics are, through the lives of a collection of flawed and fascinating characters. I saw Part 1 last weekend was sufficiently blown away by the quality of the Rep's production to recommend both parts without reservation. Yes, they're very long shows--Part 1 clocks in at around 3:15 with two intermissions and Part 2 (in the current revision, which dates from 2013) at around 3:30. Trust me, you'll never notice the length. Kushner's writing is so deft and this production so brilliantly acted and directed that the time flies like, well, an angel. I'd put this version of Angels right up there with the stunning production Stray Dog did in 2012, and that's high praise indeed.

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Man of La Mancha
Photo by ProPhotoSTL

Stages St. Louis presents the musical Man of La Mancha through October 6. "A romantic and inspiring musical adventure, MAN OF LA MANCHA tells the epic story of seventeenth-century author Miguel de Cervantes and his immortal literary creation Don Quixote." Performances take place in the Robert G. Reim Theatre at the Kirkwood Community Center, 111 South Geyer Road in Kirkwood. For more information: stagesstlouis.org.

My take: Winner of five Tony awards and four Variety Poll of Drama Critics awards and with an impressive track record of 2,329 performances on Broadway, Man of La Mancha has remained enduringly popular since its first performance on the Great White Way in 1965. The Stages production demonstrates forcefully what that is the case. The drama, comedy, and (above all) the inspiring message about the importance of "achieving the impossible" by "attempting the absurd" (to cite the Miguel Unamuno quote that inspired Dale Wasserman to write the show in the first place) come through loud and clear. If you're a fan of this play, you won't want to miss this one. It's a polished and moving way to close their current season. And it's even performed in its original one act format, running right at two hours and feeling much shorter.

Chuck's Choices for the weekend of March 31, 2017

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

Share on Google+:

New This Week:

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Card magician An Ha Lim
Photo: Joan Marcus

The Fox Theatre presents The Illusionists-Live From Broadway, opening on Friday, March 31, and running through Sunday. "Full of hilarious magic tricks, death-defying stunts and acts of breathtaking wonder, The Illusionists has shattered box office records worldwide and thrilled audiences of all ages with a mind-blowing spectacular showcasing the jaw-dropping talents of seven of the most incredible illusionists on earth." The Fox in at 527 North Grand in Grand Center. For more information: fabulousfox.com.

My take: We caught this last month when it played Chicago and while the performance we saw was one magician short (Dan Sperry, "The Anti-Conjurer," was inexplicably absent), it was still an entertaining and sometimes amazing show. As I noted in my review for KDHX, many of the effects will be familiar to fans of stage magic, but they're all done very well, and some of the close-up effects are most impressive.

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Webster University's Conservatory of Theatre Arts presents Next Fall Friday through Sunday, March 31 - April 2. “Adam and Luke are in a happy, committed relationship. They have been living together for years, despite some minor differences: Luke is a Christian and Adam is very much not. This leads to some debates, as well as to Luke keeping his relationship with Adam a secret from his family. Everything is running somewhat smoothly, until a sudden accident forces Adam to turn to Luke's family for support. This touching and funny play questions the limits of love and faith.” Performances take place in the Stage III Auditorium in Webster Hall on the Webster University campus. For more information, www.webster.edu/conservatory/season or call 314-968-7128.

My take: I haven't seen the Webster production, but as I wrote in my review of the Repertory Theatre's production back in 2010, Next Fall presents a story that doesn't end with the curtain. The characters and their relationships are so credible that we found ourselves compelled to speculate what might happen next. Mr. Nauffts's script provides a resolution, but no pat answers. The script was nominated for a Tony in 2009 and thoroughly deserved it.

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Taj Express

Dance St. Louis presents Taj Express: The Bollywood Musical Revue Friday at 8 p.m. and Saturday at 2 and 8 p.m., March 31 and April 1. "Through a fusion of film, dance, and music, this dazzling international sensation takes audiences on a live cinematic journey through modern Indian culture and society. The production is a high energy celebration of new India's pop music, Bollywood culture, and deep traditions featuring colorful costumes, joyful dance, and thrilling live music." Performances take place at the Touhill Performing Arts Center on the campus of the University of Missouri, St. Louis. For more information: dancestlouis.org.

My take: Here's another case where I'm going to recommend a show sight unseen, just based on the concept and the publicity stills. Indian cinema has produced a remarkable rethinking of the concept of a movie musical, and this looks like a colorful celebration of that material.

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Held Over:

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Million Dollar Quartet

The Repertory Theatre of St. Louis presents the musical Million Dollar Quartet through April 9. "Million Dollar Quartet is the Tony® Award winning Broadway musical, inspired by the electrifying true story of the famed recording session that brought together rock 'n' roll icons Elvis Presley, Johnny Cash, Jerry Lee Lewis and Carl Perkins for the first and only time." Performances take place at the Loretto-Hilton Center on the Webster University campus. For more information: repstl.org.

My take: This is clearly the week for "jukebox musicals" in St. Louis, with both Million Dollar Quartet and Motown the Musical (see below) available for your nostalgic pleasure. "Million Dollar Quartet is a big, celebratory rock 'n roll party," writes Tina Farmer in an upcoming review for KDHX, "filled with early classic rock songs, good-humored teasing, and the heart and soul of a dedicated promoter. The show's got a beat you can dance to and engaging, infectious performances, ensuring a whole lotta shaking and a fitting close to The Rep's anniversary season. " "At times," says Mark Bretz at Ladue News, "The Rep's presentation of Million Dollar Quartet seems more like a concert than a musical, an infectious good time woven around a fascinating story...Million Dollar Quartet is a fitting end to The Rep's financially prosperous and critically acclaimed season. There's a whole lotta shakin' goin' on that set."

Never the Sinner
Photo: Eric Woolsey

New Jewish Theater presents Never the Sinner through April 2. "Chicago, 1924. Clarence Darrow is defending Nathan Leopold Jr., age 18, and Robert Loeb, age 19, in the 'Crime of the Century.' The two had decided to commit the 'perfect murder,' just for the thrill of it. Considering themselves Nietzsche's übermensch (supermen), they concluded they were removed from the moral and social imperatives of the world. They brutally murdered 14-year-old Bobby Franks but were quickly apprehended. Darrow's defense of them was an eloquent plea against capital punishment. This exquisite play asks what demons lurked in the minds of these two young men and the complex relationship between them. This is a love story set to themes of crime and punishment, the press, the times, humanism, Nietzsche's philosophy and the end of the jazz age." Performances take place in the Marvin and Harlene Wool Studio Theater at the Jewish Community Center, 2 Millstone Campus Drive in Creve Coeur. For more information: www.newjewishtheatre.org or call 314-442-3283.

My take: As our toxic political climate clearly demonstrates, the overwhelming sense of entitlement of the hyper-rich easily leads to acts of cruelty and and depravity, but it rarely reaches the heights (or depths) displayed by the infamous "thrill killers" Leopold and Loeb. As Tina Farmer writes in an upcoming review for KDHX, this is "an engrossing tale that keeps you on the edge of your seat, with stunningly creepy and compelling performances by Pete Winfrey and Jack Zanger...The subject matter is at times disturbing, but the story is enthralling."

Chuck's Choices for the weekend of November 6, 2015

As always, the choices are purely my personal opinion. Take with a grain (or a shaker) of salt.

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Carmina Burana
dancestlouis.org

Dance St. Louis presents the Nashville Ballet production of Carl Orff's Carmina Burana Friday and Saturday at 8 PM and Sunday at 2 PM. The production features 120 singers, 60 musicians, and 40 dancers, including The University of Missouri-St. Louis Orchestra and Singers, The Bach Society of Saint Louis and The St. Louis Children's Choir. The opening act for Carmina Burana a world premiere performed by Saint Louis Ballet and choreographed by Dance St. Louis Artistic and Executive Director Michael Uthoff. Performances take place at the Touhill Center on the University of Missouri-St. Louis campus. For more information: dancestlouis.org.

My take: When this production first hit town back in February of 2013, I dubbed it "an impressive piece of dance theatre that succeeds both as Spectacle and as Art." The first (and least sexually explicit) of Orff’s Trionfi trilogy of choral theatre works, Carmina Burana derives its title from an 1847 collection of secular poetry by anonymous authors from the 12th and 13th centuries that turned up in 1803 in the Benedictine monastery in Beuren, Germany. As befits their "vulgar" status, the poems celebrate not the theoretical joys of heaven but rather the practical ones of earth: spring, sex, food, sex, drink, gambling, and sex. They also recognize something that we moderns have lost track of, to our detriment: the heavy influence of blind chance on our lives. The setting of "Fortuna Imperatrix Mundi" ("Fortune, Empress of the World"), which opens and closes the work, reminds us that the wheel of fortune is always turning and that none of us should get too cocky, as the universe has a tendency to dope-slap the excessively smug. While Carmina Burana has been a popular concert item at the St. Louis Symphony in recent years, chances to see a fully staged version are rare, and if 2013 is any indication this is one of the best.

I and You
Photo: Jerry Naunheim, Jr.

The Repertory Theatre of St. Louis presents the drama I and You through November 15. "Anthony is an effortlessly popular "A" student; Caroline is a prickly cynic, homebound with a serious illness. This unlikely duo sits in Caroline's room, trying to cobble together a report on Walt Whitman overnight. As they work and procrastinate, argue and compromise, the teens begin to uncover each other's hidden depths. Full of surprising humor and emotion, I and You explores bravery in the face of an uncertain future and the unique, mysterious connections that bind us." Performances take place in the studio theater at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

My take: As I write in my review, this play is a kind of dramaturgical magic trick. For most of its 85-minute length it looks like a conventional (but sharply written) buddy story about a pair of teens who find unexpected connections and friendship while working on a school project based on Walt Whitman's visionary poetry collection "Leaves of Grass." And then Ms. Gunderson pulls the rabbit out of the hat and shows us (to quote the Firesign Theatre) that "everything you know is wrong." The fact that she does this in a way that is entirely plausible and consistent with everything that has gone before is a testament to her strength as a dramatist. It's an intelligent script given a flawless presentation.

Dom Thomas

The Kranzberg Center presents Love, a cabaret starring Dom Thomas, on Saturday, November 7, at 6 and 8 p.m. "Come see Saint Louis' own Dom Thomas in his new cabaret show Love. Featuring a full band; Dom will preform classic tunes from the American song book, as well as original music from his upcoming album 'Sweet Dreams'. Discover Dom's Love for life, family and music in his brand new cabaret!" The Kranzberg Center is at 501 North Grand in Grand Center. For more information: kranzbergartscenter.org

My take: I first saw Mr. Thomas shortly after he arrived in St. Louis last year at The Cabaret Project open mic night (which I host) . He impressed me (and everyone else who has seen him) with his smooth, charming song delivery, with its echoes of the great Nat "King" Cole and other classic crooners.

Mamma Mia!
Photo: Joan Marcus

The Fox Theatre presents the musical Mamma Mia!, based on the songs of ABBA, Friday through Sunday, November 6-8. The Fox Theatre is at 517 North Grand in Grand Center. For more information, visit fabulousfox.com or call 314-534-1678.

My take: Let me state, for the record, that I am not now nor have I ever been a fan of the 1970s pop quartet ABBA. When they were cranking out hits like “Dancing Queen”, I was sneering at them and listening to Elvis Costello and The Ramones. I say this not to make you think I'm a Cool Guy (^TM) but rather to reassure you that when I describe Mamma Mia! as a completely captivating evening of musical theatre, it's not because of any latent nostalgia for platform shoes and white spandex. No, it's because producer Judy Craymer, director Phyllida Lloyd and playwright Catherine Johnson (all from Britain, where this show began and where the population have in inexplicable love affair for the Swedish group) have put together a fast-paced, funny, and occasionally even touching show that can send even a die-hard ABBA hater like yours truly out of the theatre with a smile on his face and a handful of those bouncy, hook-laden melodies rattling around in his brain. We first saw this in London a few years after its 1998 opening and found it to be great fun. The American version changes everyone from English to American, which seems unnecessary, but it's still a hoot.

The COCA Theatre Company presents Jason Robert Brown's Songs for a New World, Friday and Saturday, November 6 and 7. "This contemporary pop/rock musical introduces the audience to an array of characters ranging from a young man who has determined that basketball is his ticket out of poverty to a woman standing on a ledge 57 stories above Fifth Avenue. What emerges is a world on the brink of change filled with extraordinary people moving it forward." COCA is at 524 Trinity in University City. For more information, call (314) 725-6555 or visit www.cocastl.org.

My take: Songs for a New World is an interesting hybrid of song cycle, musical revue, and book musical. There's narrative thread, but it's inferred from the lyrics rather than stated in dialog (of which there is none), which may explain why this remarkably rich show isn't done more often. I haven't seen COCA's production, so I'm recommending this strictly on the strength of the material.

Storm Large

The Presenters Dolan present Storm Large and Her Four-Piece Band on Friday and Saturday, November 6 and 7, at 8 PM as part of the Gaslight Cabaret Festival. "A great singer, killer beauty and funny, fleshy truth teller, Storm has many lives. 1) She is a rock siren. 2) She fronts Pink Martini, a sophisticated pop symphony that tours all over the world. 3) She triumphed ("Sensational," said the NY Times) in a recent Brecht/Weil show at Carnegie Hall with Leonard Slatkin. 4) Best Selling Memoirist. She does it all supremely well. Very lucky to have her in St. Louis for the first time. Not to be missed. Definitely new key. With songs by Elvis Costello, Cole Porter, Willie Nelson, Cheap Trick, Olivia Newton-John and Storm Large." The performance takes place at the Gaslight Theater, 358 North Boyle. For more information: gaslightcabaretfestival.com.

My take: When I first saw Storm Large last spring at the Gaslight Cabaret Festival, I said she was a one-woman entertainment conglomerate: rock star, author, actor, songwriter, and creator of the much-praised one-woman show "Crazy Enough" (based on her memoir of the same name). She's a hypnotic, compelling, and energetic performer, and blessed with a powerful, seamless voice. So, yeah, you should definitely see her.

Act Two Theatre presents the satirical musical Urinetown, November 6-15. "Winner of three TONY Awards, three Outer Critic's Circle Awards, two Lucille Lortel Awards, and two Obie Awards, Urinetown is a hilarious musical satire of the legal system, capitalism, social irresponsibility, populism, bureaucracy, corporate mismanagement, municipal politics and musical theatre itself! Hilariously funny and touchingly honest, Urinetown provides a fresh perspective of one of America's greatest art forms. In a Gotham-like city, a terrible water shortage, caused by a 20-year drought, has led to a government-enforced ban on private toilets. The citizens must use public amenities, regulated by a single malevolent company that profits by charging admission for one of humanity's most basic needs. Amid the people, a hero decides he's had enough, and plans a revolution to lead them all to freedom!" Performances take place in the St. Peters Cultural Arts Centre at 1 St Peters Centre Blvd, St. Peters, MO 63376. For more information: act2theater.com.

My take: Here's another recommendation based entirely on the show itself, since I haven't seen Act Two's production. Urinetown takes on a serious subject—water and the way we take it for granted—in an entertaining way. As climate change dries up glaciers and creates water shortages in glacier-fed rivers and lakes, this show's message is, if anything, even more relevant now than when I first saw it many years ago.

Held Over:

Angel Street
Photo: Eric Woolsey

The Repertory Theatre of St. Louis presents the drama Angel Street through November 8. Mrs. Bella Manningham is going mad. Confined to an old and dark London home, her suave husband and caretaker, Jack, accuses her of playing wicked pranks and tricks that she can't recall, tormenting Bella and making her question her own sanity. Frightened, Bella believes everyone is against her, until one evening when a keen police inspector pays her a visit, shedding light on information that could save her life. Equal parts mystery, psychology and sin, Angel Street is one of Broadway's longest running plays. " Performances take place on the mainstage at the Loretto-Hlton Center, 130 Edgar Road in Webster Groves, MO. For more information, call 314-968-4925 or visit repstl.org.

My take: Sometimes a play's film adaptation will completely eclipse the original—just ask Murray Burnett and Joan Alison, whose 1940 drama Everybody Comes to Rick's would achieve fame as Casablanca. In the case of the 1938 thriller Angel Street, the 1944 film adaptation Gaslight (as the play was originally name in Britain) has become so familiar that the Rep adding it to the title. In any case, the original seems to have retained its suspense, despite the fact that pretty much everybody on the planet now knows the plot twists. "This is expertly crafted entertainment that will surely get you in the mood for the Halloween season," writes Chris Gibson at Broadwayworld.com, "and I highly recommend it!" At KDHX, Sarah Richardson says it's "an enjoyable, diverting show with a delightful cast and fantastic design." I agree about the cast, although it seems clear to me that the director has asked both leads to overact, especially in the final scene, with detracted from my enjoyment of what is, overall, a good production.